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This issue investigates the meaning of photographic image for contemporary art. In Malraux' dream, photography offers the ultimate guarantee for a coherent presentation of art. However, as Douglas Crimp has stated, the appearance and enhancement of photography as a form of art among other art forms disrupted the center of the art world. What does this mean for art and philosophy in our time? Various artists and theorists will delve into that question:Christian Boltanski, Benjamin H.D. Buchloh, Jean-François Chevrier, Douglas Crimp, Jos de Mul, Mirjam de Zeeuw, Rineke Dijkstra, Michael Gibbs, Rodney Graham, Gerald van der Kaap, Karen Knorr, Zoe Leonard, Ken Lum, Hermann Pitz, Liza-May Post, John Roberts, Allan Sekula, Andres Serrano, Jan Simons, Beat Streuli, John M. Swinnen, Renée van de Vall, Hilde van Gelder, Hripsimé Visser, Jeff Wall, Ian Wallace and Herta Wolf.

Aesthetics --- Esthetica --- Esthétique --- 760.4 --- fotografie als kunst

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Art in Ruins ; Bijl, Guillaume ; Darboven, Hanne ; Demand, Thomas ; Dumas, Marlene ; Fleury, Sylvie ; Fortuyn/O'Brien ; Hirakawa, Noritoshi ; Hohenbüchler, Christine & Irene ; Huber, Thomas ; Kemps, Niek ; Kosuth, Joseph ; Levine, Les ; Mark, Arno Van der ; Mol, Pieter Laurens ; Persoon, Kars ; Pitz, Hermann ; Rummel, Michel ; Scholte, Rob ; Schouten, Lydia ; Schütte, Thomas ; Serafijn, Q.S. ; Steinbach, Haim ; Struycken, Peter ; Vanderheyden, JCJ ; Vertessen, Liliane ; Willems, Eldert ; Zaugg, Rémy ; van Elk, Ger

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Art, Modern --- Art criticism. --- Kunst. --- Visuele aspecten.

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Aesthetics --- Esthetica --- Esthétique

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Currently, advanced art education is in the process of developing (doctorate or PhD) research programs throughout Europe. Therefore, it seems to us urgent to explore what the term research actually means in the topical practice of art. After all, research as such is often understood as a method stemming from the alpha, beta or gamma sciences directed towards knowledge production and the development of a certain scientific domain. How is artistic research connected with those types of scientific research, taking into account that the artistic domain so far has tended to continually exceed the parameters of knowledge management? One could claim that the artistic field comprises the hermeneutic question of the humanities, the experimental method of the sciences, and the societal commitment of the social sciences. Will that knowledge influence the domain, the methodology, and the outcome of artistic research? Another major topic concerns not only the specificity of the object of knowledge of artistic research but above all whether and how artistic research and its institutional programs will influence topical visual art, its artworks and its exhibitions. These complex problematics with their various points of view and management models are mapped out through the contributions of theorists, curators, and institutions, from Belgium, France, Great-Britain, Italy, The Netherlands, Finland, Germany, and Sweden. May these contributions be a constructive impetus for a versatile debate which may influence the future role of advanced art institutions and the position of artistic research in the next decade.

Art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Research --- Research. --- Art, Primitive