Listing 1 - 5 of 5 |
Sort by
|
Choose an application
Now that we 'curate' even lunch, what happens to the role of the connoisseur in contemporary culture? 'Curate' is now a buzzword applied to everything from music festivals to artisanal cheese. Inside the art world, the curator reigns supreme, acting as the face of high-profile group shows and biennials in a way that can eclipse and assimilate the contributions of individual artists. At the same time, curatorial studies programs continue to grow in popularity, and businesses are increasingly adopting curation as a means of adding value to content and courting demographics. Everyone, it seems, is a now a curator. But what is a curator, exactly? And what does the explosive popularity of curating say about our culture's relationship with taste, labour and the avant-garde? In this incisive and original study, critic David Balzer travels through art history and around the globe to explore the cult of curation - where it began, how it came to dominate museums and galleries, and how it was co-opted at the turn of the millennium as the dominant mode of organizing and giving value to content. At the centre of the book is a paradox: curation is institutionalized and expertise-driven like never before, yet the first independent curators were not formally trained, and any act of choosing has become 'curating.' Is the professional curator an oxymoron? Has curation reached a sort of endgame, where its widespread fetishization has led to its own demise?
Art --- Curatorship --- History. --- History --- exhibition curators
Choose an application
Art --- museology --- exhibition curators
Choose an application
A criticism of the saturation of the 'curator' in art, business and everyday life.
Curatorship --- Art --- History.
Choose an application
"Pionniers de l'art conceptuel et des liens entre arts, médias et société, General Idea (1969-1994) est l'une des entreprises artistiques les plus fécondes et visionnaires des dernières décennies du xxe siècle, à l'origine de l'une des œuvres canadiennes les plus influentes pour l'histoire de l'art contemporain international. Pendant les vingt-cinq années de leur collaboration, le trio composé de AA Bronson, Felix Partz et Jorge Zontal ont abordé et rejoué, autant au sein du monde de l'art que dans l'espace public, des thèmes aussi cruciaux que les médias de masse, le consumérisme, l'identité queer, le marché de l'art et la crise mondiale du sida."--Éditeur
Choose an application
drawing and drawing techniques --- schilderkunst --- tekenkunst --- painting [image-making] --- Borremans, Michaël --- 75.07 --- 741.07 --- 75.039 --- (069) --- Schilderkunst ; 2000-2013 ; Michaël Borremans --- Borremans, Michaël °1963 (°Geraardsbergen, België) --- Tentoonstellingscatalogi ; Brussel ; Bozar ; Paleis voor Schone Kunsten --- Belgische kunstenaars --- kunst --- België --- twintigste eeuw --- Borremans Michaël --- film --- magisch realisme --- eenentwintigste eeuw --- 7.01 BORREMANS --- 75.071 BORREMANS --- 75.071(493) --- Belgische schilders --- Michaël Borremans --- schilders --- Schilderkunst ; schilders --- Tekenkunst ; tekenkunstenaars A - Z --- Schilderkunst ; 2000 - 2050 --- (Musea. Collecties. Tentoonstellingen) --- Exhibitions --- Artists --- Painting, Belgian --- Borremans, Michaël, --- Criticism and interpretation. --- drawing techniques --- drawing [image-making] --- Schilderkunst ; 2000-2013 ; Michaël Borremans --- Borremans, Michaël °1963 (°Geraardsbergen, België) --- België --- Borremans Michaël --- Michaël Borremans --- Drawing, Belgian --- Human figure in art. --- Borremans, Michaël, --- Borremans, Michaël.
Listing 1 - 5 of 5 |
Sort by
|