Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Hütte, Axel --- Hütte, Axel,

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Since the earliest days of cinema, film has been a colorful medium and art form. More than 230 film color processes have been devised in the course of film history, often in close connection with photography. In this regard, both media institutionalized numerous techniques such as hand and stencil coloring as well as printing and halftone processes. Apart from these fundamental connections in terms of the technology of color processes, film and photography also share and exchange color attributions and aesthetics. This publication highlights material aspects of color in photography and film, while also investigating the relationship of historical film colors and present-day photography. Works of contemporary photographers and artists who reflect on technological and culture-theoretical aspects of the material of color underline these relations. Thematic clusters focus on aesthetic and technological parallels, including fashion and identity, abstraction and experiment, politics, exoticism, and travel. Color Mania contains a general introduction to color in film and photography (technique, materiality, aesthetics) as well as a series of short essays that take a closer look at specific aspects. An extensive image section illustrates the texts and color systems and continues the aesthetic experience of the various processes and objects in book form. Exhibition: Fotomuseum Winterthur, Switzerland (07.09. - 24.11.2019)"--Publisher's description.

Color photography --- Motion pictures --- film --- fotografie --- kleur --- kleurenleer --- filmtechniek --- fotografietechniek --- twintigste eeuw --- 7.017 --- Chromophotography --- Heliochromy --- Photography, Color --- Photography --- Films --- Exhibitions --- color [perceived attribute] --- Color photography. --- Motion pictures. --- Films. --- color film [film] --- color photography --- fototechniek --- esthetiek --- color film [film, material] --- filmgeschiedenis --- artistieke fotografie

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Film --- Art styles --- Photography --- anno 1900-1999 --- Photography, Artistic --- Photocollage --- Surrealism --- Surrealism in motion pictures --- kunst --- twintigste eeuw --- Frankrijk --- surrealisme --- fotografie --- film --- 77.037 --- 7.037.5 --- 77 <064> --- 77 "19" --- 77.01 --- Kunststijlen: surrealisme --- Fotografie--Tentoonstellingscatalogi. Museumcatalogi --- Fotografie--20e eeuw. Periode 1900-1999 --- Fotografie--Semiotiek van de fotografie. Theorie --- Exhibitions --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- 77 "19" Fotografie--20e eeuw. Periode 1900-1999 --- 77 <064> Fotografie--Tentoonstellingscatalogi. Museumcatalogi --- 7.037.5 Kunststijlen: surrealisme --- Superrealism --- Surrealism in art --- Arts, Modern --- Motion pictures --- Photo collage --- Collage --- Surréalisme (art) --- Surréalisme --- Surréalisme (cinéma) --- Surréalistes --- Photographies

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

While the tradition of modernist fine art photography found a home within established networks of galleries and museums, another kind of photographic practice was emerging among artists who identified themselves primarily as sculptors or painters. In the early 1960s artists working within the context of contemporaneous artistic trends such as conceptual art, process art, and Arte povera began to use the medium in a rigorously experimental manner.

Photography, Artistic --- Art and photography --- History --- 77 <064> --- 7.039 --- Douglas Fogle --- kunst --- fotografie --- kunst en fotografie --- twintigste eeuw --- Feldmann Hans-Peter --- Fischli & Weiss --- Fischli Peter --- Weiss David --- Gilbert & George --- Graham Dan --- Haacke Hans --- Huebler Douglas --- Knoebel Imi --- Klein Yves --- Kolbowski Silvia --- Koons Jeff --- Kruger Barbara --- Lamelas David --- Lawler Louise --- Levine Sherrie --- LeWitt Sol --- Long Richard --- Matta-Clark Gordon --- Mendieta Ana --- Merz Maria --- Mohamedi Nasreen --- Nauman Bruce --- Oiticica Hélio --- Oppenheim Dennis --- Paolini Giulio --- Penone Giuseppe --- Piper Adrian --- Polke Sigmar --- Prince Richard --- Ray Charles --- Rosler Martha --- Ruppersberg Allen --- Ruscha Edward --- Sherman Cindy --- Simmons Laurie --- Smithson Robert --- Van Elk Ger --- Wall Jeff --- Warhol Andy --- Watts Robert --- Wegman William --- Welling James --- Wilke Hannah --- concept art --- conceptuele kunst --- 7.038 --- 77.038 --- Fotografie--Tentoonstellingscatalogi. Museumcatalogi --- Hedendaagse kunststromingen.Post-moderne kunst --- Exhibitions --- Photographie d'art --- Art --- Photographie --- 7.039 Hedendaagse kunststromingen.Post-moderne kunst --- 77 <064> Fotografie--Tentoonstellingscatalogi. Museumcatalogi --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Photography and art --- Aesthetics --- Photography, Artistic - History - 20th century - Exhibit --- Art and photography - History - 20th century - Exhibitions.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Through his amazing variety of innovative images, photographer Paul Strand (1890-1976) played a crucial role in establishing the medium's significance as a modern art form. Celebrating the recent acquisition of the core print collection of the Paul Strand Archive by the Philadelphia Museum of Art, this stunning book comprehensively reassesses the artist's career in light of current scholarship and critical debates about his work. Featuring more than 250 plates, the catalogue includes many of Strand's iconic early photos such as 'Wall Street' and 'Blind Woman' alongside lesser-known master prints from all phases of his career. Discussing the artist's prolific career, from his emergence in Alfred Stieglitz's circle in New York in the early part of the century to his years spent working abroad in Mexico, France, Italy and Africa, Peter Barberie positions Strand as a remarkably independent modernist whose priorities shifted at several points and were often counter to prevailing trends. Amanda N. Bock focuses on the years 1930-50, when Strand thoroughly explored the role of politics in modern art and relentlessly sought to identify the greater purposes of photography and filmmaking. The edited transcript from a roundtable discussion among key scholars touches upon many aspects of Strand's various projects from the 1930s to the 1960s.

Photography, Artistic --- Photography --- Documentary photography --- Photography, Documentary --- History --- Strand, Paul, --- Exhibitions --- Photography, Artistic. --- Portrait photography --- Strand, Paul