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This is the first full-length study to examine the links between high Romantic literature and what has often been thought of as a merely popular genre - the Gothic. Michael Gamer offers a sharply focused analysis of how and why Romantic writers drew on Gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of Gothic literature, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of Romanticism as an ideology. In doing so he examines the early history of the Romantic movement and its assumptions about literary value, and the politics of reading, writing and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing and audience on its formation.
English literature --- Gothic revival (Literature) --- Romanticism --- Canon (Literature) --- Literary form. --- Form, Literary --- Forms, Literary --- Forms of literature --- Genre (Literature) --- Genre, Literary --- Genres, Literary --- Genres of literature --- Literary forms --- Literary genetics --- Literary genres --- Literary types (Genres) --- Literature --- Classics, Literary --- Literary canon --- Literary classics --- Best books --- Criticism --- History and criticism. --- History and criticism --- Wordsworth, William, --- Baillie, Joanna, --- Scott, Walter, --- Author of "Waverley," "Ivanhoe," &c., --- Cleishbotham, Jedediah, --- Layman, --- Malagrowther, Malachi, --- Paul, --- S., W. --- Scott, W. --- Skott, Valʹter, --- Skott, Walter, --- Somnambulus, --- Ssu-ko-tʻe, --- Ssu-ko-tʻe, Wa-erh-tʻe, --- Sukotsu, --- Sukotto, --- Templeton, Laurence, --- W. S. --- Wa-erh-tʻe Ssu-ko-tʻe, --- "Waverley," "Ivanhoe," &c., Author of, --- סקאט, וואלטער, --- סקוט, וולטר, --- Bailie, Johanna, --- Coleridge, Samuel Taylor, --- Criticism and interpretation. --- Literary form --- 82-312.9 --- 82-392 --- 82-312.9 Fantastische literatuur --- Fantastische literatuur --- History --- Literatuur. Gotische roman(ce) --- Scott, Walter --- Author of "Waverley," "Ivanhoe," &c. --- Cleishbotham, Jedediah --- Malagrowther, Malachi --- Paul --- Skott, Valʹter --- Skott, Walter --- Somnambulus --- Ssu-ko-tʻe --- Ssu-ko-tʻe, Wa-erh-tʻe --- Sukotsu --- Sukotto --- Templeton, Laurence --- Wa-erh-tʻe Ssu-ko-tʻe --- "Waverley," "Ivanhoe," &c., Author of --- Canon (Literature). --- Arts and Humanities --- 18th century --- Great Britain --- 19th century --- Baillie, Joanna --- Criticism and interpretation --- Scott, Walter, Sir --- Wordsworth, William
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This is the first book to examine how Romantic writers transformed poetic collections to reach new audiences. In a series of case studies, Michael Gamer shows Romantic poets to be fundamentally social authors: working closely with booksellers, intimately involved in literary production, and resolutely concerned with current readers even as they presented themselves as disinterested artists writing for posterity. Exploding the myth of Romantic poets as naive, unworldly, or unconcerned with the practical aspects of literary production, this study shows them instead to be engaged with intellectual property, profit and loss, and the power of reprinting to reshape literary reputation. Gamer offers a fresh perspective on how we think about poetic revision, placing it between aesthetic and economic registers and foregrounding the centrality of poetic collections rather than individual poems to the construction of literary careers.
English poetry --- Romanticism --- Literature and society --- Poetry --- Anthologies --- Canon (Literature) --- Classics, Literary --- Literary canon --- Literary classics --- Best books --- Criticism --- Literature --- Chrestomathies --- Collected papers (Anthologies) --- Collections (Anthologies) --- Papers, Collected (Anthologies) --- Readings (Anthologies) --- Poems --- Verses (Poetry) --- History and criticism. --- History --- Publishing --- History and criticism --- Philosophy
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Poetry --- English literature --- Literature --- anno 1800-1899 --- Great Britain --- Japan
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Tragedy --- History. --- History --- Drama --- Antiquity --- anno 500-1499 --- anno 1500-1799 --- anno 1700-1799 --- anno 1800-1899 --- anno 1800-1999
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