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In her new book, Carolyn Abbate considers the nature of operatic performance and the acoustic images of performance present in operas from Monteverdi to Ravel. Paying tribute to music's realization by musicians and singers, she argues that operatic works are indelibly bound to the contingency of live singing, playing, and staging. She seeks a middle ground between operas as abstractions and performance as the phenomenon that brings opera into being. Weaving between opera's "facts of life" and a series of works including The Magic Flute, Parsifal, and Pelléas, Abbate explores a spectrum of attitudes towards musical performance, which range from euphoric visions of singers as creators to uncanny images of musicians as lifeless objects that have been resuscitated by scripts. In doing so, she touches upon several critical issues: the Wagner problem; coloratura, virtuosity, and their critics; the implications of disembodied voice in opera and film; mechanical music; the mortality of musical sound; and opera's predilection for scenes positing mysterious unheard music. An intersection between transcendence and intense physical grounding, she asserts, is a quintessential element of the genre, one source of the rapture that operas and their singers can engender in listeners. In Search of Opera mediates between an experience of opera that can be passionate and intuitive, and an intellectual engagement with opera as a complicated aesthetic phenomenon. Marrying philosophical speculation to historical detail, Abbate contemplates a central dilemma: the ineffability of music and the diverse means by which a fugitive art is best expressed in words. All serious devotees of opera will want to read this imaginative book by s music-critical virtuoso.
Music --- Opera. --- Philosophy and aesthetics. --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Comic opera --- Lyric drama --- Opera --- Opera, Comic --- Operas --- Drama --- Dramatic music --- Singspiel --- Philosophy --- History and criticism --- Philosophy and aesthetics --- Oper --- Aufführung und Interpretation. --- Opéra. --- Opéras --- Musique --- opera (music genre) --- Performances --- Interprétation. --- Philosophie et esthétique.
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Who "speaks" to us in The Sorcerer's Apprentice, in Wagner's operas, in a Mahler symphony? In asking this question, Carolyn Abbate opens nineteenth-century operas and instrumental works to new interpretations as she explores the voices projected by music. The nineteenth-century metaphor of music that "sings" is thus reanimated in a new context, and Abbate proposes interpretive strategies that "de-center" music criticism, that seek the polyphony and dialogism of music, and that celebrate musical gestures often marginalized by conventional music analysis.
-Opera --- -Comic opera --- Narrative in music. --- -Philosophy and aesthetics --- Narrativity in music --- Music --- -Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Comic opera --- Lyric drama --- Opera --- Opera, Comic --- Operas --- Philosophy and aesthetics --- History and criticism --- Philosophy and aesthetics. --- Program music --- Narrative in music --- Musique --- Opéra --- Philosophie et esthétique --- 19th century --- anno 1800-1899
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Music --- Aesthetics --- Philosophy and aesthetics. --- Hermeneutics (Music) --- Musical aesthetics --- Music theory --- Philosophy and aesthetics --- Philosophy
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Abold, engaging exploration of opera's fundamental nature and enduring appeal, from the sixteenth century to the present. There are lively discussions of opera's social, political, and literary backgrounds, its economic circumstances, and the almost continual polemics that have accompanied its development through the centuries. The authors examine the problems that opera has faced in the last half century, when new works--once opera's lifeblood--have shrunk to a tiny minority and have largely failed to find a permanent place in the repertoire. Yet opera as an art form remains extraordinarily buoyant and challenging.
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Music --- opera's --- muziekgeschiedenis --- anno 1700-1799 --- anno 1800-1899 --- anno 1900-1999 --- anno 2000-2099
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A bold, engaging exploration of opera's fundamental nature and enduring appeal, from the sixteenth century to the present. There are lively discussions of opera's social, political, and literary backgrounds, its economic circumstances, and the almost continual polemics that have accompanied its development through the centuries. The authors examine the problems that opera has faced in the last half century, when new works-- once opera's lifeblood-- have shrunk to a tiny minority and have largely failed to find a permanent place in the repertoire. Yet opera as an art form remains extraordinarily buoyant and challenging.
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Analyzing Opera: Verdi and Wagner explores the latest developments in opera analysis by considering, side by side, the works of the two greatest opera composers of the nineteenth century. Although the juxtaposition is not new, comparative studies have tended to view these masters as radically different both as musicians and as musical dramatists. Wagner and his "symphonic opera" set against Verdi "the melodist" is one of many familiar antitheses, and it serves to highlight the particular terms from which comparisons are often made. In this book some of the leading and most innovative music scholars challenge this view, suggesting that as we become more distant from the nineteenth century, we may see that Verdi and Wagner confronted largely similar problems, and even on occasion found similar solutions. But more than this, Analyzing Opera sets out to demonstrate the richness and variety of modern analytical approaches to the genre. As the editors point out in their introduction, today's musical scholars increasingly question the usefulness of organicist theories in analytical studies, and, as they do so, opera seems to become an ever more central area of investigation. Opera is peculiar: its clash of verbal, musical, and visual systems can produce incongruities and extravagant miscalculations. It invites a multiplicity of approaches, challenges orthodoxy, and embraces ambiguity. The sheer variety of essays presented here is witness to this fact and suggests that analyzing opera is one of the liveliest (and most polemical) areas in modern-day musical scholarship. In addition to the editors, the contributors to the volume are Philip Gossett, John Deathridge, James A. Hepokoski, Joseph Kerman, Thomas S. Grey, Matthew Brown, Anthony Newcomb, Martin Chusid, David Lawton, and Patrick McCreless.
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Operas --- -Burlettas --- Comic operas --- Intermezzos (Operas) --- Light operas --- Opera buffas --- Opera serias --- Opéras comiques --- Operettas --- Puppet operas --- Singspiels --- Dramatic music --- Analysis, appreciation --- -Congresses --- Verdi, Giuseppe --- -Wagner, Richard --- Congresses --- -Analysis, appreciation --- Burlettas --- Analysis, appreciation&delete& --- Verdi, Giuseppe, --- Wagner, Richard, --- Congresses. --- Wagner, Richard
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