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The most comprehensive book yet on this inspired, inventive chronicler of the African-American experience Alabama-born, Chicago-based Kerry James Marshall is one of the most exciting artists working today. Critically and commercially acclaimed, the painter is known for his representation of the history of African-American identity in Western art. Conversant with a wide typology of styles, subjects, and techniques, from abstraction to realism and comics, Marshall synthesizes different traditions and genres in his work while seeking to counter stereotypical depictions of black people in society.
kunst --- Verenigde Staten --- twintigste eeuw --- eenentwintigste eeuw --- Marshall Kerry James --- schilderkunst --- grafiek --- kunst en politiek --- Afro-Amerikaanse kunst --- 7.071 MARSHALL --- 75.071 MARSHALL --- painters [artists] --- Art --- Marshall, Kerry James --- African American artists --- African American art --- Painting, American --- History and criticism --- Marshall, Kerry James, --- Criticism and interpretation --- Kunst --- kunstschilders --- 75.07 --- Marshall, Kerry James °1955 (°Birmingham, Alabama, Verenigde Staten) --- Thema's in de kunst ; rassenpolitiek ; Afro-Amerikaanse problematiek --- Kunst en maatschappij ; Verenigde Staten --- Schilderkunst ; schilders A-Z --- #breakthecanon --- African American artists - History and criticism --- African American art - 20th century --- African American art - 21st century --- Painting, American - 21st century --- Marshall, Kerry James, - 1955- - Criticism and interpretation --- Marshall, Kerry James, - 1955 --- -Art
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This definitive survey of over 200 of the painter's portraits and street scenes forms a personal and political portrait of society today. For three decades the iconic artist has worked his way through New York, Los Angeles, Europe, and Africa, documenting what he sees. In his circle are artists, musicians, writers, performers, as well as friends from his ten years as a psychiatric technician. It is the artist's empathetic eye that allows him to imagine his figures with authenticity and grace not better than they are, or more glamorous but part of a big, complicated world. Flat, brushy flows of colour cast figures that often float in surreal landscapes abstracted from the barbeque in the park, or neighbouring street. Suites of Taylor's paintings are reproduced alongside handwritten accounts of the sittings, offering an in-depth understanding of the artist's world. Contributions by Hilton Als, Charles Gaines, Rachel Kaadzi Ghansah, and Zadie Smith touch on the nature of truth, Matisse's concept of original naivete, and the state of the subject. This definitive monograph celebrates Taylor's direct and revealing portraits, offering a tonic to a divisive cultural moment in time.
Taylor, Henry --- MAD-faculty 19 --- hedendaagse schilderkunst --- Amerika --- Taylor, Henri
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Sculpture --- Painting --- installation artists --- Taylor, Henry
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