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This study focuses on the devices implemented in classical Indian texts on ritual and language in order to develop a structure of rules in an economic and systematic way. These devices presuppose a spatial approach to ritual and language, one which deals for instance with absences as substitutions within a pre-existing grid, and not as temporal disappearances. In this way, the study reveals a key feature of some among the most influential schools of Indian thought. The sources are Kalpasūtra, Vyākaraṇa and Mīmāṃsā, three textual traditions which developed alongside each other, sharing - as the volume shows - common presuppositions and methodologies. The book will be of interest for Sanskritists, scholars of ritual exegesis and of the history of linguistics. - Cover.

Tantrism --- Prāsaṅgika --- Philosophy, Indic --- Śrautasūtras --- Criticism, interpretation, etc. --- Prāsaṅgika. --- Philosophy, Indic. --- Tantrism. --- Ritual. --- Indische Philosophie. --- Hinduismus. --- Mimamsa. --- Hiraṇyakeśī Satyāṣādha. --- Śrautasūtras --- Śrautasūtras. --- Śrautasūtra. --- India. --- Hinduismus --- Śrautasūtra --- India --- Prāsaṅgika. --- Śrautasūtras. --- Tantrism - India --- Ritual

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The present volume explores a specific aspect of creativity in South Asian systems of knowledge, literature and rituals. Under the heading of “adaptive reuse,” it discusses the relationship between innovation and perpetuation of earlier forms and contents of knowledge and aesthetic expressions within the process of creating new works. Although this relation rarely became the topic of explicit reflections in the South Asian intellectual traditions, it is here investigated by taking a closer look at the treatment of older materials by later authors.

Sanskrit literature --- Philosophy, Indic --- Appropriation (Arts) --- Humanities --- adaptive reuse --- creativity --- South Asian religions --- South Asian philosophy --- South Asian cultural history --- Adaptive reuse --- Kreativität --- Religionen Südasiens --- Philosophie Südasiens --- Kulturgeschichte Südasiens --- Sanskrit. --- Adi Shankara --- Chariot --- Madhvacharya --- Vedas --- Wiesbaden --- History and criticism. --- History. --- South Asia --- Civilization.

Choose an application

• Reference Manager
• EndNote
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The present volume explores a specific aspect of creativity in South Asian systems of knowledge, literature and rituals. Under the heading of “adaptive reuse,” it discusses the relationship between innovation and perpetuation of earlier forms and contents of knowledge and aesthetic expressions within the process of creating new works. Although this relation rarely became the topic of explicit reflections in the South Asian intellectual traditions, it is here investigated by taking a closer look at the treatment of older materials by later authors.

Sanskrit literature --- Philosophy, Indic --- Appropriation (Arts) --- History and criticism. --- History. --- South Asia --- Civilization. --- adaptive reuse --- creativity --- South Asian religions --- South Asian philosophy --- South Asian cultural history --- Adaptive reuse --- Kreativität --- Religionen Südasiens --- Philosophie Südasiens --- Kulturgeschichte Südasiens --- Sanskrit. --- Adi Shankara --- Chariot --- Madhvacharya --- Vedas --- Wiesbaden