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Art --- Conceptual art --- Marketing.
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Art --- Conceptual art --- 7.038 --- 766.01 --- Alexander Alberro --- concept art --- conceptuele kunst --- Graham Dan --- Kosuth Joseph --- kunst --- kunst en reclame --- kunstmarkt --- LeWitt Sol --- reclame --- Siegelaub Seth --- sixties --- twintigste eeuw --- Weiner Lawrence --- Marketing --- Applied marketing --- United States --- United States of America
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Siegelaub, Seth ; Graham, Dan ; Kosuth, Joseph ; Lewitt, Sol ; Weiner, Lawrence
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architectural elements --- performance art --- Sculpture --- motion pictures [visual works] --- public art --- built works --- video art --- Film --- art [fine art] --- outdoor sculpture --- commissions [orders for works] --- Architecture --- Iconography --- sculpting --- architecture [discipline] --- Art --- Graham, Dan --- United States --- art [discipline] --- United States of America --- GRAHAM (DAN) --- MODERN ART --- 20th CENTURY
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Art --- Aesthetics --- Conceptual art. --- ed. by Alexander Alberro and Blake Stimson --- Conceptuele kunst ; kritische anthologie --- twintigste eeuw --- Concept Art --- kunst --- conceptuele kunst --- 7(035) --- concept art --- 7.01 --- naslagwerk --- Costa Edouardo --- Kozlov Christine --- Oiticica Hélio --- LeWitt Sol --- Bode Sigmund --- Bochner Mel --- Buren Daniel --- Mosset Olivier --- Parmentier Michel --- Toroni Niele --- Baldwin Michael --- Piper Adrian --- Atkinson Terry --- Rainer Yvonne --- Darboven Hanne --- Gramuglio Maria Teresa --- Rosa Nicolas --- Claura Michel --- Battcock Gregory --- Graham Dan --- Art-Language --- Art and Language --- Burn Ian --- Lozano Lee --- Mierle Laderman Ukeles --- Murphy John --- Gilardi Piero --- Clay Jean --- Wedewer Rolf --- Kosuth Joseph --- Lippard Lucy R. --- Harrison Charles --- Siegelaub Seth --- Tacha Spear Athena --- McShine Kynaston --- Burnham Jack --- Rosenberg Harold --- Camnitzer Luis --- Meireles Cildo --- Haacke Hans --- Burgin Victor --- Smithson Robert --- Charlesworth Sarah --- Broodthaers Marcel --- Sekula Allan --- Rosler Martha --- Kelly Mary --- Smith Terry --- Corris Michael --- Wall Jeff --- Carmen Ramirez Mari --- Crow Thomas --- 7.038 --- Kunst ; handboeken --- Kunst ; theorie, filosofie, esthetica --- Conceptual art --- Lippard Lucy R --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art --- Art conceptuel
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Andrea Fraser's work, writes Pierre Bourdieu in his foreword to Museum Highlights, is able to "trigger a social mechanism, a sort of machine infernale whose operation causes the hidden truth of social reality to reveal itself." It often does this by incorporating and inhabiting the social role it sets out to critique—as in a performance piece in which she leads a tour as a museum docent and describes the men's room in the same elevated language that she uses to describe seventeenth-century Dutch paintings. Influenced by the interdisciplinarity of postmodernism, Fraser's interventionist art draws on four primary artistic and intellectual frameworks—institutional critique, with its site-specific examination of cultural context ; performance ; feminism, with its investigation of identity formation ; and Bourdieu's reflexive sociology. Fraser's writings form an integral part of her artistic practice, and this collection of texts written between 1985 and 2003—including the performance script for the docent's tour that gives the book its title—both documents and represents her work. The writings in Museum Highlights are arranged to reflect different aspects of Fraser's artistic practice. They include essays that trace the development of critical "artistic practice" as cultural resistance ; performance scripts that explore art institutions and the public sphere ; and texts that explore the ambivalent relationship of art to the economic and political interests of its time. The final piece, "Isn't This a Wonderful Place ? (A Tour of a Tour of the Guggenheim Bilbao)," reflects on the role of museums in an era of globalization. Among the book's 30 illustrations are stills from performance pieces, some never before published.
Fraser, Andrea. --- Performance art --- Artists and patrons --- Artists and museums --- Arts and society --- Arts audiences --- Art --- Hierarchies --- Exhibition techniques --- Evaluation --- Fraser, Andrea --- Written works --- Aesthetics --- Social aspects --- Written works. --- Aesthetics. --- Performance --- Féminisme --- Femme artiste --- Ecrit d'artiste --- Performance art - United States --- Art - Exhibition techniques - Evaluation --- Fraser, Andrea - Written works --- Fraser, Andrea - Aesthetics
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Graham, Dan, --- Themes, motives --- 778.5 --- 791.43.098 --- 7.071 GRAHAM, DAN --- Filmfotografie. Filmkunst --- Video's. Videofilms. Videoclips. Videokunst --- Creatieve en vertolkende bezigheden in verband met kunst. Activiteiten van beroepsartiesten--GRAHAM, DAN --- 791.43.098 Video's. Videofilms. Videoclips. Videokunst --- 778.5 Filmfotografie. Filmkunst --- Graham, Dan, - 1942- - Themes, motives --- Graham, Dan, - 1942-
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Texts by Hans Haacke that range from straightforward descriptions of his artworks to wide-ranging reflections on the relationship between art and politics.
Art. --- ART / Performance --- ART / Reference --- Haacke, Hans, --- ART / Performance. --- ART / Reference. --- Art / performance. --- Art / reference. --- Art --- Art conceptuel --- Haacke, Hans --- Haacke, Hans, - 1936 --- -Haacke, Hans 1936 --- -Art conceptuel --- Haacke, Hans 1936 --- -Haacke, Hans, - 1936 --- -Art.
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Conceptual art --- Artists --- Art conceptuel --- Artistes --- Concept-art. --- Conceptuele kunst. --- Interview. --- Künstler. --- Entretiens. --- USA. --- conceptuele kunst --- Conceptual --- Art styles --- anno 1900-1999 --- philosophy of art --- art [fine art] --- art theory --- Art --- Oppenheim, Dennis --- Weiner, Lawrence --- Siegelaub, Seth --- Morris, Robert --- Smithson, Robert --- LeWitt, Sol --- Barry, Robert --- Kaltenbach, Stephen James --- Huebler, Douglas --- kunst --- kunsttheorie --- concept art --- twintigste eeuw --- Verenigde Staten --- Barry Robert --- Oppenheim Dennis --- Siegelaub Seth --- Kaltenbach Stephen --- Weiner Lawrence --- LeWitt Sol --- Smithson Robert --- Huebler Douglas --- 7.01 --- 7.038 --- United States --- Oppenheim, Dennis A. --- Interviews --- Weiner, Lawrence Charles --- Kaltenbach, Stephen --- Conceptual art - United States. --- Artists - United States - Interviews. --- art [discipline]
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Andrea Fraser's work, writes Pierre Bourdieu in his foreword to Museum Highlights, is able to "trigger a social mechanism, a sort of machine infernale whose operation causes the hidden truth of social reality to reveal itself." It often does this by incorporating and inhabiting the social role it sets out to critique -- as in a performance piece in which she leads a tour as a museum docent and describes the men's room in the same elevated language that she uses to describe seventeenth-century Dutch paintings. Influenced by the interdisciplinarity of postmodernism, Fraser's interventionist art draws on four primary artistic and intellectual frameworks -- institutional critique, with its site-specific examination of cultural context; performance; feminism, with its investigation of identity formation; and Bourdieu's reflexive sociology. Fraser's writings form an integral part of her artistic practice, and this collection of texts written between 1985 and 2003 -- including the performance script for the docent's tour that gives the book its title -- both documents and represents her work.The writings in Museum Highlights are arranged to reflect different aspects of Fraser's artistic practice. They include essays that trace the development of critical "artistic practice" as cultural resistance; performance scripts that explore art institutions and the public sphere; and texts that explore the ambivalent relationship of art to the economic and political interests of its time. The final piece, "Isn't This a Wonderful Place? (A Tour of a Tour of the Guggenheim Bilbao)," reflects on the role of museums in an era of globalization. Among the book's 30 illustrations are stills from performance pieces, some never before published.
Art --- Performance art --- 069 FRAS --- 7.01 FRAS --- 7.071 FRASER --- Andrea Fraser ; edited by Alexander Alberro --- eenentwintigste eeuw --- feminisme --- Fraser Andrea --- gender studies --- installaties --- kunst --- kunst en politiek --- musea --- performances --- twintigste eeuw --- Verenigde Staten --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Social aspects --- Fraser, Andrea --- Aesthetics. --- Written works. --- Museology --- United States --- Art, Primitive --- United States of America
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