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1990 --- -907.1 --- Azzedine, Alaïa --- Blahnik, Manolo --- Chalayan, Hussein --- Dolce & Gabbana --- Ford, Tom --- Galliano --- Gaultier, Jean Paul --- Kawakubo, Rey --- Lang, Helmut --- Margiela, Martin --- McQueen, Alexander --- Miyake, Issey --- Rhodes, Zandra --- Ribeiro, Clements --- Rykiel, Sonia --- Saint-Laurent, Yves --- Sarne, Tanya --- Smith, Paul --- Valentino --- Versace, Donatella --- Watanabe, Junya --- Westwood, Vivienne --- Yamamoto, Yohji --- fotografie --- mode --- mode-ontwerpers --- modefotografie --- kostuumkunde, algemeen --- Kawakubo, Rei --- Fashion designers --- Costume design --- History
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In 2008 Alexander McQueen commissioned photographer Nick Waplington to document the creation of his Fall 2009 collection--all the way from inception to runway showing. Unfortunately, it was to be the last Fall/Winter collection that McQueen would stage before his untimely death. This show, which he titled The Horn of Plenty, found McQueen revisiting his 15-year archive of work and recycling it into a new collection. In effect, it was his personal survey of his work to date. The set was composed of broken mirrors and a giant trash heap made up of all the sets from his previous shows; critics have commented that this reflected McQueen's feelings towards the fashion system and how it pressures designers to be creative geniuses while relegating each collection to the garbage bin of history as soon as it's sold. Waplington was given unprecedented access to McQueen and his staff, which included the current Creative Director of the brand, Sarah Burton. Every step of the creative process is documented in fascinating detail and readers receive a rare insight into the inner workings of McQueen's creative process. Most notably, McQueen himself placed the book's layout, picture by picture, on storyboards. The book was ready for publication when McQueen died, then was put on hold--until now. This substantial overview, with more than 120 photographs, is published just as McQueen edited it, commemorating the most personal of his collections.
Fashion photography --- Fashion shows --- McQueen, Alexander,
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fashion designers --- mode --- Noten, van, Dries --- fashion [culture-related concept]
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By 1980, everyone from rock stars to royalty, from Boy George to Diana, Princess of Wales, identified Stephen Jones as the milliner who would help them make arresting headlines. This book describes Jones's rise from London's street fashion scene to international runways, showcasing the magic, allure, and wit of his iconic creations. It also draws upon behind-the-scenes images, preparatory illustrations, and personal photographs and ephemera to tell the story of one of the most influential milliners of our time. Beautifully designed and engaging, this delightful volume traces the myriad ways that from runways to racecourses, from pop promos to royal garden parties millinery by Stephen Jones adds the exclamation point to every fashion statement.
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Viktor & Rolf --- 391.07 --- Mode ; modeontwerpers ; 1993-2009 ; Victor & Rolf --- Tentoonstellingscatalogi ; Londen ; Barbican Art Gallery --- Viktor & Rolf (Viktor Horsting en Rolf Snoeren). Beide °1969 (°Nederland) --- Horsting, Viktor --- Snoeren, Rolf --- Mode ; modeontwerpers --- Exhibitions --- Viktor & Rolf (Firm) --- Viktor and Rolf (Firm) --- Bikutā & Rorufu (Firm)
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Panorama abondamment illustré de cent collections créées par Dries Van Notten.
fashion designers --- mode --- Noten, van, Dries --- Van Noten, Dries --- Stylisme
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Graduating from Antwerp’s Royal Academy of Fine Arts in the 1980s, Martin Margiela (and his contemporaries in the Antwerp Six) transformed global fashion with his aggressive restatement of traditional fashion design and a polemical approach to luxury trends. Working first with the house of Gaultier, Margiela absorbed the radical design of Japanese deconstruction, making it wholly his own with the founding of his own label in 1988. Margiela propounds a singular, enigmatic look, moving beyond the recognizable tropes of deconstruction—a monochromatic palette, outsized garments, non-traditional fabrics, exposed seams, or roughly appliquéd details—to develop a fully considered worldview, one with elegance, mystery, and menace in equal measure. This book provides an inside look at the design process from a craftsman who creates pieces prized for their originality, delicacy, and daring. In the spirit of Margiela’s garments, the book is a work of art in itself, designed exclusively by Margiela and complete with silver inks, ribbon markers, a variety of lush paper types, twelve booklets, and an embroidered white-linen cover. This book provides a window onto the intimate, handmade world of a unique designer.
Margiela, Martin --- 907.5 --- mode --- mode-ontwerpers --- geschiedenis, klederdrachten, België --- België --- modeontwerpers --- 20e eeuw --- 21e eeuw --- kostuumkunde - België --- mode-ontwerpers (modeontwerpers) --- Avant-garde ; Antwerpen --- Textielkunst ; technieken en vormen --- Modeontwerpers ; België ; Maison Martin Margiela --- Mode ; België --- Belgische mode ; modeontwerpers --- 391.07 --- Mode ; modeontwerpers --- Applied arts. Arts and crafts --- fashion [culture-related concept] --- fashion design --- costume accessories
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fashion [concept] --- fashion design --- globalization --- mode --- globalisering --- fashion [culture-related concept]
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