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Music --- anno 1400-1499 --- anno 1500-1599 --- Musical meter and rhythm --- Mensural notation --- History
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Ruth DeFord's book explores how tactus, mensuration, and rhythm were employed to articulate form and shape in the period from c.1420 to c.1600. Divided into two parts, the book examines the theory and practice of rhythm in relation to each other to offer new interpretations of the writings of Renaissance music theorists. In the first part, DeFord presents the theoretical evidence, introduces the manuscript sources and explains the contradictions and ambiguities in tactus theory. The second part uses theory to analyse some of the best known repertories of Renaissance music, including works by Du Fay, Ockeghem, Busnoys, Josquin, Isaac, Palestrina, and Rore, and to shed light on composers' formal and expressive uses of rhythm. DeFord's conclusions have important implications for our understanding of rhythm and for the analysis, editing, and performance of music during the Renaissance period.
Musical meter and rhythm --- Mensural notation. --- Measured music --- Mensuration (Music) --- Music, Measured --- Musical notation --- Meter (Music) --- Music --- Musical rhythm and meter --- Rhythm (Music) --- Music theory --- Rhythm --- Time in music --- Neumes --- History --- Musical meter and rhythm - History - 15th century --- Musical meter and rhythm - History - 16th century --- Mensural notation
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The important contribution of Heinrich Isaac (ca. 1455-1517) to polyphonic settings of the proper of the mass has long been recognised. The monumental posthumously published collection of his work in the genre, the Choralis Constantinus, was considered as a landmark even in the sixteenth century. Isaac's striking cultivation of polyphonic mass proper settings has its roots in his task, as Hofcomponist to Emperor Maximilian I, of building a musical repertoire for the Imperial court chapel. The repertoire he created awakened a demand for analogous music at other European courts and institutions and led, in 1508, to the commissioning of an extraordinary series of proper cycles from him by the authorities of Constance Cathedral.
Isaac, Heinrich --- Propers (Music) --- Church music --- Propres de la messe (Musique) --- Musique d'église --- Isaac, Heinrich, --- Musique d'église --- Criticism and interpretation --- Counterpoint --- Propers of the Mass (Music) --- Masses --- Pastoral music (Sacred) --- Religious music --- Sacred vocal music --- Devotional exercises --- Liturgics --- Music --- Music in churches --- Psalmody --- Catholic Church --- History and criticism --- History --- Religious aspects --- Christianity
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