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"To be working-class in a middle-class world is to be a ghost. Excluded, marginalised, and subjected to violence, the working class is also deemed by those in power to not exist. We are left with a choice between assimilation into middle-class values and culture, leaving our working-class origins behind, or total annihilation. In The Melancholia of Class, Cynthia Cruz analyses how this choice between assimilation or annihilation has played out in the lives of working-class musicians, artists, writers, and filmmakers- including Amy Winehouse, Ian Curtis, Jason Molina, Barbara Loden, and many more- and the melancholia that ensues when the working-class subject leaves their origins to "become someone," only to find that they lose themselves in the process."--
Working class --- Assimilation (Sociology) --- Working class in art --- Melancholy in art --- Melancholy in music --- klassenstrijd --- sociologie --- filosofie --- arbeiders --- werkende klasse --- middenklasse --- bourgeoisie --- burgerij --- identiteit --- sociale mobiliteit --- arbeidersklasse --- kunst --- kunstenaars --- 157.3 --- 303.4 --- Cultural assimilation --- Anthropology --- Socialization --- Acculturation --- Cultural fusion --- Emigration and immigration --- Minorities --- Music --- Labor and laboring classes in art --- Commons (Social order) --- Labor and laboring classes --- Laboring class --- Labouring class --- Working classes --- Social classes --- Labor --- Social conditions --- geschiedenis der wijsbegeerte, 1900-heden, werken van wijsgeren --- sociologie, inleidingen, hand- en leerboeken --- Employment
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Argentina Noir offers a guide to Argentine crime fiction, with a focus on works published since the year 2000. It argues that the novela negra, or crime novel, has become the favored genre for many writers to address the social malaise brought about by changes linked to globalization and market-driven economic policies. Cynthia Schmidt-Cruz presents close readings and original interpretations of eleven novels, all set in or around Buenos Aires, and explores the ways these texts adapt major motifs, figures, and literary techniques in Hispanic crime fiction in order to give voice to wide-ranging social critiques. Schmidt-Cruz addresses such topics as organized crime and institutional complicity, corruption during the presidency of Carlos Menem (1989–1999), terrorist attacks on Jewish institutions in Buenos Aires and the mysterious death of Alberto Nisman, and the winners and the losers of neoliberal structural changes. With a solid underpinning in sociological studies and criticism of the genre and its historical context, Argentina Noir reveals how these novels are renovating the genre to engage pressing issues confronting not only Argentina but also countries throughout Latin America and around the globe.
Noir fiction, Argentine --- Argentine fiction --- Crime in literature. --- Argentine literature --- Argentine noir fiction --- History and criticism. --- Buenos Aires (Argentina) --- Trinidad del Puerto de Santa María de Buenos Aires (Argentina) --- Buenos Ayres (Argentina) --- Capital Federal (Argentina) --- Trinidad y Puerto de Santa María de los Buenos Aires (Argentina) --- Capital (Argentina) --- Ciudad Autónoma de Buenos Aires (Argentina) --- La Trinidad (Argentina) --- Trinidad (Argentina) --- gobBsAs (Argentina) --- Gobierno de la Ciudad Autónoma de Buenos Aires (Argentina) --- Buenos Aires (Federal Capital) --- CABA (Argentina) --- Autonomous City of Buenos Aires (Argentina) --- Buenos Ajres (Argentina) --- In literature.
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