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Several Italian architects have recently taken up the technique of collage again to present their ideas. The three masters of this tendency are Carmelo Baglivo, Luca Galofaro and Beniamino Servino, while the younger generation includes authors such as Davide Trabucco and ROBOCOOP. If collage has been one of the favorite techniques in Italian architecture since the nineteen sixties, the current collagists are new in ways that relate to developments in digital technology. They use software like Photoshop to create their images, recur to social media like Facebook to post their work and they can refer to the whole history of architectural and non-architectural imagery, which is instantly accessible on the Web. Their collages can be visual comments as well as daring fantasies. The book presents a rich selection of images and original texts dedicated to this phenomenon.
Architecture --- collages [visual works] --- architecture [object genre] --- Italy --- Architectural design --- Architectural drawing --- Collage --- Design --- Structural design --- Methodology --- Computer-aided design --- Collages --- Art --- Found objects (Art) --- Handicraft --- Montage --- Conferences - Meetings --- 72.02 --- 72.036 <45> --- 72.039 --- 72.039 Hedendaagse architectuur. Bouwkunst sinds 1960 --- Hedendaagse architectuur. Bouwkunst sinds 1960 --- 72.036 <45> Moderne bouwkunst. Architectuur van de 20e eeuw--Italië --- Moderne bouwkunst. Architectuur van de 20e eeuw--Italië --- 72.02 Bouwtechniek: methoden en materialen --- Bouwtechniek: methoden en materialen
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A critical anthology on the spatial mediation of art consumption through digital technology. Through essays by selected scholars and practitioners, this volume investigates the ways in which digital technology has deeply influenced how one produces, interacts with, and consumes artistic narratives by reformulating the notion of space.
Société numérique --- Danse --- Performance-art
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Every building - and every architect - has a tale. Bringing these tales together, determining where they overlap, may give us "telling" urban tales. What can be told is what has the right to remain, to avoid oblivion, allowing words about buildings and cities to renew and increasingly enhance urban matter. This is the job conrad-bercah imposes on himself and, by extension, on the reader. It is a tale, the testimony of experience gained over time - a self-heterography of an architectural form that leads one to discover both an author and the urban scenario within which the tale takes place: Berlin.
Architecture --- architecture [discipline] --- urban planning --- philosophy of art --- urban --- anno 2010-2019 --- Berlin
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