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Increasingly vital to contemporary design, 'green" or ecological thinking was already anticipated by German modernists in the early twentieth century. At the center of this drive towards an ecological modernism was landscape architect Leberecht Migge 1881-1935). Migge brilliantly synthesized ideas from across fields such as organic gardening, architecture, and biological theory to create pioneering projects throughout central Europe. He applied "biotechnic" principles to integrally link dwelling and garden, recycling household waste to grow foodstuffs through the use of innovative infrastructure and open space planning. In collaboration with prominent modernist architects, including Martin Elsaesser, Ernst May, Bruno Taut, and Martin Wagner, he produced some of the most notable works of the period, the mass housing settlements, or Grobsiedlungen, of Frankfurt Main and Berlin. Migge was also a talented garden and park designer, combining green and architectural elements through his "garden-architectonic." Haney's study fully documents Migge's life and work for the first time, challenging conventional assumptions about modernism and ecological design history. --Book Jacket.
Landscape architects --- Modern movement (Architecture) --- Sustainable architecture --- Architectes paysagistes --- Mouvement moderne (Architecture) --- Architecture durable --- Biography --- Biographies --- Migge, Leberecht, --- Architecture du paysage --- Architecture des jardins --- Mouvement moderne (architecture) --- Critique et interprétation --- Art des jardins --- Migge, Leberecht --- Critique et interprétation. --- Landscape architects - Germany - Biography --- Modern movement (Architecture) - Germany --- Sustainable architecture - Germany --- Migge, Leberecht, - 1881-1935 --- 712.07 --- Eco-architecture --- Environmentally conscious architecture --- Environmentally friendly architecture --- Green architecture --- Green building design --- Green design (Buildings) --- Sustainable design (Buildings) --- Architecture --- Sustainable design --- Modernism (Architecture) --- Modernist architecture --- Architecture, Modern --- International style (Architecture) --- Landschaps- en tuinarchitectuur ; tuin- en landschapsarchitecten (A - Z) --- BMBF-Statusseminar --- landschapsarchitectuur --- landscape architecture --- duurzaamheid (sustainability) --- sustainability --- biologische landbouw --- organic farming --- recreatiegebieden --- amenity and recreation areas --- sociaal milieu --- social environment --- geschiedenis --- history --- duitsland --- germany --- sociale samenwerking --- social cooperation --- ecologische modellering --- ecological modeling --- Urban Ecology --- Landscape Architecture (General) --- Stadsecologie --- Landschapsarchitectuur (algemeen) --- Stedenbouw ; Duitsland ; geschiedenis --- Landschappen ; tuinarchitectuur ; parkaanleg ; 20ste eeuw --- Landschapsarchitectuur ; Duitsland --- Woningbouw ; appartementen ; gebouwcomplexen ; wooncomplexen ; woningblokken ; sociale huisvesting --- Taut, Bruno 1880-1938 (°Königsberg, Duitsland) --- Wagner, Martin ; stedenbouwkundige verantwoordelijke ; Berlijn ; 1926-1938 --- Critique et interprétation.
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"This book traces cultural landscape as the manifestation of the state and national community under the Nazi regime, and how the Nazi era produced what could be referred to as a totalitarian cultural landscape. For the Nazi regime, cultural landscape was indeed a heritage resource, but it was much more than that: cultural landscape was the nation. The project of Nazi racial purification and cultural renewal demanded the physical reshaping and reconceptualization of the existing environment to create the so-called "new Nazi Cultural landscape." One of the most important components of this was a set of monumental sites thought to embody blood and soil beliefs through the harmonious synthesis of architecture and landscape. This special group of "landscape-bound" architectural complexes was interconnected by the new autobahn highway system, itself thought to be a monumental work embedded in nature. Behind this intentionally aestheticized view of the nation as cultural landscape lay the all-pervasive system of deception and violence that characterized the emerging totalitarian state. This is the first historical study to consider the importance of these monumental sites together with the autobahn as evidence of key Nazi cultural and geographic strategies during the pre-war years. This book concludes by examining racial and nationalistic themes underlying cultural landscape concepts today, against this historic background"--
National socialism and architecture --- Architecture and state --- Cultural landscapes --- History --- Political aspects --- History
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Leberecht Migge (1881–1935) was one of the most innovative landscape architects of the early twentieth century. With work ranging from large urban parks to housing settlements with allotment gardens, he sought to create functional green spaces that would not only meet the environmental challenges of the industrial metropolis but also improve the social conditions of modern life. Migge’s notion of “garden culture” captured the essence of the progressive reform movements of early twentieth-century Germany and yet was unique in proposing a comprehensive role for open space planning within this vision. The nationalistic rhetoric of Garden Culture of the Twentieth Century marks it as a political tract of the late Kaiserreich, and its deep influence within the Siedlung communities of the Weimar era attests to its lasting cultural impact. Perhaps the book’s greatest significance today lies in Migge’s emphasis on the socioeconomic benefits of urban agriculture, which prefigured both this important contemporary trend as well as other recent developments in green technology and infrastructure. Modern readers will find echoes of a progressivism that many have taken to be of only recent origin and will gain a better understanding of the social and economic history of pre–World War I Germany.
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This carefully curated catalog celebrates the rich detail in the work of Aino, Elissa, and Alvar Aalto. Every support, railing, and handle is the result of intensive formal and functional research. The authors document 50 Aalto buildings – some well-known and others less so – and arrange their photographs by component into 20 chapters. The result is a rich photographic record that will serve as a source of inspiration for every architect.
Architects --- Architecture --- details in architecture. --- Details. --- Aalto, Aino, --- Aalto, Alvar, --- Aalto, Elissa, --- Aalto, Alvar --- 692 --- Bouwdelen --- Constructiedelen --- 72.07 --- Aalto, Hugo Alvar Henrik 1898-1976 (°Kuortane, Finland) --- Aalto, Aino (Aino Mandelin) 1894-1949 (°Helsinki, Finland) --- Aalto, Elissa 1922-1997 (°Kemi, Finland) --- Architectuur ; details ; onderdelen ; ornamenten --- Architecten. Stedenbouwkundigen A - Z --- Constructie-elementen van gebouwen --- Détails (architecture) --- Details --- Architecture, Primitive --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- History --- Data processing. --- Design and construction --- Elément d'architecture --- Artisanat --- Menuiserie --- Second œuvre --- Quincaillerie --- Porte --- Eclairage zénithal --- Aalto, Elissa
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