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dreams --- sleeping --- Iconography --- History of civilization --- sexuality --- anno 1400-1499 --- anno 1500-1599 --- Italy --- Inspiration in art --- Symbolism in art --- Art, Italian --- Art, Renaissance --- Inspiration dans l'art --- Symbolisme dans l'art --- Art italien --- Art de la Renaissance --- Italiaanse school

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The first publication to consider the relationship between these two major artists of the High Renaissance Through most of Michelangelo?s working life, one of his closest colleagues was the great Venetian painter Sebastiano del Piombo (1485Ư?1541). The two men met in Rome in 1511, shortly after Sebastiano?s arrival from his native city, and while Michelangelo was based in Florence from 1516 to 1534 Sebastiano remained one of his Roman confidants, painting several works after partial designs by him. This landmark publication is about the artists? extraordinary professional alliance and the friendship that underpinned it. It situates them in the dramatic context of their time, tracing their evolving artistic relationship through more than three decades of creative dialogue. Matthias Wivel and other leading scholars investigate Michelangelo?s profound influence on Sebastiano and the Venetian artist?s highly original interpretation of his friend?s formal and thematic concerns. The lavishly illustrated text examines their shared preoccupation with the depiction of death and resurrection, primarily in the life of Christ, through a close analysis of drawings, paintings, and sculpture. The book also brings the austerely beautiful work of Sebastiano to a new audience, offering a reappraisal of this less famous but most accomplished artist.

Art, Renaissance --- Art de la Renaissance --- Exhibitions. --- Expositions --- Michelangelo Buonarroti, --- Sebastiano, --- Exhibitions --- Italian Renaissance-Baroque styles --- Sebastiano del Piombo --- Michelangelo --- Italy --- Painting, Renaissance --- Peinture de la Renaissance --- Buonarroti, Michelangelo --- samenwerking van meerdere kunstenaars

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Private houses --- Painting --- History of civilization --- iconography --- villas --- Venetiaanse school --- Italian Renaissance-Baroque styles --- Villa Barbaro [Maser] --- Palladio, Andrea --- Veronese, Paolo --- Venice --- Art de la Renaissance --- Barbaro --- Maser (Italie) --- Villa Barbaro

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L'image n'est pas réductible aux splendeurs exposées dans les châteaux, les églises et les musées. Dès la Renaissance, où se développe le concept de beauté idéale, l'image envahit le quotidien : elle est un enjeu politique, un instrument de propagande, un support de la dévotion, un objet de distinction et, de plus en plus, un objet de délectation. Car la vue est bien le sens le plus célébré à l'époque moderne.Ce manuel, introduction à l'approche socio-historique de l'image, étudie la place croissante qu'occupe l'image dans l'espace quotidien des sociétés européennes du 15e au 18e siècle. Il entame sa réflexion sur les nouveautés techniques, représentatives et artistiques introduites par la Renaissance et s'achève sur l'apparition du système moderne de l'image au 18e siècle - et jusqu'à la Révolution -, avec salons, critique d'art et musées. Entre ces deux chapitres, des études thématiques abordent chronologiquement les aspects sociaux et idéologiques de la production et de l'utilisation des images : les artistes - hommes et femmes -, les clients et mécènes, l'image religieuse, le langage allégorique et le naturalisme, la fonction morale et cognitive de l'image, son rôle dans la distinction sociale et ses rapports avec le pouvoir politique.

Art and society --- Artists and patrons --- Pictures --- Art et société --- Artistes et mécènes --- Illustrations, images, etc. --- History --- Histoire --- Artistes et mecenes --- Art et societe --- Art --- Art de la Renaissance --- Art europeen --- Aspect social --- Aspect politique --- Histoire. --- Art et société --- Artistes et mécènes --- History. --- anno 1500-1799 --- Europe --- Illustrations, images, etc. - Aspect social - Europe - Histoire --- Artistes et mecenes - Europe - Histoire --- Art et societe - Europe - Histoire --- Art - Aspect politique - Europe - Histoire --- Art de la Renaissance - Histoire --- Art europeen - 17e siecle - Histoire --- Art europeen - 18e siecle - Histoire --- Art, Modern --- Philosophy --- Political aspects --- beeldcultuur

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Iconography --- Mary [s.] --- anno 1400-1499 --- Florence --- History of civilization --- Art, Italian --- Art, Renaissance --- Christian art and symbolism --- Art italien --- Art de la Renaissance --- Art et symbolisme chrétiens --- Jesus Christ --- Mary, --- Art --- Art et symbolisme chrétiens --- Mary [Blessed Virgin ] --- Art [Italian ] --- Florence (Italy) --- Art. --- Florence, school van