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A lifelong relation to sound and music underlies Latifa Echakhch’s work. On the occasion of her representation of the Swiss Pavilion for the 59th Venice Biennale, she has edited a volume on sound, memory, and perception. In the book, images of her installation in the Swiss Pavilion, The Concert, accompany her own writings along with this by Alexandre Babel and Francesco Stocchi, the co-curators of the pavilion. The volume also includes interviews with and collected texts by François J. Bonnet, Emanuele Quinz, Maxime Guitton, Alvin Curran, Salomé Voegelin, Antoine Chessex, Jonathan Sterne, Juliette Volcler, and Raphaël Brunner. Confronting knowledge, reflection, and intuition, their combined concert of thoughts confirms how sound and music—and their absence—play a crucial role in our physical and cultural perception of the world, and how they allow us to expand our bodily and cognitive experience.

Son --- Performance, art --- Art --- sculpture [visual works] --- installations [visual works] --- environments [sculpture] --- sound art --- narrative art --- Echakhch, Latifa

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Echakhch, Latifa

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Première monographie d'envergure (plus de 300 illustrations couleur, deux essais et un entretien sur 360 pages) consacrée au travail à la fois engagé et subtil de l'artiste française d'origine marocaine, qui aborde avec finesse les questions de l'identité, de la culture, de l'histoire personnelle et collective, par le biais d'images, de situations et d'objets banals replacés au cœur d'un débat social et politique.

Catalogues d'exposition