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Drawing --- Painting --- Graphic arts --- apocalyptic art --- Art --- christelijke iconografie --- Apocalyps --- Het Laatste Oordeel --- grafiek --- verluchtingen --- films --- 7.04 --- 7.046 --- 091.31:7.04 --- 091:22 --- 236.9 --- CDL --- Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- Iconografie: mythologische-, religieuze-, epische voorstellingen. Legenden --- Verluchte handschriften: iconografie --- Bijbels--(handschriften) --- Einde van de wereld --- Exhibitions --- 236.9 Einde van de wereld --- 091:22 Bijbels--(handschriften) --- 091.31:7.04 Verluchte handschriften: iconografie --- 7.046 Iconografie: mythologische-, religieuze-, epische voorstellingen. Legenden --- 7.04 Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- Apocalypse in art --- Apocalypse in motion pictures --- Apocalyptic art --- Christian art and symbolism --- Art, Apocalyptic --- Allegories --- Symbolism in art --- Apocalypse as a theme in motion pictures --- Motion pictures --- Bible. --- Abūghālimsīs --- Apocalipse (Book of the New Testament) --- Apocalisse (Book of the New Testament) --- Apocalypse (Book of the New Testament) --- Apocalypse of John --- Apocalypse of St. John --- Apocalypsis Johannis --- Apocalypsis S. Johannis --- Apokalypse (Book of the New Testament) --- Apokalypsin --- Book of Revelation --- Johannes-Apokalypse --- Johannesapokalypse --- Johannesoffenbarung --- Offenbarung des Johannes --- Revelation (Book of the New Testament) --- Revelation of St. John --- Revelation of St. John the Divine --- Revelation to John --- Ruʼyā (Book of the New Testament) --- Sifr al-Ruʼyā --- Yohan kyesirok --- Laatste Oordeel --- Apokalipsa św. Jana --- Apokalipsa świętego Jana

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Iconography --- Drawing --- drawing [image-making] --- wars --- human figures [visual works] --- Moore, Henry --- anno 1900-1999 --- Great Britain

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Graphic arts --- anno 1900-1999 --- Germany

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With the emergence of utopia as a cultural genre in the sixteenth century, a dual understanding of alternative societies, as either political or literary, took shape. In Utopia, Carnival, and Commonwealth in Renaissance England, Christopher Kendrick argues that the chief cultural-discursive conditions of this development are to be found in the practice of carnivalesque satire and in the attempt to construct a valid commonwealth ideology. Meanwhile, the enabling social-political condition of the new utopian writing is the existence of a social class of smallholders whose unevenly developed character prevents it from attaining political power equivalent to its social weight. In a detailed reading of Thomas More's Utopia, Kendrick argues that the uncanny dislocations, the incongruities and blank spots often remarked upon in Book II's description of Utopian society, amount to a way of discovering uneven development, and that the appeal of Utopian communism stems from its answering the desire of the smallholding class (in which are to be numbered European humanists) for unity and power. Subsequent chapters on Rabelais, Nashe, Marlowe, Bacon, Shakespeare, and others show how the utopian form engages with its two chief discursive preconditions, carnival and commonwealth ideologies, while reflecting the history of uneven development and the smallholding class. Utopia, Carnival, and Commonwealth in Renaissance England makes a novel case for the social and cultural significance of Renaissance utopian writing, and of the modern utopia in general.

English literature --- Utopias in literature. --- Politics and literature --- Satire, English --- Imaginary societies in literature. --- Carnival in literature. --- Renaissance --- Utopian literature --- History and criticism. --- History --- More, Thomas, --- Moor, Thomas, --- Moore, Thomas, --- Mor, Tomas, --- More, Tomás, --- Moro, Thomaz, --- Moro, Tomás, --- Moro, Tommaso, --- Morus, Tamás, --- Morus, Thomas, --- Morus, Tomasz, --- מורוס, תומאס, --- Моръ, Томасъ, --- Morʺ, Tomasʺ, --- Influence. --- Carnival in literature --- Imaginary societies in literature --- Utopias in literature --- 820 "15/16" --- 820 "15/16" Engelse literatuur--?"15/16" --- Engelse literatuur--?"15/16" --- History and criticism --- More, Thomas --- Thomas More --- Moro, Tommaso --- Morus, Thomas --- Morus, T. --- More, T. --- Moro, Tomás --- Influence --- Early modern, 1500-1700 --- Great Britain --- 16th century --- 17th century --- Satire [English ] --- England --- Utopia (More, Thomas, Saint) --- Englisch. --- Great Britain. --- England. --- De optimo reipublicae statu, deque nova insula Utopia, libri II (More, Thomas, Saint) --- Thomae Mori Utopia (More, Thomas, Saint) --- Utopia (More, Thomas, Sir, Saint) --- Anglia --- Angliyah --- Briṭanyah --- England and Wales --- Förenade kungariket --- Grã-Bretanha --- Grande-Bretagne --- Grossbritannien --- Igirisu --- Iso-Britannia --- Marea Britanie --- Nagy-Britannia --- Prydain Fawr --- Royaume-Uni --- Saharātchaʻānāčhak --- Storbritannien --- United Kingdom --- United Kingdom of Great Britain and Ireland --- United Kingdom of Great Britain and Northern Ireland --- Velikobritanii͡ --- Wielka Brytania --- Yhdistynyt kuningaskunta --- Northern Ireland --- Scotland --- Wales --- Angleterre --- Anglii͡ --- Anglija --- Engeland --- Inghilterra --- Inglaterra

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Graphic arts --- prints [visual works] --- history [discipline] --- prentkunst --- geschiedenis --- United States of America