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Aesthetics of art --- esthetica --- Architecture --- hedendaagse architectuur --- aesthetics --- anno 2000-2099 --- Architecture, Modern --- Themes, motives. --- Aesthetics. --- Thèmes, motifs --- Esthétique --- 72.01 --- 72.039 --- Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- Hedendaagse architectuur. Bouwkunst sinds 1960 --- 72.039 Hedendaagse architectuur. Bouwkunst sinds 1960 --- 72.01 Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- Thèmes, motifs --- Esthétique --- Architectural aesthetics --- Aesthetics, Architectural --- Aesthetics --- Modern architecture --- Themes, motives --- Modern [style or period] --- architecture [object genre] --- 72.01 Theory and philosophy of architecture. Principles of design, proportion, optical effect --- Theory and philosophy of architecture. Principles of design, proportion, optical effect
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motifs --- globalization --- technology --- Architecture --- architecture [discipline] --- anno 2000-2099 --- Architecture, Modern --- Architecture and globalization --- Architecture and technology --- Architecture et mondialisation --- Architecture et technologie --- Themes, motives. --- History --- Thèmes, motifs --- Histoire --- Thèmes, motifs --- Modern [style or period] --- architecture [object genre] --- technology [general associated concept]
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Architecture, Modern --- -Architecture --- -#KVIV:BB --- 72.01 --- 72.036 --- 69.01 --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Modern architecture --- Philosophy --- Technological innovations --- Architectuur (theorie) --- Architectuurtheorie --- Architectuur (kritiek) --- Architectuurkritiek --- 20ste eeuw (architectuur) --- Twintigste eeuw (architectuur) --- Constructie --- Design and construction --- Architecture --- #KVIV:BB --- Philosophie --- Le Corbusier, --- Wright, Frank Lloyd, --- Loos, Adolf, --- Mies van der Rohe, Ludwig, --- Architecture - 20e siècle - Philosophie
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Time, History and Architecture presents a series of essays on critical historiography, each addressing a different topic, to elucidate the importance of two influential figures Walter Benjamin and Gottfried Semper for architectural history. In a work exploring themes such as time, autonomy and periodization, author Gevork Hartoonian unpacks the formation of architectural history; the problem of autonomy in criticism and the historiographic narrative. Considering the scope of criticism informing the contemporaneity of architecture, the book explores the concept of nonsimultaneity, and introduces retrospective criticism the agent of critical historiography. An engaging thematic dialogue for academics and upper-level graduate students interested in architectural history and theory, this book aims to deconstruct the certainties of historicism and to raise new questions and interpretations from established critical canons.
Architecture --- Historiography --- Historiographie --- Benjamin, Walter --- Semper, Gottfried --- architectural history --- historiography --- History as a science --- Philosophy of nature --- Historiographie. --- Semper, Gottfried,
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Starting with the question concerning the discursive formation of architectural history, the chapters compiled in this manuscript attempt to re-read the historiography of the early modern architecture from the point of view of the theoretical work produce
Architecture --- Architectural historians. --- Architecture, Modern --- Historians --- Historiography. --- Philosophy. --- Pevsner, Nikolaus, --- Hitchcock, Henry Russell, --- Giedion, S. --- Giedion, Siegfried, --- Giedion, Sigfried, --- Gidion, Z. --- Hitchcock, H. R. --- Pevsner, Nikolaus --- Pevsner, N. --- Hitchcock, Henry-Russell,
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This book focuses on the first edition of Kenneth Frampton's Modern Architecture: A Critical History, published in 1980. It searches for clues and positions that will provide the reader with an unprecedented insight into the significance of Frampton's historiography of modern architecture. It explores selected themes in line with Frampton's many-faceted contribution, certain aspects of which can be noted between the lines of his ongoing criticism of the present-day architecture, which inevitably lead us to a critical understanding of the past, the modernity of architecture's contemporaneity.
The compiled chapters attempt to open a window onto the constellation of themes that allowed Frampton to hold on to his anteroom view of history even amidst the flow of time and flood of temporalities spanning 1980-2020. The book elucidates how Frampton's critical presentation of the history of modern movement architecture and the book's classificatory mode contribute to our understanding of the contemporaneity of architecture today.
Architecture, Modern. --- Modern architecture --- Frampton, Kenneth. --- Architecture, Modern --- Historiography.
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This book focuses on the first edition of Kenneth Frampton's Modern Architecture: A Critical History, published in 1980. It searches for clues and positions that will provide the reader with an unprecedented insight into the significance of Frampton's historiography of modern architecture.
Architecture moderne --- Mouvement moderne --- Critique architecturale
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Focusing on six leading contemporary architects : Peter Eisenman, Frank Gehry, Bernard Tschumi, Zaha Hadid, Rem Koolhaas and Steven Holl, this book puts forward a unique and insightful analysis of "neo-avant-garde" architecture. It discusses the spectacle and excess which permeates contemporary architecture in reference to the present aesthetic tendency for image making, but does so by applying the tectonic of theatricality discussed by the 19th-century German architect Gottfried Semper. In doing so, it breaks new ground by opening up a dialogue between the study of the past and the design of the present. The work of each discussed architect is seen as addressing a historiographical problem. To this end, and this is the second important aspect of this book, the chosen buildings are discussed in terms of the thematic of the culture of building (the tectonic of column and wall for example) rather the formal, and this through a discussion that is informed by the latest available theories. Having set the aesthetic implication of the processes of the digitalization of architecture, the book's conclusion highlights "strategies" by which architecture might postpone the full consequences of digitalization, and thus the becoming of architecture as ornament on its own right.
Architecture, Modern --- Architecture --- Historicism in architecture --- Communication in architecture --- Éclectisme (architecture) --- Communication en architecture --- Themes, motives --- Themes, motives. --- Aesthetics --- Thèmes, motifs. --- Esthétique
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Architecture and technology. --- Architecture --- Architecture, Modern --- Architecture, Modern --- Communication in architecture. --- Aesthetics. --- Philosophy --- Philosophy
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