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796.015.1 --- Physical education and training --- -Physical education and training --- -Coaching (Athletics) --- -Athletics --- Athletic training --- Education, Physical --- P.E. (Physical education) --- PE (Physical education) --- Phy ed --- Phys ed --- Physical culture --- Physical training --- Sports --- Sports training --- Training, Physical --- Education --- Athletics --- Exercise --- Gymnastics --- Theorie en methodologie van de training --- History --- -History --- Coaching --- Training --- -Theorie en methodologie van de training --- 796.015.1 Theorie en methodologie van de training --- -796.015.1 Theorie en methodologie van de training --- Coaching (Athletics)

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Botanists --- Besler, Basilius, --- Beslerus, Basilius,

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During the Renaissance, Italian painters would traditionally depict the wives of their patrons as Madonnas, often rendering them more beautiful than they actually were. Over centuries in religious paintings, the Madonna has been presented as the clement and protective mother of God. However, with the passing of time, Mary gradually lost some of her spiritual characteristics and became more mortal and accessible to human sentiments. Virgin Portraits illuminates this evolution and contains impressive works by Michelangelo, Caravaggio, Rubens, Fouquet, Dalí, and Kahlo.

Mary, --- Christian Women --- Women In Art --- Religion --- Art

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A symbol of modernity, the Viennese Secession was defined by the rebellion of twenty artists who were against the conservative Vienna Künstlerhaus' oppressive influence over the city, the epoch, and the whole Austro-Hungarian Empire.Influenced by Art Nouveau, this movement (created in 1897 by Gustav Klimt, Carl Moll, and Josef Hoffmann) was not an anonymous artistic revolution. Defining itself as a "total art", without any political or commercial constraint, the Viennese Secession represented the ideological turmoil that affected craftsmen, architects, graphic artists, and designers from this

Art, Austrian --- Austrian art --- Wiener Secession. --- Vienna Secession --- Wiener Sezession --- Wiener Secession, Vereinigung Bildender Künstler --- Vereinigung Bildender Künstler Österreichs "Sezession" --- Vereinigung Bildender Künstler "Wiener Secession" --- Secession (Vienna, Austria) --- Secessione viennese --- Galería de Secesión, Viena --- Vienna Secession Gallery --- Sécession viennoise

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Albrecht Dürer est le troisième enfant d'Albrecht Dürer l'Ancien, orfèvre originaire de Hongrie et arrivé à Nüremberg en 1455. En 1486, il entre dans l'atelier de Michael Wolgemut et en devient l'apprenti. Après avoir effectué son tour de compagnon à travers la France et l'Allemagne, il séjourne à deux reprises à Venise, en 1494 puis en 1505. Ce séjour le marque profondément. On lui fait alors la commande d'un retable pour l'autel de Notre-Dame, dans l'église nationale de la colonie allemande à San Bartolommeo. En 1512, il reçoit une pension de l'empereur Maximilien de Habsbourg avec titres de

Painters --- Dürer, Albrecht, --- Dürer, Albrecht --- Durer, Albert