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Tree rings art, archaeology : proceedings of the conference
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ISBN: 9782930054131 2930054131 Year: 2011 Volume: 7 Publisher: Bruxelles : IRPA,

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In 2010 IRPA-KIK organized the Tree Rings, Art, Archaeology conference. The various articles gathered in the proceedings reflect the practices of fifteen European countries. The first objective of the conference was to review the notable advances over the last ten years. The second aim, focused more on the future, was to bring together dendrochronologists and other players in the field - historians, archaeologists and art historians - to discuss the 'Good use of dendrochronology'. The articles explore the different facets of the dendrochronological prism--


Book
La dendrochronologie, un inestimable outil pour l'étude des oeuvres d'art
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ISBN: 2801112453 Year: 2000 Publisher: Wavre : Duculot,

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Dissertation
Les supports de peintures en bois dans les anciens Pays-Bas méridionaux de 1450 à 1650 : analyse dendrochronologiques et archéologiques
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Year: 2007 Publisher: [S.l.]: [chez l'auteur],

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Book
L'étude dendrochronologique de tableaux des écoles septentrionales au XVIe siècle, méthode et application à travers quelques exemples conservés à Liège
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Year: 1998 Publisher: [S.l. : chez l'auteur],

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Book
Henri Bles, la Montée au Calvaire du Musée de Namur
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ISBN: 2960056388 9782960056389 Year: 2007 Volume: 11 Publisher: Namur Province de Namur


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Autour d'Henri Bles à Liège : Quatre tableaux des collections Liégeoises au laboratoire
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Year: 2001 Publisher: Luik Trésor de la Cathédrale de Liège

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Book
La châsse-reliquaire de Saint Maurice
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ISBN: 9782875020055 2875020056 Year: 2008 Volume: 13 Publisher: [Namur] : Imprimerie provinciale,

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Reliquaires.


Book
"L'Annonciation et la Visitation" : les panneaux de Walcourt
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ISBN: 9782875020086 2875020080 Year: 2009 Volume: 14 Publisher: [Namur] : Imprimerie provinciale,

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Art chrétien.


Book
Between carpentry and joinery : wood finishing work in European medieval and modern architecture
Authors: --- --- --- ---
ISBN: 9782930054285 293005428X Year: 2016 Volume: 12 Publisher: Brussels Royal institute for cultural heritage

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From the examination of the historiography of finishing work in wood for architecture from the medieval to modern period, it is clear that this field of research is the poor relation of historical and archaeological studies, with the lion's share focusing on the structural work of carpentry. It is on the basis of this observation that the present work has been produced, which results from a conference held in Brussels in 2013. The work demonstrates first the real interest in an approach to finishing work for the study of ancient buildings and the establishment of a precise chronology for their phases of layout as well as in obtaining better understanding of material cultures and ways of living. Second, it reiterates that the limit between carpentry and joinery was often porous, sometimes artificial. Finally, the work stresses that an overall approach to the use of wood is crucial to comprehensively address the organisation of a building, the logic of its construction and its 'utilisation', and more generally, the complex history of the buildings studied. This work, which thus represents a first step toward an overall approach of 'wood material' in European architecture, includes thirteen contributions divided into two thematic sections in keeping with current research practices. The first addresses the divide between structural and finishing work via the question of flooring, ceiling and roofing techniques. The second focuses intrinsically on finishing work by examining the contribution of this craft domain to the organisation, comfort and ornamentation of houses


Book
Strong women. Amazons and Persians by Otto van Veen
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ISBN: 9783990201343 3990201344 Year: 2017 Publisher: Wien Kunsthistorisches Museum Wien

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Point of View #18 showcases a painting 'rediscovered' in the depot, a work by Otto van Veen who was Rubens' last and most important teacher. It has not been on display since the eighteenth century, possibly because of its highly unusual subject matter, a celebration of strong, independent and courageous women. For a long time art historians were mystified by this exceptional depiction of confident women clearly at ease with their nudity; however, the arms scattered around in the foreground allow us to identify them as amazons. Although we now know both the name of the artist and the subject matter, this work painted in Antwerp around 1600 still poses a number of fascinating questions: was the panel formerly in the collection of Emperor Rudolf II? What is the meaning of the monogram on the panels reverse, and is it possible that the young Rubens was involved in its production Van Veen's Amazons probably dates from the time Rubens, worked in van Veen's studio, making the painting a vital starting point for our understanding of the younger masters early work. The composition will be included in our important upcoming Rubens exhibition where it will be shown together with early works by this exceptional Flemish painter, documenting the evolution of Rubens' depiction of women.

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