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Old songs in the timeless land : medievalism in Australian literature 1840-1910
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ISBN: 9782503535661 2503535666 Year: 2011 Volume: 10 Publisher: Turnhout Brepols

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This volume is the first close examination of the rich and diverse body of medievalist texts produced in late colonial and early Federal (ie post-1901) Australia. It examines the many ways in which early Australian novelists, poets, and dramatists drew on the motifs, events, and personages of the medieval past, and places particular emphasis on how they used the European past to illuminate their sense of the Australian present. Broadly stated, the book argues that a study of early Australian medievalist literature and theatre uncovers a rich and revealing drama in which the forces of cultural nostalgia and cultural amnesia sometimes contended against one another, and sometimes harmonised, to produce a unique and distinctive corpus. The book significantly extends current knowledge about nineteenth-century literary and theatrical medievalism by offering an exploration of how medievalist discourses and idioms came to be taken up within a major, but as yet under-examined, branch of Anglophone literature. It aims also to broaden the cultural ambit of nineteenth-century medievalism by offering analyses of popular and ephemeral instances alongside more ‘serious’ medievalist texts. The study balances an interest in how this medievalism responded to local conditions with an interest in its international complexion, examining how Australian medievalist novels, poems, and plays, participated in imperial and transpacific intellectual and entertainment circuits. While the emphasis of the volume is on close, historically-contextualising interpretations of texts, it has woven through its arguments a series of meditations on such theoretical matters as how we determine the boundaries of medievalism, how we might develop an account of colonial medievalism as non-derivative, whether medievalist discourses are equally amenable across gender, class, and ideological lines, and how the premodern past is evoked as a means for formulating the present and the future.


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The Cambridge companion to Medievalism
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ISBN: 9781107086715 9781107451650 9781316091708 Year: 2016 Publisher: Cambridge : Cambridge university press,

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"Medievalism - the creative interpretation or recreation of the European Middle Ages - has had a major presence in the cultural memory of the modern West, and has grown in scale to become a global phenomenon. Countless examples across aesthetic, material and political domains reveal that the medieval period has long provided a fund of images and ideas that have been vital to defining 'the modern'. Bringing together local, national and global examples and tracing medievalism's unpredictable course from early modern poetry to contemporary digital culture, this authoritative Companion offers a panoramic view of the historical, aesthetic, ideological and conceptual dimensions of this phenomenon. It showcases a range of critical positions and approaches to discussing medievalism, from more 'traditional' historicist and close-reading practices through to theoretically engaged methods. It also acquaints readers with key terms and provides them with a sophisticated conceptual vocabulary for discussing the medieval afterlife in the modern"--


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Comic medievalism : laughing at the Middle Ages
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ISBN: 1782043756 1843843803 1322077584 Year: 2014 Publisher: Suffolk : Boydell & Brewer,

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The role of laughter and humour in the postmedieval citation, interpretation or recreation of the middle ages has hitherto received little attention, a gap in scholarship which this book aims to fill. Examining a wide range of comic texts and practices across several centuries, from Don Quixote and early Chaucerian modernisation through to Victorian theatre, the Monty Python films, television and the experience of visiting sites of "heritage tourism" such as the Jorvik Viking Museum at York, it identifies what has been perceived as uniquely funny about the Middle Ages in different times and places, and how this has influenced ideas not just about the medieval but also about modernity. Tracing the development and permutations of its various registers, including satire, parody, irony, camp, wit, jokes, and farce, the author offers fresh and amusing insight into comic medievalism as a vehicle for critical commentary on the present as well as the past, and shows that for as long as there has been medievalism, people have laughed at and with the middle ages. Louise D'Arcens is Associate Professor in English Literaturesat the University of Wollongong.


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The Cambridge companion to medievalism
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ISBN: 1316545210 1316547523 1316091708 Year: 2016 Publisher: Cambridge : Cambridge University Press,

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Medievalism - the creative interpretation or recreation of the European Middle Ages - has had a major presence in the cultural memory of the modern West, and has grown in scale to become a global phenomenon. Countless examples across aesthetic, material and political domains reveal that the medieval period has long provided a fund of images and ideas that have been vital to defining 'the modern'. Bringing together local, national and global examples and tracing medievalism's unpredictable course from early modern poetry to contemporary digital culture, this authoritative Companion offers a panoramic view of the historical, aesthetic, ideological and conceptual dimensions of this phenomenon. It showcases a range of critical positions and approaches to discussing medievalism, from more 'traditional' historicist and close-reading practices through to theoretically engaged methods. It also acquaints readers with key terms and provides them with a sophisticated conceptual vocabulary for discussing the medieval afterlife in the modern.


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Comic medievalism
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ISBN: 9781782043751 9781843843801 Year: 2014 Publisher: Suffolk Boydell & Brewer

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Comic medievalism : laughing at the Middle Ages
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ISBN: 9781843844785 Year: 2015 Publisher: Woodbridge D. S. Brewer

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Comic medievalism : laughing at the Middle Ages
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ISBN: 9781782043751 Year: 2014 Publisher: Suffolk Boydell & Brewer

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Maistresse of my wit : medieval women, modern scholars
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ISBN: 2503511651 Year: 2004 Volume: 7 Publisher: Turnhout Brepols

Maistresse of my wit : medieval women, modern scholars
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ISBN: 9782503538167 9782503511658 Year: 2004 Publisher: Turnhout Brepols

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This volume explores the reciprocal relationships that can develop between medieval women writers and the modern scholars who study them. Taking up the call to ‘research the researcher’, the authors indicate not only what they bring to their study from their own personal experience, but how their methodologies and ways of thinking about and dealing with the past have been influenced by the medieval women they study. Medieval women writers discussed include those writing in the vernacular such as Christine de Pizan and Margaret Paston, those writing in Latin such as Hildegard of Bingen, Heloise, and Birgitta of Sweden, and the works transcribed from women mystics such as Margery Kempe, Hadewijch, and Julian of Norwich. Attention is also given to medieval women as the readers, consumers and patrons of written works. Issues considered in this volume include the place of ethics, interestedness and social justice in contemporary medieval studies, questions of alterity, empathy, essentialism and appropriation in dealing with figures of the medieval past, the permeable boundaries between academic medieval studies and popular medievalism, questions of situatedness and academic voice, and the relationship between feminism and medieval studies. Linked to these issues is the interrelation between medieval women and medieval men in the production and consumption of written works both for and about women and the implications of this for both female and male readers of those works today. Overarching all these questions is that of the intellectual and methodological heritage - sometimes ambiguous, perhaps even problematic - that medieval women continue to offer us.


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Literature, Emotions, and Pre-Modern War

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This collection assembles work by some of the foremost English-speaking scholars of pre-modern thought and culture and is the fruit of the Australian Research Council's Centre of Excellence for the History of Emotion. The impact of war, a human activity that is both public and politically charged, is examined as it affects private human lives caught up in public and political situations. The essays, many of them influenced by the burgeoning field of study in the history of emotions, examine the often unconsidered effects of war - on the individual and on the commune - as revealed in the study of well-known texts such as 'Beowulf', 'Piers Plowman', Malory's 'Le Morte Darthur', and Chaucer?s 'Troilus and Criseyde', as well as other lesser-known works that mirror the concerns of the society in which they were conceived. These latter range from the twelfth-century 'chansons' of the Crusades, through the fifteenth-century French and English political works of Alain Chartier, to the twentieth-century anti-war satirical films of Mario Monicelli.

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