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Wallace Stevens, Poetry, and France offers the first book-length study of the various effects–poetic or prosaic, serious or comic, strange or familiar–produced by the deployment of French languages and cultures in Stevens’ poetry. Prominent Stevens scholars reexamine here a number of key issues, from angles as diverse as translation studies, aesthetics, linguistics, comparative literature, French theory, and politics, raised by Stevens’ special relation to France around the writing of poetry.

figures [representations] --- Théorie de la figure humaine --- physiognomy --- pattern books --- Rubens, Peter Paul --- Aveline, Pierre --- Aesthetics of art --- Human figure in art --- Rubens, Peter Paul, --- Aesthetics --- human figures [visual works] --- Anatomy, Artistic --- Proportion (Art) --- Early works to 1800 --- Human figure in art - Early works to 1800 --- Anatomy, Artistic - Early works to 1800 --- Proportion (Art) - Early works to 1800 --- Rubens, Peter Paul, - 1577-1640 - Aesthetics --- Aesthetics. --- Human body in art --- Art --- Composition (Art) --- Figurative art --- Figure drawing --- Figure painting --- Rubens, --- Rubens, P. P. --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- רובנס, פטר פאול, --- poetry --- Wallace Stevens and France --- translation and aesthetics --- Morphopsychologie --- Visage dans l'art --- Rubens, Peter Paul, - 1577-1640