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sculpting --- Sculpture --- Painting --- Graphic arts --- art [fine art] --- graphic arts --- Iconography --- painting [image-making] --- Art --- nudes [representations] --- Rops, Félicien --- Manet, Edouard --- Caillebotte, Gustave --- Renoir, Auguste --- Cézanne, Paul --- Seurat, Georges --- Degas, Edgar --- Tissot, James --- anno 1800-1899 --- France --- portretten --- naakt --- schilderkunst --- Renoir, Pierre-Auguste --- 19de eeuw --- Frankrijk --- Art, French --- Human figure in art. --- Caillebotte, Gustave. --- Tissot, James. --- Seurat, Georges. --- Renoir, Pierre-Auguste. --- Cézanne, Paul. --- 19de eeuw. --- Frankrijk. --- art [discipline] --- lichaam (van de mens)
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Union des femmes peintres, sculpteurs, graveurs, decorateurs --- -Union des femmes peintres et sculpteurs --- U.F.P.S. --- UFPS --- Union des femmes peintres, sculpteurs, graveurs et décorateurs --- Union des femmes peintres & sculpteurs --- History --- Feminism and art --- Union des femmes peintres, sculpteurs, graveurs, décorateurs --- History. --- -History --- Féminisme et art --- Histoire --- Féminisme et art --- Union des femmes peintres, sculpteurs, graveurs, décorateurs --- Art and feminism --- Art --- Union des femmes peintres et sculpteurs --- Union des Femmes peintres, sculpteurs, graveurs, décorateurs --- France --- 19th century --- Union des femmes peintres, sculpteurs, graveurs, dâecorateurs - History. --- Feminism and art - France - History - 19th century.
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Iconography --- Painting --- anno 1800-1899
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vrouw --- vrouwelijke kunstenaars --- 19de eeuw --- Frankrijk --- Parijs
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Impressionism (Art) --- Women artists --- Impressionnisme (Art) --- Femmes artistes --- History --- Histoire
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Jews in literature. --- Jews in art --- Antisemitism in literature. --- Jews --- English literature --- French literature --- Antisemitism --- Juifs dans la littérature --- Juifs dans l'art --- Antisémitisme dans la littérature --- Juifs --- Littérature anglaise --- Littérature française --- Antisémitisme --- Identity. --- Public opinion. --- History and criticism. --- Identité --- Opinion publique --- Histoire et critique --- History and criticism
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The French nineteenth-century woman painter Berthe Morisot was held by her contemporaries to be the 'quintessential Impressionist'. She was an influential member of the Impressionist group, whose exhibitions she organized with her colleagues Monet, Renoir, Pissarro and Degas. Although a member of an upper middle-class family, Morisot refused to accept the prevailing idea in such circles that for women art was merely a suitable accomplishment. The authors examine how she was able to turn the limitations that her background, education and gender imposed on her as an artist to advantage : the need to be chaperoned, the restrictions of subject-matter thought appropriate for women, the implications of her identity as a woman for the way that her work was perceived by contemporary critics. This book considers her work in the context of the artistic and social debates of the time. It discusses the meaning that Baudelaire's famous dictum to paint 'the heroism of modern life' had for a woman artist painting in the changing city of Paris — a very different city from the Paris of her male colleagues
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