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Le Centre Pompidou rend un hommage inédit à Lucian Freud, l'un des plus grands peintres contemporains, aujourd'hui âgé de 88 ans. Lucian Freud figure parmi les artistes vivants les plus importants au monde et n'avait pas été exposé en France depuis la dernière rétrospective déjà réalisée par le Centre en 1987, voilà un quart de siècle, alors même que sa renommée n'a cessé de croître et que la place éminente qu'il occupe s'inscrit sans conteste dans l'histoire de l'art et de la peinture. L'exposition présente un ensemble exceptionnel de chefs-d'oeuvre composé d'une cinquantaine de peintures de grands formats, complétées par une sélection d'oeuvres graphiques et des photographies de l'atelier londonien de l'artiste, en provenance, pour la plupart, de collections particulières. • La Fondation Cartier • Découvrez l'Art Contemporain à la Fondation Cartier: Expo, Atelier... • www.fondation.cartier.com L'exposition s'organise autour du thème de l'atelier, ce huis-clos qui fonde la peinture et la pratique de Lucian Freud. Elle réunit, dans un espace de plus de 900 m2, les principales grandes compositions du peintre dites Large Interiors, les variations autour des maîtres anciens, la série des autoportraits et les récents et imposants portraits de Leigh Bowery ou de Big Sue, chefs-d'oeuvre du peintre. La singularité du travail de Lucian Freud tient en grande part au traitement minutieux et quasi obsessionnel du portrait et du nu fondé sur une approche absolue du métier de la peinture. "Je veux que la peinture soit chair (...)"

atelier (schilder) --- muurschilderkunst --- menselijk lichaam --- Freud, Lucian --- Watteau, Antoine --- Chardin, Jean Baptiste Siméon --- Constable, John --- Cézanne, Paul --- 75.071 FREUD --- Constable John --- Cézanne Paul --- Freud Lucian --- Groot-Brittannië --- Watteau Jean-Antoine --- ateliers --- eenentwintigste eeuw --- kunst --- lichamelijkheid --- naakt --- portret --- portretschilderkunst --- schilderkunst --- twintigste eeuw --- 737.8 --- Groot-Britannië --- naaktstudies --- schilder- en tekenkunst, 20e eeuw, overige landen, kunstenaars afzonderlijk --- Exhibitions --- English painting - 20th-21st centuries. --- Froid, Lusyan --- Phroint, Lousian --- פרויד, לוסיאן --- Freud, Lucianus --- ルシアン・フロイド --- フロイド, ルシアン --- Furoido, Rushian --- Фрейд, Люсьен --- Freĭd, Li︠u︡sʹen --- Фройд, Луціан --- Froĭd, Lut︠s︡ian --- Фройд, Люціан --- Froĭd, Li︠u︡t︠s︡ian --- Фройд, Люсьєн --- Froĭd, Li︠u︡sʹi︠e︡n --- Фройд, Лукіан --- Froĭd, Lukian --- Фрейд, Луціан --- Freĭd, Lut︠s︡ian --- 盧西安·弗洛伊德 --- 弗洛伊德, 盧西安 --- Fuluoyide, Luxi'an --- Painting, British --- Portrait painting, British --- Nude in art --- Freud, Lucian, --- Exhibitions. --- werkplaats, atelier (schilder) --- werkplaats, atelier (schilder). --- muurschilderkunst. --- menselijk lichaam. --- Freud, Lucian. --- Watteau, Antoine. --- Chardin, Jean Baptiste Siméon. --- Constable, John. --- Cézanne, Paul.

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The only female artist in the London Group, Paula Rego set herself apart with her strongly figurative, literary, incisive and singular work. Born in Lisbon in 1935, Paula Rego left Portugal and Salazar's oppressive dictatorship as an adolescent to study in London where she has now lived for over fifty years. Trained at the Slade School of Arts, she rubbed shoulders with the likes of Francis Bacon, Lucian Freud, Frank Auerbach, and David Hockney. As a painter, she produces large pastel polyptychs with exceptional flair. Obsessed by a certain literature and cultural vision of the 19th century, both realistic and imaginary, like her fellow countryman and film director Manoel de Oliveira, Paula Rego intertwines these references (Jane Eyre, Peter Pan, Daumier, Goya, Lewis Carroll, Hogarth, Ensor, Degas, etc.) with strongly autobiographical elements and elements of real life, that of the contemporary world and its social and political issues, with a contemporary twist. Dark narratives, her paintings seem to be taken from a cruel tale and evoke women's issues in strange scenes, going against social codes.

Rego, Paula

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Painting --- Abstract [fine arts style] --- painting [image-making] --- Nymphaeaceae [family] --- Monet, Claude --- anno 1900-1999 --- United States --- Painting, Abstract --- Abstract expressionism --- Painting, American --- Nymphaea in art --- History --- Monet, Claude, --- Influence --- Painters --- Public opinion --- abstracte kunst --- modernisme --- Kelly, Ellsworth --- Still, Clyfford --- 20ste eeuw --- Amerika --- abstracte, niet-figuratieve kunst --- abstracte kunst. --- modernisme. --- Monet, Claude. --- Kelly, Ellsworth. --- Still, Clyfford. --- 20ste eeuw. --- Amerika. --- Abstract [modern European style] --- United States of America

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Dali/Duchamp examines in detail the often-overlooked relationship between two of the twentieth century's most famous artists. Though polar opposites at first glance, Duchamp, the father of conceptual art who rejected painting in 1918; and the more showman-like Dali, the exceptional painter of fantastical landscapes; were united by a combination of humour and scepticism that led both to challenge conventional views of art and life. After meeting in the 1930s through mutual contacts within the Surrealist group, they maintained a firm friendship over the following decades, spending time together in Paris, New York and Catalonia, where Duchamp purchased a summer house in Cadaques, close to Dali's home in Port Lligat. Throughout the book, expert contributors explore themes common to both artists, chief among them eroticism and identity, and both men's surprising engagement with science, optics, religion and myth. Each section is sumptuously illustrated with key pieces from both artists' bodies of work, and features previously unpublished photographs, letters and ephemera that demonstrate the enduring warmth of their friendship.

kunst --- twintigste eeuw --- schilderkunst --- godsdienst --- kunst en wetenschap --- kunst en religie --- wetenschap --- seksualiteit --- erotiek --- gender studies --- identiteit --- film --- fotografie --- Dali Salvador --- Duchamp Marcel --- 7.071 DUCHAMP --- 7.071 DALI --- 75.071 DALI --- conceptuele kunst --- concept art --- surrealisme --- installaties --- Duchamp, Marcel, --- Dalí, Salvador, --- Dalí, Salvator, --- Dalí Domènech, Salvador, --- Domènech, Salvador Dalí, --- Dalm y Domenech, Salvador, --- Дали, Салвадор, --- Дали, Сальвадор, --- 萨尔瓦多・达利, --- 达利萨尔瓦多, --- Sélavy, Rrose, --- Duchamp-Villon, Marcel, --- Villon, Marcel Duchamp-, --- Duchamp, Henri Robert Marcel, --- Dushan, Marsel, --- דושאן, מרסל --- デユシヤンマルセル, --- Duxiang, --- Sélavy, Rose, --- Exhibitions --- Dalí, Salvador --- Duchamp, Marcel --- ready-mades --- art [fine art] --- Surrealist --- Art --- optical illusion --- eroticism --- Dalí, Salvador, --- Surrealism --- Sélavy, Rrose --- Villon, Marcel Duchamp --- -Duchamp, Henri Robert Marcel --- Dushan, Marsel --- Duxiang --- Sélavy, Rose --- Dalí, Salvador. --- Duchamp, Marcel. --- art [discipline] --- ready-mades [found objects]

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Peinture --- Expressionnisme (art) --- Catalogues d'exposition. --- Marc, Franz --- Macke, August --- Der Blaue Reiter (groupe d'artistes). --- Der Blaue Reiter (groupe d'artistes) --- Blaue Reiter (Group of artists) --- Expressionism (Art) --- Painting, German --- Exhibiitons. --- Exhibitions --- Marc, Franz, --- Macke, August, --- Exhibitions.