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Présentation des oeuvres issues de la collection constituée entre 1943 et 1974 par l'homme d'affaires new-yorkais Henry Pearlmann, notamment des tableaux de Cézanne. ©Electre 2015
Painting, French --- Painters --- Peinture française --- Peintres --- Exhibitions --- Exhibitions --- Expositions --- Expositions --- Cézanne, Paul,
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"Issued on the occasion of an exhibition of paintings and drawings by Théodore Rousseau, a leader of the Barbizon School, held at the J. Paul Getty Museum at the Getty Center, Los Angeles, from June 21, 2015, to September 11, 2016, and at the Ny Carlsberg Glyptotek, Copenhagen, from October 13, 2016, to January 8, 2017"--Provided by publisher.
Painting --- landscapists --- Rousseau, Théodore --- Rousseau, Théodore, --- Criticism and interpretation. --- Painters --- Painting, French --- Landscape painting --- Peintres --- Peinture française --- Peinture de paysages --- Exhibitions. --- landschappen --- Salons (Parijs) --- kunstkritiek --- kunsthandel --- Peinture française --- Rousseau, Théodore, --- landschappen. --- Salons (Parijs). --- kunstkritiek. --- kunsthandel. --- Rousseau, Théodore.
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Jean-Léon Gérôme (1824?1904) was an undisputed professional success during his lifetime. Crowds flocked to see his vividly rendered historical and Orientalist compositions, and thanks to the mass marketing of his work through mechanical reproduction, he reached audiences on an unprecedented scale. From the outset, however, his success met with critical hostility. Émile Zola, champion of Édouard Manet, dismissed Gérôme as a cynical manufacturer of anecdotal images for popular consumption?a critique repeatedly echoed by historians of modern art. In light of revisionist and postmodern trends over the past four decades, however, Gérôme's work is now being approached with unprecedented seriousness and refreshing creativity. The ten essays in this volume go far in challenging critical biases against the artist and suggesting new avenues of research. These papers indeed suggest that we are just beginning to learn how to "read" Gérôme's paintings in their full complexity. Reconsidering Gérôme was published to accompany the exhibition The Spectacular Art of Jean-Léon Gérôme, on view at the J. Paul Getty Museum from June 15 through September 12, 2010
Gérôme, Jean Léon --- Gérôme, Jean Léon, --- Gérôme, Jean Léon, --- History painting, French --- Orientalism in art --- Academic art --- Painting, French --- Peinture d'histoire française --- Orientalisme dans l'art --- Académisme --- Criticism and interpretation.
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"An illustrated survey of more than one hundred masterworks in the collection of the J. Paul Getty Museum; includes brief summaries of each of the paintings written by the museum's curators"--Provided by publisher.
Painting --- easel paintings [paintings by form] --- J --- Europe --- Schilderkunst [Europese ] --- Catalogi --- Hollandse school --- Italiaanse school --- Vlaamse school
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"Situates French artist Jean-François Millet's painting 'Man with a Hoe' (1860-62) in the arc of his career and traces its reception, from its debut at the 1863 Paris Salon to the years following its acquisition by American collectors in the 1890s"--
Peasants in art --- Labor in art --- Rural conditions in art --- Painting --- Millet, Jean-François, --- J. Paul Getty Museum
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Gérôme, Jean Léon --- historiestukken --- fotografie --- orientalisme --- Gérôme, Jean-Léon --- historiestukken. --- orientalisme. --- Gérôme, Jean-Léon.
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"An examination of the last years of the artist Édouard Manet's life and work"--Provided by publisher.
Painting --- exhibitions [events] --- art criticism --- easel paintings [paintings by form] --- interpretation --- Manet, Edouard --- Salons (Parijs) --- briefwisseling --- modellen --- techniek --- Baudelaire, Charles --- 18de eeuw --- 19de eeuw --- Manet, Édouard, --- Criticism and interpretation. --- Painting, French --- Manet, Édouard --- briefwisseling. --- Salons (Parijs). --- modellen. --- techniek. --- Manet, Édouard. --- Baudelaire, Charles. --- 18de eeuw. --- 19de eeuw. --- provenance research --- Last years --- Dernières années. --- Critique et interprétation.
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