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Writing --- Printing --- Printing, Practical --- Typography --- Graphic arts --- Hieroglyphics --- History. --- Technique.
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Information science. --- Image processing - Digital techniques. --- Documentation. --- Printing, Practical.
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Drukkunst --- Imprimerie --- Printing --- Typographie --- Typography --- Make-up (Printing) --- Mise en pages --- Makeup (Printing) --- Printing [Practical ] --- Layout
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Indissociable du XXe siècle, la typographie en est comme son miroir : en analysant l'évolution spectaculaire du dessin de caractère dans le domaine du graphisme et dans notre environnement depuis ces cent dernières années, Typo du XXe siècle se place d'emblée sous le signe de cette intimité réciproque. Si l'influence des progrès techniques sur la typographie nous est familière, celle des mouvements artistiques n'avait jamais fait l'objet d'une étude aussi précise. Pourtant, les grands courants qui ont marqué l'histoire de la typographie sont ceux qui répondirent de façon créative à ces deux paramètres. Les artistes du Bauhaus inventèrent une esthétique de la mécanisation par leurs mises en pages modernistes, le style international suisse donna naissance à l'Helvetica, tandis que Stanley Morison dessina le Times New Roman pour répondre aux exigences techniques de la presse et que des graphistes contemporains, comme Neville Brody, créèrent des dessins numérisés. En dressant un panorama de la typographie du XXe siècle par décennie, en présentant ses protagonistes, Lewis Blackwell réunit l'ensemble des données historiques, techniques et artistiques sous une forme accessible à tous, des graphistes initiés au grand public qui s'intéresse à l'histoire des arts de la communication. Dans les années 90, la technologie informatique a révolutionné le design graphique et typographique. Cette édition, substantiellement revue et augmentée, de l'étude de Lewis Blackwell analyse la nouvelle liberté induite par cette révolution, du développement d'Internet aux transformations des conditions de travail des designers et des usagers, au seuil du nouveau millénaire.
Drukkunst --- Imprimerie --- Printing --- Typographie --- Typography --- History --- Histoire --- Caractère --- 20th century --- Printing [Practical ] --- Layout
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Printing --- History --- American Printing History Association --- Printing, Practical --- Typography --- APHA (American Printing History Association) --- Graphic arts
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Incunabula --- Printing --- Printing -- History. --- ART / History / General. --- Printing, Practical --- Typography --- Graphic arts --- History
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University Librarian at Cambridge from 1867 until his death, Henry Bradshaw (1831-86) had inherited from his banker father an important library of Irish printed books and pamphlets assembled in the early nineteenth century. Having added to it, Bradshaw generously presented the collection to the University Library in 1870, and it has been expanding ever since. Published in 1916, this three-volume catalogue was compiled by the bibliographer Charles Edward Sayle (1864-1924). The works listed here, numbering more than 8,000 items and dating from the early seventeenth century through to the late nineteenth century, represent a valuable resource for students of Irish history and printing. Sayle's catalogue reveals the breadth and richness of the collection at the time of publication. Volume 3 contains the index to the catalogue as a whole.
English literature --- Printing --- Irish authors --- History. --- Ireland --- Civilization --- Printing, Practical --- Typography --- Graphic arts --- Irish Free State
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University Librarian at Cambridge from 1867 until his death, Henry Bradshaw (1831-86) had inherited from his banker father an important library of Irish printed books and pamphlets assembled in the early nineteenth century. Having added to it, Bradshaw generously presented the collection to the University Library in 1870, and it has been expanding ever since. Published in 1916, this three-volume catalogue was compiled by the bibliographer Charles Edward Sayle (1864-1924). The works listed here, numbering more than 8,000 items and dating from the early seventeenth century through to the late nineteenth century, represent a valuable resource for students of Irish history and printing. Sayle's catalogue reveals the breadth and richness of the collection at the time of publication. Volume 2 lists works printed in Dublin without a printer's name between 1652 and 1883; works printed in Irish provincial towns; those by Irish authors; and those relating to Ireland.
English literature --- Printing --- Irish authors --- History. --- Ireland --- Civilization --- Printing, Practical --- Typography --- Graphic arts --- Irish Free State
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University Librarian at Cambridge from 1867 until his death, Henry Bradshaw (1831-86) had inherited from his banker father an important library of Irish printed books and pamphlets assembled in the early nineteenth century. Having added to it, Bradshaw generously presented the collection to the University Library in 1870, and it has been expanding ever since. Published in 1916, this three-volume catalogue was compiled by the bibliographer Charles Edward Sayle (1864-1924). The works listed here, numbering more than 8,000 items and dating from the early seventeenth century through to the late nineteenth century, represent a valuable resource for students of Irish history and printing. Sayle's catalogue reveals the breadth and richness of the collection at the time of publication. Prefaced by Bradshaw's letter gifting the collection to the Library Syndicate without imposing terms, Volume 1 lists works printed in Dublin by known printers between 1602 and 1882.
English literature --- Printing --- Irish authors --- History. --- Ireland --- Civilization --- Printing, Practical --- Typography --- Graphic arts --- Irish Free State