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Architecture --- Mathematics --- Architectural design --- Design architectural --- Mathématiques --- Periodicals. --- Periodicals --- Périodiques --- Architectural design. --- Mathematics. --- #TS:WBIB --- Engineering --- Mathematical Sciences --- Civil Engineering --- General and Others --- Math --- Architecture and mathematics --- Mathematics and architecture --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Design and construction --- Science --- Design --- Structural design --- Art --- Building --- Architecture, Primitive
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Architecture, American --- Architecture, Modern --- Architecture américaine --- Architecture
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Architecture has long been a subject matter for photographers, who utilize the medium not just to document the built world, but also to reveal wider truths about society. This book features chapters devoted to various artists - among them, Berenice Abbott, Walker Evans, Ed Ruscha, Bernd and Hilla Becher, Andreas Gursky and Iwan Baan - and includes 220 color and duotone images. Each chapter opens with a text introducing the artists; work, followed by reproductions of their photographs. Arranged chronologically, the book documents the birth of the skyscraper against the backdrop of the Great Depression; the rise of the modernist tradition in America, post-colonial Africa, and India; the effects of industry on 1960s Europe; the increasing suburbanization of America and Europe; and the consequences of today; s mass urbanization in Asia, the Middle East, and South America. Far-reaching and penetrating, this volume reflects on the ongoing dialogue between photography and architecture.
architectuur --- artistieke fotografie --- post-1945 architecture and design styles and movements --- photography [process] --- fotografie --- Photography --- architecture [discipline] --- 766.9 --- architectuurfotografie --- Abott, Bernice --- Evans, Walker --- Shulman, Julius --- Hervé, Julien --- Ruscha, Ed --- Becher, Bernd --- Becher, Hilla --- Shore, Stephen --- Struth, Thomas --- Ghirri, Luigi --- Binet, Hélène --- Sugimoto, Hiroshi --- Lambri, Luisa --- Gursky, Andreas --- Norfolk, Simon --- Tillim, Guy --- Princen, Bas --- Kander, Nadav --- Baan, Iwan --- fotografie, overige genres en motieven, o.a. sportfotografie --- Exhibitions --- Architecture and photography --- Architectural photography --- Architecture, Modern
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"The Graham Foundation is pleased to present Treatise: Why Write Alone? -- an exhibition and publication project that brings together fourteen young design offices to consider the architectural treatise as a site for theoretical inquiry, experimentation, and debate. Organized by Chicago and Los Angeles-based designer Jimenez Lai, the project grows out of a recent Graham Foundation grant to Lai, whose interest in discursive practices and non-conformist approaches to architecture led him to ask his peers working in the realm of conceptual architecture: Why write? And, why write alone? In response to these questions, Treatise presents an exhibition of works by this core group of designers as well as an individual treatise from each office. Together, the exhibition and publications provide a platform to investigate the collective and individual stakes that emerge from this temporary alliance of designers as they explore architecture's representational limits and possibilities" -- Graham Foundation Website. Drawing inspiration from Steven Holl and William Stout’s brainchild Pamphlet Architecture, a new collaborative project, Treatise: Why Write Alone?, unifies fourteen design firms to examine the architectural treatise as a method of exploring theoretical questions and sparking discussion. The project was developed by designer Jimenez Lai of Bureau Spectacular in response to receiving a grant from the Graham Foundation. His unconventional ideas on the architectural process made him wonder, "Why write? And, why write alone?" The resultant collection of publications delves into these questions, both collectively and individually, with a collaborative piece as well as submissions from each firm.
Architectural design --- Architecture --- Bittertang --- Torres, Antonio --- Loverich, Michael --- 373.67 --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Design --- Structural design --- Onderzoek (architectuur) --- Architectuuronderzoek --- Onderzoek (design) --- Design and construction --- Young architects --- Philosophy --- Speedism --- Ginckels, Pieterjan --- Friedauer, Julian --- First Office --- Atwood, Andrew --- Neimark, Anna --- First Office (Firm) --- 72.07 --- Point Supreme --- Pantazis, Konstantinos --- Rentzou, Marianna --- Architecten. Stedenbouwkundigen A - Z --- Bureau Spectacular --- Lai, Jimenez --- Design With Company --- Hicks, Stewart --- Newmeyer, Allison --- Kovacs, Andrew --- is-office --- Mikolajewski, Jeff --- Reynolds, Kyle --- Young & Ayata --- Young, Michael --- Ayata, Kutan --- Norman Kelley --- Kelley, Thomas --- Norman, Carry --- CAMESgibson --- Gibson, Grant --- Maymind, Alexander --- SOFTlab --- Szivos, Michael --- Architecture, Primitive
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Landscape as Territory is a cartographic book project that critically addresses the agency of architects in the so-called ‘Urban Age,’ understanding the notion of ‘territory’ as a field of design praxis through which interconnected landscapes are produced. Territory, understood as a ‘political technology,’ has the capacity to involve architects and designers into complex social, political, technical, legal, strategic and economic processes that are both historical and geographical engines of contemporary urbanization. Territorial praxis is interrogated in a collection of threaded theory and design contributions where essays pose key questions that are addressed through projective cartographies, unfolding arguments related to three sections: (1) territory, (2) critical cartographies and (3) agency.This material intends to raise awareness about the consequential production of landscapes through territorial processes and urges a critical re-appropriation of cartographic tools, accomplice in the production of territories, and to question and expand the architect’s agency.
Landscape architecture --- Cartography --- Methodology. --- Paysage --- Cartographie --- Méthodologie --- Agriculture --- Agriculture urbaine --- Topographie --- Landschapsanalyse --- Landschapsarchitectuur ; 21ste eeuw --- Landschapsarchitectuur ; filosofie --- Landschapsarchitectuur ; onderzoek --- Ruimtelijke ordening --- 712.2 --- 712.01 --- 912.43 --- Landschappen ; als territorium --- Kartografische ontwerpprojecten --- Landschaps- en tuinarchitectuur ; vormgeving algemeen --- Landschaps- en tuinarchitectuur ; theorie, filosofie, esthetica --- Geografie ; kartografische beelden, kaarten --- 712 --- 72.01 --- Horticultural service industry --- Landscape gardening --- Landscaping industry --- Landschapsarchitectuur --- Architectuur (theorie) --- Architectuurtheorie --- Landschaps- en tuinarchitectuur ; theorie, esthetica --- Landscape architecture. --- Urban landscape architecture. --- Landscape design. --- Urban landscape architecture --- Landscape design --- Architecture du paysage --- Paysage urbain --- Aménagement du paysage. --- Aménagement du paysage --- Environmental planning --- landscapes [environments] --- landscapes [representations] --- Environmental mapping --- Cartographie de l'environnement --- Aménagement paysager
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Now available in its original edition along with critical commentary, Complexity and Contradiction in Architecture is the founding text of postmodernism in architecture. First published in 1966, Robert Venturi’s Complexity and Contradiction in Architecture, widely considered the foundational text of postmodernism, has become an essential document in architectural theory and criticism.This new two-volume boxed set presents a facsimile of the original edition paired with a compendium of new scholarship on and around Venturi’s seminal treatise.The ten selected essays, a number of which were presented at a three-day international conference co-organized by MoMA to celebrate the 50th anniversary of Complexity and Contradiction in 2016, address diverse issues, such as the book’s relationship to Venturi’s own built oeuvre and its significance in the contemporary landscape. Additional short commentaries by contemporary practitioners attest to Complexity’s enduring influence on architectural practice. Together, these two volumes expand the horizons of—and introduce a new generation to—Venturi’s “gentle manifesto.” Edited by Martino Stierli, David Brownlee. Text by Jean-Louis Cohen, Lee Ann Custer, Peter Fröhlicher, Diane Harris, Andrew Leach, Mary McLeod, Stanislaus von Moos, Joan Ockman, Emmanuel Petit, Martino Stierli. Contributions by Sam Jacob, Stephen Kieran and James Timberlake, Michael Meredith, Pier Paolo Tamburelli, Deborah Berke. Interviews with Rem Koolhaas, Stanley Tigerman.
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architectuur --- Architecture --- History --- Histoire --- MacKay-Lyons, Brian --- EPUB-LIV-FT SPRINGER-B --- Architects. --- Professional employees --- MacKay-Lyons, Brian. --- Lyons, Brian MacKay --- -Architecture --- -Architects.
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Models are generally understood as filtered interpretations of the environment, without the distraction of a multitude of various stimulations. In architecture they lean toward the utopian, showing how much better things could be: neither details nor decay can obfuscate the splendor of the new development on display. My own association with models has often taken advantage of the untouched and timeless quality they can offer. Parallel to those efforts, the materiality and transitory potential of paper and cardboard as such - materials we are all rather familiar with, in terms of makeshift projects and provisional usefulness- have not only moved from the margins of my studio to the center of my attention, but have also prompted a different approach. Looking at the details and the little pockets, edges, and coincidental collocations of the objects in front of me allowed me to emphasize their sculptural potential in an abstracted composition, instead of reading them as identifiable renderings of buildings. Taking this detour, this may well be my most photographic work to date, looking closely at someone else's models and process in a workshop which could be my own - but isn't. (Thomas Demand)
Art --- photographs --- sculpture [visual works] --- maquettes [sculptures] --- preparatory studies --- Demand, Thomas --- Art, German --- Photography, Artistic --- Paper art --- Models and modelmaking --- fotografie --- kunst --- architectuur --- maquettes --- papier --- eenentwintigste eeuw --- Duitsland --- Demand Thomas --- 77.071 DEMAND --- Model-making --- Modelling --- Modelmaking --- Handicraft --- Manual training --- Miniature objects --- Modelmaking industry --- Simulation methods --- Paper work --- Demand, Thomas, --- Lautner, John, --- Demand, Thomas Cyrill, --- SANAA Ltd. --- Kazuyo Sejima + Ryue Nishizawa/Sanaa --- Kazuyo Sejima, Ryue Nishizawa & Associates --- SANAA (Firm) --- SANAA/Sejima + Nishizawa --- Sejima + Nishizawa --- Sejima and Nishizawa and Associates Ltd. --- Kazuyo Sejima and Associates --- Exhibitions --- Photography --- Architecture --- architecture [discipline] --- artistieke fotografie
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Architectural design --- Geometry in architecture --- Géométrie --- Tyng, Anne Griswold, --- Geometry in art --- Dans l'art --- Tyng, Anne, --- Dans l'art. --- Architectural design - United States - Exhibitions --- Geometry in architecture - Exhibitions --- Tyng, Anne Griswold, - 1920-2011 - Exhibitions --- Géométrie --- Tyng, Anne Griswold, - 1920-2011
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