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This study of the social circumstances of Japanese intellectuals in the last quarter of the eighteenth century is based on biographical data concerning 173 individuals.
Intellectuele vorming. --- Prosopografiee ̈n. --- Vriendschap. --- Wetenschap. --- Japan --- Intellectual life --- History --- Nihon --- Nippon --- Iapōnia --- Zhāpān --- I︠A︡ponii︠a︡ --- Yapan --- Japon --- Japão --- Japam --- Mư̄ang Yīpun --- Prathēt Yīpun --- Yīpun --- Jih-pen --- Riben --- Government of Japan --- 日本 --- 日本国 --- Nipponkoku --- Nippon-koku --- Nihonkoku --- Nihon-koku --- State of Japan --- Япония --- Japani --- اليابان --- al-Yābān --- يابان --- Yābān --- Japonsko --- Giappone --- Japonia --- Japonya --- Society & culture: general --- Sociology & anthropology --- culture and instituten --- geschiedenis --- sociology --- history --- sociologie --- geography --- culture and institutions --- auxiliary disciplines --- Kinabatangan language --- Zakhring language --- Jepun --- Yapon --- Yapon Ulus --- I︠A︡pon --- Япон --- I︠A︡pon Uls --- Япон Улс
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In the Edo period, Japan had its first experience of what one might call “intellectual life” in a pregnant sense of the word: a scene that combined serious intellectual pursuits, from poetry writing to the interpretation of the Confucian classics, with intense social interaction. Edo-period Japan was crisscrossed by networks of poets, scholars, artists and collectors who exchanged information, discussed each other’s work, cooperated in collaborative projects, and gossiped about each other. Intellectual life in Edo Japan was a seething cauldron of social interaction and competition, sometimes harmoniously productive, sometimes destructively vicious, but never stagnant. This volume, compiled in honour of Prof. W.J. Boot, offers eleven essays that explore the intellectual scene of Edo-period Japan from a variety of perspectives.
J1008.60 --- Japan: Philosophy -- history -- Kinsei, Edo, Tokugawa period, early modern (1600-1867) --- Japan --- Intellectual life --- -History --- -Festschrift - Libri Amicorum --- History --- Festschrift - Libri Amicorum --- History. --- Annals --- Auxiliary sciences of history --- Boot, W. J. --- Boot, W.J. --- Boot, Willem J. --- Boot, Wim
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"Dionysos, with his following of satyrs and women, was a major theme in a big part of the figure painted pottery in 500-300 B.C. Athens. As an original testimonial of their time, the imagery on these vases convey what this god meant to his worshippers. It becomes clear that - contrary to what is usually assumed - he was not only appropriate for wine, wine indulgence, ecstasy and theatre. Rather, he was present in both the public and private sphere on many, both happy and sad, occasions. In addition, the vase painters have emphasized different aspects of Dionysos for their customers inside and outside of Athens, depending on the political and cultural situation"--
Vase-painting, Greek --- Vases, Red-figured --- Dionysus --- Cult. --- Red-figure vases --- Red-figured vases --- Vases, Red-figure --- Bacchus --- Bakchos --- Dionís --- Dionisas --- Dioniso --- Dionīss --- Dionisu --- Dioniz --- Dionizi --- Dionizo --- Dionizos --- Dionüszosz --- Dionysos --- Dionýzos --- Diyonizosse --- Διόνυσος --- Дионис --- ديونيسوس --- 디오니소스 --- דיוניסוס --- ディオニューソス --- 狄俄倪索斯 --- Βάκχος --- Діоніс --- Vases, Ancient --- Cults. --- Vase-painting, Greek. --- Vases, Red-figured. --- Greece --- Greek vase-painting --- Alternative religious movements --- Cult --- Cultus --- Marginal religious movements --- New religions --- New religious movements --- NRMs (Religion) --- Religious movements, Alternative --- Religious movements, Marginal --- Religious movements, New --- Religions --- Sects --- Vase-painting, Greek - Greece - Athens. --- Vases, Red-figured - Greece - Athens. --- Dionysus - (Greek deity) --- Dionysus - (Greek deity) - Cult. --- Dionysus - (Greek deity) - Art. --- Art. --- Peinture de vases grecque --- Vases à figures rouges --- Classics --- Comparative religion --- Iconography --- History of ancient Greece --- Dionysus [Mythological character] --- Athens
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"Dionysos, with his following of satyrs and women, was a major theme in a big part of the figure painted pottery in 500-300 B.C. Athens. As an original testimonial of their time, the imagery on these vases convey what this god meant to his worshippers. It becomes clear that he was not only appropriate for wine, wine indulgence, ecstasy and theatre. Rather, he was presenton many, both happy and sad, occasions. The vase painters have emphasized different aspects of Dionysos for their customers inside and outside of Athens, depending on the political and cultural situation."
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