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Romantic women poets
Authors: ---
ISBN: 1282265814 9786612265815 9401204756 1435611861 9781435611863 9042022477 9789042022478 9789401204750 9042022477 9789042022478 9781282265813 6612265817 Year: 2007 Publisher: Amsterdam New York, NY

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Romantic Women Poets: Genre and Gender focuses on the part played by women poets in the creation of the literary canon in the Romantic period in Britain. Its thirteen essays enrich our panoramic view of an age that is traditionally dominated by male authors such as Wordsworth, Coleridge, Byron, Shelley, Keats and Scott. Instead the volume concentrates on the poetical theory and practice of such extraordinary and fascinating women as Joanna Baillie, Charlotte Smith, Anna Laetita Barbauld, Dorothy Wordsworth, Helen Maria Williams, Lady Morgan, Ann Radcliffe, Mary Shelley, Letitia Elizabeth Landon, Anna Seward, and Lady Caroline Lamb. Female and male poetics, gender and genres, literary forms and poetic modes are extensively discussed together with the diversity of behaviour and personal responses that the individual women poets offered to their age and provoked in their readers. There have been several important collections of essays in this particular area of study in the last few years, but this volume reflects and complements much of this earlier critical work with specific strengths of its own.


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Women’s Voices and Genealogies in Literary Studies in English
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ISBN: 1527530280 1527534847 Year: 2019 Publisher: Cambridge Scholars Publishing

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Romantic women poets : genre and gender
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ISBN: 9789042022478 Year: 2007 Publisher: Amsterdam Rodopi

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The romantic stage : a many-sided mirror
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ISBN: 9401212007 Year: 2014 Publisher: Amsterdam, The Netherlands : Rodopi.

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The Romantic Stage: A Many-Sided Mirror examines late eighteenth- and early nineteenth-century British theatre and drama with the conviction that they made an essential contribution to the aesthetic and ideological complexity of the British culture of the day. The essays collected in this volume seek to capture the richness and diversity of British Romantic theatre and drama and situate them at the centre of the multiple, and often radical, literary and social transformations that the Age brought about. The volume is divided into four main sections: “Contextualizing Romantic Theatre and Drama”, “Drama across the Arts”, “Staging the Gothic (Fear on Stage)” and “Texts, Theories and Contexts”. Each section is dedicated to a particular aspect of English Romantic drama examined through interdisciplinary, international and inter-generic perspectives.


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The romantic stage : A many-sided mirror
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ISBN: 9789401212007 Year: 2014 Publisher: Amsterdam Rodopi

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The languages of performance in British romanticism
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ISBN: 9783039110971 Year: 2008 Publisher: Frankfurt am Main [etc.] Peter Lang

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The romantic stage : a many-sided mirror
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ISBN: 9789042039186 Year: 2014 Publisher: Amsterdam New York Rodopi

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Les nations européennes entre histoire et mémoire, xixe-xxe siècles

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Cet ouvrage s’inscrit dans le programme de recherche intitulé « Les nations et l’Europe : deux mémoires en parallèle ». Ce programme développé au sein du Labex de l’université Paris Nanterre, Les passés dans le présent, a pour objectif l’analyse des relations entre le sentiment national et l’idée européenne depuis la fin du XVIIIe siècle. De l’Europe des révolutions qui ouvre le XIXe siècle, à celle de Maastricht, un dialogue à la fois conflictuel et complémentaire a été poursuivi entre les tenants d’une identité nationale privilégiée et ceux qui ont plaidé en faveur d’un destin commun des peuples de l’Europe. Ce livre s’est donné pour objectif d’identifier les forces politiques, les milieux économiques, les groupes de pensée, les personnalités, les milieux culturels qui ont été à la source de ces débats et d’isoler les tournants, les moments de stabilisation, les crises, les conflits qui ont redéfini profondément le jeu de miroir qui s’est progressivement établi entre les nations et l’Europe. Ceux et celles qui ont participé à cet ouvrage ont voulu comprendre comment se sont construites par étapes, une mémoire des nations et une mémoire de l’Europe, comment se sont différenciées, au sein même des nations et de l’Europe, des mémoires concurrentes des régions ; comment encore, ces mémoires ont été convoquées sur la scène politique. Cette recherche a eu enfin pour ambition d’alimenter un débat d’actualité sur la place occupée par le sentiment national et l’idée européenne dans un paysage de crise où les deux identités sont à l’épreuve.

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