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Art, Modern --- 7.039 --- Adorno Theodor W --- Alÿs Francis --- Barry Robert --- Beuys Joseph --- Blom, Ina --- Brecht George --- Byars James Lee --- Cage John --- Cattelan Maurizio --- Chan Paul --- Clark Lygia --- Conrad Tony --- Dean Tacita --- Dodge Jason --- Donnely Trisha --- Duchamp Marcel --- Edgerton Harold --- eenentwintigste eeuw --- Floyer Ceal --- Gonzalez-Torres Felix --- Hiorns Roger --- Huebler Douglas --- Huyghe Pierre --- Institute for Figuring --- Kaltenbach Stephen --- Kawara On --- Kozlov Christine --- kunst --- Lamelas David --- Lawler Louise --- Lincoln Paul Etienne --- Manders Mark --- Martin Kris --- McQueen Steve --- Mirra Helen --- Murphy Catherine --- Nauman Bruce --- Neuenschwander Rivane --- Oldenburg Claes --- Ondak Roman --- Osborne, Peter --- Penone Giuseppe --- Philipsz Susan --- Phillips Anthony --- Piper Adrian --- Pippin Steven --- Ramirez Jonas Paul --- Ray Charles --- Rehberger Tobias --- Rickards Hannah --- Russell Arthur --- Sacks, Oliver --- Sailstorfer Michael --- Signer Roman --- Starling Simon --- Stezaker John --- Stilinovic Mladen --- Sturtevant Elaine --- Tomatsu Shomei --- Toufic, Jalal --- twintigste eeuw --- Viso, Olga --- Wertheim, Christine --- Wertheim, Margaret --- Exhibitions

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performance art --- community art --- public spaces --- mail art --- sculpture [visual work] --- Conceptual --- Art --- Byars, James L. --- Conceptual art --- 7.07 --- 7.038 --- Beeldende kunst ; 2de h. 20ste eeuw ; James Lee Byars --- Conceptuele kunst --- Byars, James Lee °1932-1997 (°Detroit, Michigan, Verenigde Staten) --- Autobiografieën ; James Lee Byars --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Kunstgeschiedenis ; 1950 - 2000 --- Byars, James Lee. --- Byars, James Lee --- Exhibitions --- sculpture [visual works] --- Conceptual art. --- 1900 - 1999 --- Artists --- Attitudes. --- Interviews --- Art, American --- kunst in de openbare ruimte

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Iconography --- Graphic arts --- motion --- graphic arts --- dances [performance events] --- Brown, Trisha --- United States of America

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Art --- Sculpture --- art [discipline] --- sculpting --- Manders, Mark --- Netherlands

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Starting in 1964, Sturtevant (1924–2014) used some of the most iconic artworks of her generation as sources and catalysts to explore originality and authorship. Beginning with her versions of works by Jasper Johns and Andy Warhol, Sturtevant turned the visual logic of Pop art back on itself, probing the workings of art history in real time. Yet, as a woman making versions of works by better-known male artists, she passed almost unnoticed through the hierarchies of mid-century modernism and postmodernism, absent from these histories while nevertheless articulating their structures.Published to accompany the first major exhibition of her work organized by a US museum, this book presents Sturtevant as an artist who adopts style as her medium to expose aspects of art's making, circulation, and canonization. It features works from all periods of Sturtevant's career and previously unpublished documents from her archive, linking her earliest repetitions to the video works she produced after 1998. The result is a comprehensive overview of her unique practice that is situated firmly within postwar American culture. Known for her early repetitions of the work of her contemporaries including Jasper Johns, Roy Lichtenstein, Claes Oldenburg, James Rosenquist and Andy Warhol, Elaine Sturtevant (1924-2014) turned the visual logic of Pop art back on itself, using Duchamp's model of the readymade to probe uncomfortably at the workings of art history in real time. Yet the aspect of her work that allowed her to be described as the one artist who can't be copied--her chameleon-like embrace of other artists' art--is also what has allowed her to be largely overlooked in the history of postwar American art. Featuring previously unpublished drawings and sketches from the artists archive, the book includes an essay by the exhibition curator that provides a comprehensive overview of the artist's practice while situating it more concretely within American culture.

Sturtevant, --- Sturtevant, Elaine --- Sturtevant, - 1924-2014 - Exhibitions --- Sturtevant, - 1924-2014