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Logement --- Politique du logement --- Décoration intérieure --- Aspect social --- 72.039 --- Woonmodellen ; 21ste eeuw --- Collectieve woningbouw ; modellen ; 2000-2010 --- Woonblokken --- Appartementsgebouwen --- Sociale woningbouw --- Residentiële architectuur --- Architectuurgeschiedenis ; 2000 - 2050 --- Exhibitions --- Logement. --- Décoration intérieure. --- Aspect social. --- Décoration intérieure
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Making Heimat investigates the urban, architectural, and social conditions of refugee housing in Germany.
Migration. Refugees --- resettlement --- Private houses --- refugee centers --- refugees --- Germany --- Réfugiés --- Logement de secours --- Urbanisme --- Architecture domestique --- Logement --- Immigration --- Habitat collectif --- Habitat d'urgence --- Habitat immigré --- Logement social --- Logement individuel groupé --- Habitat provisoire --- Module --- Architecture communautaire --- Allemagne --- Habitat communautaire --- Migration --- Construction modulaire --- Réfugiés
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50 Meter, so lang ist die Betonbrüstung in der Eingangshalle des Fachbereichs Architektur an der Technischen Universität Darmstadt. Für die Ausstellung "Max Bächer. 50 Meter Archiv" wurde der Handlauf der Treppenbrüstung mit Archivfunden überbaut. Bächer war Architekt, Preisrichter, Publizist - und er lehrte 30 Jahre lang als Professor in Darmstadt. Die Ausstellung präsentierte erstmalig Materialien aus dem Nachlass Bächers, der sich im Deutschen Architekturmuseum in Frankfurt am Main befindet. Mit seinen Unterlagen lässt sich die Architekturproduktion der Nachkriegszeit aus einem neuen Blickwinkel betrachten. Insbesondere Bächers Rolle als "großer Vorsitzender" in vielen Wettbewerbsjurys ermöglicht Einblicke in die Mechanismen, wie Architektur entsteht. Öffentliche Debatten, Polemiken und ideologische Grabenkämpfe zu wichtigen Wettbewerben hat Bächer mit Humor und Elan aufgegriffen.Die Ausstellung wurde von Studierenden der Kunstgeschichte sowie der Curatorial Studies der Goethe-Universität Frankfurt am Main und Architekturstudierenden der Technischen Universität Darmstadt erarbeitet. Ermöglicht wurde das Archivseminar des CCSA durch die Allianz der Rhein-Main-Universitäten.
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Oswald Mathias Ungers (° 1926, Kaisersesch, Eifel, Duitsland) --- Architectuur ; Duitsland ; 1951-2004 ; O.M. Ungers --- 72 UNGERS, O. M --- Museumarchitectuur --- Tentoonstellingscatalogi ; Berlijn ; Neue Nationalgalerie --- Ungers, Oswald Mathias --- 72.07 --- 72.038 --- (069) --- Architectuur. Bouwkunst--UNGERS, O. M --- Architecten. Stedenbouwkundigen A - Z --- Architectuurgeschiedenis ; 1950 - 2000 --- (Musea. Collecties) --- Exhibitions
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SOS Brutalism is a distress signal. Since the 1950s, eminent architects around the world have realised buildings expressing an uncompromising attitude. Predominantly, yet not exclusively, they used exposed concrete, or béton brut (hence the term 'brutalism'), for their construction. Today, many of these always-controversial buildings are in danger of demolition or, at least, of reconstruction that often may change their appearance beyond recognition. In recent years, an initiative to protect and preserve this significant global heritage of 20th-century architecture has gained momentum, mainly through the internet. Using the hashtag #SOSBrutalism, the Deutsches Architekturmuseum (DAM, German Museum of Architecture) in Frankfurt on the Main and the Wüstenrot Foundation participate in this campaign, and have developed a vast collaborative research project.The result of this research to date is a global survey of brutalist architecture of the 1950s, 1960s and 1970s, presented in an exhibition at DAM in Autumn 2017 and a coinciding and uniquely comprehensive book. Some 100 contributors document around 120 key buildings from this period, including many previously unpublished discoveries that are in acute danger of loss through neglect or intended demolition. Moreover, the book features overviews of brutalism in architecture in twelve regions around the world. Case studies of hotspots such as the Macedonian capital Skopje or New Haven, Connecticut, and essays on the history and theory of brutalism round out this lavishly illustrated book. The supplement collects papers of an international symposium on brutalism in architecture held in Berlin in 2012.
72.03 --- 72.036 --- Architectuurgeschiedenis --- Architectuur (geschiedenis) --- 20ste eeuw (architectuur) --- Twintigste eeuw (architectuur) --- Brutalisme (architectuur) --- Modernistische architectuur --- Modernisme (architectuur) --- Architecture --- Brutalism (Architecture). --- Concrete construction. --- Brutalism (Architecture) --- Brutalisme (architecture) --- Building materials. Building technology --- Brutalist --- Brutalisme (Architecture) --- Brutalisme --- 20e siècle --- Modernisme --- Construction en béton --- 72.038 --- Architectuur ; 20ste eeuw ; Brutalisme --- Architectuur ; modernisme --- Architectuurgeschiedenis ; 1950 - 2000 --- Concrete construction --- History --- Mouvement moderne --- architecture [discipline]
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The architectural scale model has long had an essential role in the design process, creating a tangible, three-dimensional representation of the finished building, but it has not been explored as an artistic medium in its own right. The Deutsches Architekturmuseum (DAM) began to fill in this gap in architectural scholarship in 2009, focusing on the history of the model with particular attention paid to the twentieth and twenty-first centuries. Drawing on the museum's vast collection of models, comprised of more than 1,200 objects created by over four hundred architects from around the world, researchers created both this book and a corresponding exhibit set to open in May 2012. The Architectural Model covers a variety of topics, from the rise of specialized workshops after 1945 to the way in which more sophisticated machinery led to a "Miniature Boom" in the 1950s and '60s. Of special interest is the discussion of the how working models are used by professionals to develop and change their ideas.
architectuur --- architecture [discipline] --- Architecture --- Architectural models --- Architecture, Modern --- Modèles architecturaux --- Architecture moderne --- Exhibitions --- Expositions --- Visionary architecture --- Fetishes (Ceremonial objects) --- History --- Maquettes (architecture) --- Utopies architecturales --- Fétichisme (religion) --- Dessins et plans --- Histoire --- Architectural models. --- Maquettes. --- Bouwkunst. --- 72.02 --- Architectuurmaquettes --- Architectuurmodellen --- Maquettes (architectuur) --- Modellen (architectuur) --- Modèles architecturaux --- Futuristic architecture --- Utopian architecture --- Fantastic architecture --- Ceremonial objects --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Models, Architectural --- Architectural casts --- Artists' preparatory studies --- Communication in architectural design --- Miniature objects --- Models and modelmaking --- Design and construction --- Models --- Histoire. --- Maquette --- Processus de conception --- Rapport art-architecture --- Architecture, Primitive --- Fétichisme (religion) --- architectural models
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Protestbewegungen prägen den öffentlichen Raum nicht nur durch ihre Botschaften, sondern in vielen Fällen auch durch ihre – meist temporären – Bauten. Dieser These gehen das Deutsche Architekturmuseum DAM in Frankfurt und das MAK – Museum für angewandte Kunst in Wien in einem Ausstellungsprojekt nach, das von der deutschen Kulturstiftung des Bundes gefördert wird. Verhandelt wird das Thema anhand zahlreicher Beispiele aus den letzten rund 170 Jahren. Erstmals werden hierbei verschiedene Protestformen aus baulicher Perspektive systematisch miteinander verglichen, u. a. die Barrikaden der Revolution von 1848, die Pfahlbauten der Anti-Atomkraft- Bewegung in Gorleben (1980), die Zeltstädte des Arabischen Frühlings (2011), die Baumhäuser im Hambacher und im Dannenröder Forst (2018/19) oder auch die fluiden, Laser-basierten Lichträume der Demonstrierenden in Hongkong (2019). Protestarchitektur, konzipiert als Lexikon mit 176 Einträgen und 13 auführlicheren Fallbeispielen, ist die erstmalige internationale Bestandsaufnahme zur Architektur des Protests und präsentiert diese in all ihrer Vielseitigkeit und bisweilen auch Ambivalenz. Die vorangestellte Chronologie porträtiert 68 Protestbewegungen und ihre architektonischen Manifestationen auf je einer Seite und mit einer Abbildung. Protest movements shape public space not only through their messages, but in many cases also through their - mostly temporary - buildings. The German Architecture Museum DAM in Frankfurt and the MAK – Museum of Applied Arts in Vienna are pursuing this thesis in an exhibition project funded by the German Federal Cultural Foundation. The topic is discussed using numerous examples from the last 170 years. For the first time, various forms of protest are systematically compared from a structural perspective, including the barricades of the 1848 revolution, the stilt houses of the anti-nuclear power movement in Gorleben (1980), the tent cities of the Arab Spring (2011), and the tree houses in Hambacher and Dannenröder Forst (2018/19) or the fluid, laser-based light spaces of the demonstrators in Hong Kong (2019). Protest Architecture, designed as a lexicon with 176 entries and 13 detailed case studies, is the first international inventory of the architecture of protest and presents it in all its diversity and sometimes ambivalence. The preceding chronology portrays 68 protest movements and their architectural manifestations on one page each and with one illustration.
Protest movements --- Public spaces --- Demonstrations --- Mouvements contestataires --- Conflits sociaux --- Architecture et société --- Espaces publics.
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