Listing 1 - 5 of 5 |
Sort by
|
Choose an application
Choose an application
History of the United Kingdom and Ireland --- Painting --- Book history --- Manuscripts. Epigraphy. Paleography --- anno 500-1499 --- anno 1500-1599 --- 091 <41 LONDON> --- 091.31 --- Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--LONDON --- Verluchte handschriften --- 091.31 Verluchte handschriften --- 091 <41 LONDON> Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--LONDON
Choose an application
091.07 --- 091 <41 LONDON> --- Handschriften: facsimile's --- Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--LONDON --- 091 <41 LONDON> Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--LONDON --- 091.07 Handschriften: facsimile's
Choose an application
Taking a new approach to medieval art, "Meaning in Motion" reveals the profound importance of movement in the physical, emotional, and intellectual experience of art and architecture in the Middle Ages. Focusing on the physical movement of objects and viewers, as well as movements of the mind, this richly illustrated collection of interdisciplinary essays explores a wide range of rituals, performances, works of art, and texts in which movement is crucial to meaning. These include liturgical and devotional practices, but also pilgrimage, reading techniques, and the use of art and allegory in late medieval courtly society. The contributors consider movement not only as a physical action but also as an active intellectual process involving the reception of images, one that creates layers of meaning through the multidimensional experience of objects and spaces, both real and imaginary. This novel approach to medieval art, building on the concept of agency and the understanding of ritual as a performative act, is influenced by two anthropological perspectives: Victor Turner's "processual" analysis of rites of passage and Alfred Gell's conception of the interactive relationship between art and the viewer as a process. The essays in this volume engage in an interdisciplinary discussion of the significance of movement for the making and perception of medieval art.
Art --- art history --- motion --- Christelijke kunst --- anno 500-1499
Choose an application
This collection of essays examines how the paratextual apparatus of medieval manuscripts both inscribes and expresses power relations between the producers and consumers of knowledge in this important period of intellectual history. It seeks to define which paratextual features - annotations, commentaries, corrections, glosses, images, prologues, rubrics, and titles - are common to manuscripts from different branches of medieval knowledge and how they function in any particular discipline. It reveals how these visual expressions of power that organize and compile thought on the written page are consciously applied, negotiated or resisted by authors, scribes, artists, patrons and readers. This collection, which brings together scholars from the history of the book, law, science, medicine, literature, art, philosophy and music, interrogates the role played by paratexts in establishing authority, constructing bodies of knowledge, promoting education, shaping reader response, and preserving or subverting tradition in medieval manuscript culture.
091.14 --- 82.08 --- 091.14:655.26 --- Codicologie. Codices. Scriptoria-:-Typografie. Grafisch ontwerp en lay-out --- 82.08 Literaire activiteiten. Literaire technieken --- Literaire activiteiten. Literaire technieken --- 091.14 Codicologie. Codices. Scriptoria --- Codicologie. Codices. Scriptoria --- E-books --- Paratext --- Manuscripts, Medieval. --- History --- Geistesgeschichte. --- Intellectual History. --- Macht. --- Manuskript. --- Medieval Manuscripts. --- Mittelalter. --- Paratext. --- Power. --- LITERARY CRITICISM / Medieval. --- Paratext - History - To 1500. --- To 1500
Listing 1 - 5 of 5 |
Sort by
|