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ISBN: 2757200488 Year: 2006 Publisher: [Paris] : Somogy ; [Zürich] : Musées suisses[Paris] : Somogy ; [Züri,
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KLEE, Paul (1879 - 1940) --- ZENTRUM PAUL KLEE (BERNE) --- CATALOGUE
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Year: 1997 Publisher: Milano Skira
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Art --- iron [metal] --- Brignoni, Serge --- Müller, Robert --- Luginbühl, Bernhard --- Linck, Walter --- Giacometti, Alberto --- anno 1900-1999 --- Switzerland
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ISBN: 9780190497163 9780190497156 0190497157 0190497165 Year: 2022 Publisher: New York: Oxford University Press,
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"This monograph explores the under-researched use of music in Jean-Luc Godard's films and video essays from the early 1960s to the late 1990s. While Godard is largely hailed as a leading innovator of visual montage, unique storytelling style, and ground-breaking cinematography, his achievements as a leading pioneer in sculpting complex soundtracks altering the familiar relationship between sound and image have been mainly overlooked. On these soundtracks, music assumes the unique role of metafilm music. Metafilm music self-consciously refers to its own role as film music and disrupts the primary function of film music as an essential filmic device creating cinematic illusion. The concept of metafilm music describes how Godard thinks with film music about film music. Metafilm music manifests itself in Godard's work in four distinct manners: as fragmentized musical cues; as the same fragment verbatim repeated several times; as extrapolated, short excerpts from classical or popular music; and as music mixed unusually loudly into the soundtrack. With a detailed analysis of these parameters, the book explores fragmented and repeated music as Godard's critique of the leitmotif technique. Godard further self-reflexively investigates genre-specific music in musical comedies, films noir, and melodramas, as well as prototypical film music as arguably its own musical genre. His last foray into metafilm music entails music-making as a metaphor for filmmaking. By thinking with music about the function of film music, Godard has created throughout his career multi-layered soundtracks which challenge the conventional norms of film music and sound"--
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ISBN: 3906415333 Year: 2000 Publisher: [S.l.] : [s.n.],
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Year: 2008 Publisher: Ostfildern Hatje Cantz Verlag
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ISBN: 9783775729833 Year: 2011 Publisher: Ostfildern Hatje Cantz
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ISBN: 9781138238039 Year: 2023 Publisher: New York : Routledge,
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"Music, Authorship, Narration, and Art Cinema in Europe: 1940s to 1980s investigates the function of music in European cinema after the Second World War up to the fall of the Berlin wall, a period when composers and directors embraced experimentation. Through analyses of music and sound in a wide range of iconic films from across Europe, the essays in this book provide a nuanced reconsideration of three core themes: auteur theory, art house film, and national cinema. Chapters written by an international array of contributors focus on case studies of music in the cinema of Carlos Saura, Jean-Pierre Melville, the Polish School, and Romanian cinema of the New Wave, as well as collaborations between directors and composers, including Michelangelo Antonioni and Giovanni Fusco, Federico Fellini and Nino Rota, Leo Arnshtam and Dmitry Shostakovich, and Peter Greenaway and Michael Nyman. The contributors shift the emphasis from a director-centered view to the working relationship between director and composer, and from the visual component to the sonic aspects of these films, without ignoring the close correlation between soundtrack and visual elements. Enriching our understanding of the complex nature of authorship in film, the role of film music, and European cinematic history, this volume offers a valuable addition to research across music and film studies"--
Motion picture music --- Motion pictures --- History and criticism. --- Political aspects --- History
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ISBN: 379521114X Year: 2004 Publisher: Tutzing Schneider
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