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Turner Prize winner Mark Leckey is one of the most influential contemporary artists working today. Since he came to prominence in the late 1990s, Leckey's practice has addressed the radical effect of technology on popular culture and has powerfully articulated the transition from analogue to digital culture. His work is often concerned with under-represented or overlooked aspects of British culture and explores ideas about both collective and personal history. For example, the film Fiorucci Made Me Hardcore 1999 uses sampled footage to trace dance subcultures in British nightclubs from the 1970s to the 1990s. Dream English Kid, 1964-1999 AD 2015 focuses on key episodes in his own life, constructed from "found memories" sourced primarily from the internet. This book, accompanying Leckey's first major show at Tate, combines newly commissioned writing with artist's scripts for performances, and illustrates his previous work as well as the intriguing sources of inspiration for this powerful, immersive new exhibition.

Art --- installations [visual works] --- photography [process] --- video art --- childhood --- bridges [built works] --- CGI --- sound art --- Leckey, Mark --- Art, British --- Collage --- 7.07 --- Leckey, Mark °1964 (°Birkenhead, Groot-Brittannië) --- Videokunst ; installaties --- Found footage --- Collages --- Found objects (Art) --- Handicraft --- Montage --- British art --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Leckey, Mark, --- Exhibitions --- nostalgie (kunst)

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This volume explores the contemporaneous engagements with a spirit of pop throughout the globe, looking not only at the relatively well-covered activity in the US, UK, and France but also surveying developments throughout Central and Eastern Europe, Latin America, Asia, Africa, and the Middle East.

easel paintings [paintings by form] --- Art --- Pop [fine arts styles] --- sculpture [visual works] --- Fromanger, Gérard --- Brudaşcu, Cornel --- Bućan, Boris --- Minujin, Marta --- Axell, Evelyne --- Selz, Dorothée --- Otašević, Dušan --- Bayrle, Thomas --- Rodrigues, Glauco --- Komar, Vitaly --- Chordà, Mari --- Martínez, Raúl --- Bertlmann, Renate --- Barel, Joav --- Fahlstrom, Öyvind --- Grau, Eulàlia --- Roehr, Peter --- Shinohara, Ushio --- Oliver, Isabel --- Schifano, Mario --- Nicola L --- Želibská, Jana --- Overstreet, Joe --- Marisol --- Self, Colin --- Soares, Teresinha --- Lombardo, Sergio --- Garcìa, Ángela --- Tanaami, Keiichi --- Natalia LL --- Zielinski, Jerzy Ryszard --- Iveković, Sanja --- Cancela, Delia --- Reinikainen, Raimo --- Pinińska-Bereś, Maria --- Canogar, Rafael --- Janković, Jozef --- Rabascall, Joan --- Francken, Ruth --- Melamid, Alexander --- Tozzi, Claudio --- Matsumoto, Toshio --- Dias, Antonio --- Maiolino, Anna Maria --- Disconzi, Romanita --- Rancillac, Bernard --- Tilson, Joe --- Tanavoli, Parviz --- González, Beatriz --- Kogelnik, Kiki --- Colares, Raymundo --- Gudmundsson, Sigurdur --- Nitsche, Marcello --- Rosler, Martha --- Yokoo, Tadanori --- Chicago, Judy --- Lausen, Uwe --- Vardea, Chryssa --- Equipo Crónica --- Ottinger, Ulrike --- Equipo Realidad --- Burga, Teresa --- Tajiri, Shinkichi --- anno 1960-1969 --- anno 1970-1979 --- MAD-faculty 16 --- kunst 20e eeuw --- pop art --- Pop art --- Chryssa --- Tadanori, Yokoo --- paintings [visual works]