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Philosophy --- Literature --- Philosophy. --- 82:1 --- Literatuur en filosofie --- 82:1 Literatuur en filosofie --- Literature and philosophy --- Philosophy and literature --- Theory --- Littérature --- Philosophie --- Philosophie.
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The essays in this 1996 volume explore the ways in which traditional philosophical problems about self-knowledge, self-identity, and value have migrated into literature since the Romantic and Idealist periods. How do so-called literary works take up these problems in a new way? What conception of the subject is involved in this literary practice? How are the lines of demarcation between philosophy and literature problematised? The contributors examine these issues with reference both to Romantic and Idealist writers and to some of their literary and philosophical inheritors and revisers. Their essays offer a philosophical understanding of the roots and nature of contemporary literary and philosophical practice, and elaborate, powerful and influential, but rarely decisively articulated, conceptions of the human subject and of value.
Filosofie in de literatuur --- Philosophie dans la littérature --- Philosophy in literature --- #PBIB:2001.2 --- #PBIB:gift 2001 --- Philosophy in literature. --- Arts and Humanities --- Philosophy
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Intentionality (Philosophy) --- Romanticism --- Intentionnalité (Philosophie) --- Romantisme --- Wittgenstein, Ludwig, --- Romanticism. --- Intentionnalité (Philosophie) --- Pseudo-romanticism --- Romanticism in literature --- Aesthetics --- Fiction --- Literary movements --- Act (Philosophy) --- Mind and body --- Philosophy
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Literature --- Philosophy in literature. --- Self-perception in literature. --- Philosophical anthropology. --- Literature, Modern --- Littérature --- Philosophie dans la littérature --- Perception de soi dans la littérature --- Anthropologie philosophique --- Littérature moderne --- Philosophy. --- History and criticism. --- Philosophie --- Histoire et critique --- Kant, Immanuel, --- Aesthetics. --- Littérature --- Philosophie dans la littérature --- Perception de soi dans la littérature --- Littérature moderne
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In this book Richard Eldridge presents a clear and compact survey of philosophical theories of the nature and significance of art. Drawing on materials from classical and contemporary philosophy as well as from literary theory and art criticism, he explores the representational, expressive, and formal dimensions of art, and he argues that works of art present their subject matter in ways that are of enduring cognitive, moral, and social interest. His discussion, illustrated with a wealth of examples, ranges over topics such as beauty, originality, imagination, imitation, the ways in which we respond emotionally to art, and why we argue about which works are good. His accessible study will be invaluable to students and to all readers who are interested in the relation between thought and art.
Art --- Aesthetics --- Arts --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- Arts and Humanities --- Radio broadcasting Aesthetics --- Aesthetics. --- Philosophy.
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Contemporary Philosophy in Focus offers a series of introductory volumes on many of the dominant philosophical thinkers of the current age. Stanley Cavell has been one of the most creative and independent of contemporary philosophical voices. At the core of his thought is the view that skepticism is not a theoretical position to be refuted by philosophical theory but is a reflection of the fundamental limits of human knowledge of the self, of others and of the external world that must be accepted. This volume is the first attempt systematically and accessibly to describe and assess the full range of Cavell's work. There are new accounts of Cavell's contribution to the philosophy of mind and language, the theory of action, ethics, aesthetics, Romanticism, American philosophy, Shakespeare, and film and opera. Outside philosophy the appeal of this volume will be unusually broad.
Cavell, Stanley, --- Cavell, Stanley Louis, --- Goldstein, Stanley Louis, --- カヴェル, スタンリー, --- Arts and Humanities --- Philosophy
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An Introduction to the Philosophy of Art is a clear and compact survey of philosophical theories of the nature and value of art, including in its scope literature, painting, sculpture, music, dance, architecture, movies, conceptual art and performance art. This second edition incorporates significant new research on topics including pictorial depiction, musical expression, conceptual art, Hegel, and art and society. Drawing on classical and contemporary philosophy, literary theory and art criticism, Richard Eldridge explores the representational, formal and expressive dimensions of art. He argues that the aesthetic and semantic density of the work, in inviting imaginative exploration, makes works of art cognitively, morally and socially important. This importance is further elaborated in discussions of artistic beauty, originality, imagination and criticism. His accessible study will be invaluable to students of philosophy of art and aesthetics.
Arts --- Aesthetics. --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Philosophy. --- Psychology --- Radio broadcasting Aesthetics --- Aesthetics --- Arts - Philosophy
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Richard Eldridge explores the ability of dense and formally interesting literature to respond to the complexities of modern life. Beyond simple entertainment, difficult modern works cultivate reflective depth and help their readers order and interpret their lives as subjects in relation to complex economies and technological systems. By imagining themselves in the role of the protagonist or the authorial persona, readers become immersed in structures of sustained attention, under which concrete possibilities of meaningful life, along with difficulties that block their realization, are tracked and clarified. Literary form, Eldridge argues, generates structures of care, reflection, and investment within readers, shapingif not stabilizingtheir interactions with everyday objects and events. Through the experience of literary forms of attention, readers may come to think and live more actively, more fully engaging with modern life, rather than passively suffering it. Eldridge considers the thought of Descartes, Kant, Adorno, Benjamin, Stanley Cavell, and Charles Taylor in his discussion of Goethe, Wordsworth, Rilke, Stoppard, and Sebald, advancing a philosophy of literature that addresses our desire to read and the meaning and satisfaction that literary attention brings to our fragmented modern lives.
Literature --- European literature --- Literature and society. --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- Literature and philosophy --- Philosophy and literature --- Philosophy. --- History and criticism. --- Social aspects --- Theory
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