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ISBN: 0262541807 9780262541800 0262042150 Year: 2003 Publisher: Cambridge MIT press
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Salpêtrière (Hospital) --- 77 <44> --- 616.89 <09> --- 616.891.2 --- Georges Didi-Huberman Translated by Alisa Hartz --- fotografie --- Charcot Jean-Martin --- geneeskunde --- psychiatrie --- fotografie en psychiatrie --- Frankrijk --- hysterie --- portret --- portretfotografie --- negentiende eeuw --- 77.041 --- 77.035 --- Fotografie--Frankrijk --- Psychopathologie--Geschiedenis van ... --- Hysterie --- 77 <44> Fotografie--Frankrijk --- Salpétrière (Hospital) --- Charcot, Jean-Martin --- Facial expression --- Hysteria --- Mental illness --- Georges Didi-Huberman ; Translated by Alisa Hartz --- Madness --- Mental diseases --- Mental disorders --- Disabilities --- Psychology, Pathological --- Mental health --- Hysteric passion --- Hysterica passio --- Hysterical neurosis --- Hysterical passion --- Passio hysterica --- Vapors (Disease) --- Vapours (Disease) --- Neuroses --- Ecstasy --- Face --- Facial expressions --- Body language --- Expression --- History --- Psychopathologie--Geschiedenis van .. --- Hôpital de la Salpêtrière (Paris, France) --- Hospice de la Salpêtrière (Paris, France) --- Paris. --- Psychiatry --- History of civilization --- Photography --- France --- History. --- Psychiatrische fotografie --- Thema's in de fotografie ; portretten van geesteszieken --- Thema's in de fotografie ; de vrouw ; voyeurisme --- Psychopathologie--Geschiedenis van --- Fotografie ; de mens, portretten --- C.H.U. Pitié-Salpêtrière (Paris, France) --- Charcot, Jean Martin
ISBN: 9780801888021 0801888026 Year: 2008 Publisher: Baltimore Johns Hopkins university press
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In recent years, the recognition of Gilles Deleuze as one of the major philosophers of the twentieth century has heightened attention to his brilliant and complex writings on film. What is the place of Cinema 1 and Cinema 2 in the corpus of his philosophy? How and why does Deleuze consider cinema as a singular object of philosophical attention, a specific mode of thought? How does his philosophy of film combine and further his approaches to time, movement, and perception, and how does it produce an escape from subjectivity and a plunge into the immanence of images? How does it recode and utilize Henri Bergson's thought and Andr Bazin's film theory? What does it tell us about perceiving a world in images -- indeed about our relation to the world?These are the central questions addressed in Paola Marrati's powerful and clear elucidation of Deleuze's philosophy of film. Humanities, film studies, and social science scholars will find this book a valuable contribution to the philosophical literature on cinema and its pertinence in contemporary life.
Motion pictures --- Philosophy. --- Deleuze, Gilles, --- Philosophy --- Deleuze, G. --- Delëz, Zhilʹ, --- Dūlūz, Jīl, --- دولوز، جيل --- Delezi, Jier,
ISBN: 9780262042154 Year: 2003 Publisher: Cambridge (Mass.) MIT Press
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