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"British conceptual artist Gillian Wearing won the Turner Prize in 1997 while still in her mid 30. This comprehensive, copiously illustrated exhibition catalog documents the first major retrospective of her video and photography based works. One of the young British artists, Wearing is represented in important collections ranging from the Tate Modern to the Guggenheim and the Hammer Museum. The key to unlocking the work of Gillian Wearing is found not in art history but in reality television, writes Ben Luke in the London Evening Standard. Not so much the tabloid fodder of the 21st century but the tough stuff from the Sixties and Seventies. Always at the grittier end of the Young British Artists spectrum, she is in essence a documentary film maker and photographer, her work weaving around the line that documentary treads between fact and fiction." --Publisher description.

Art, British --- Art, Modern --- Photography --- 7.071 WEARING --- 77.071 WEARING --- concept art --- conceptuele kunst --- eenentwintigste eeuw --- fotografie --- gender studies --- Groot-Brittannië --- identiteit --- kunst --- lichamelijkheid --- performances --- portret --- portretfotografie --- twintigste eeuw --- Wearing Gillian --- Wearing, Gillian, --- Exhibitions --- Wearing, Gillian

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This text on the celebrated Dada artist Hannah Höch explores her use of collage as the artistic medium of choice for both satire and poetic beauty. World reknown for her work during the Weimar period, she was a pioneer in many aspects, both artistic and cultural, and a pivotal force in the development of collage. A determined believer in artistic freedom, Höch questioned conventional concepts of partnership, beauty and the making of art, her work presenting acute critiques of racial and social stereotypes, particulary those of her native Germany at a time of tremendous social change.

collages --- dadaïsme --- vrouwelijke kunstenaars --- fotomontages --- avant-garde --- Höch, Hannah --- Dadaïsme --- Collage --- Femme artiste --- Weimar --- Höch, Hannah, --- collage --- Höch, Hannah, 1889-1978 --- Höch, Hannah.

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Ariatti, Alessandra --- Joffe, Chantal

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Stezaker, John, --- kunst --- collages --- Groot-Brittannië --- twintigste eeuw --- eenentwintigste eeuw --- Stezaker John --- 7.071 STEZAKER --- Exhibitions --- Sṭezaḳer, G'on, --- סטזאקר, ג'ון

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Sean Scully (b.1945) is an Irish-born, American-based painter and printmaker, best known for his monumental oil paintings which draw on the traditions of Abstract Expressionism. This beautiful catalogue showcases a new body of work inspired by the National Gallery's own collection and in particular by British artist J. M. W. Turner's The Evening Star (c. 1830). For Scully, this elegiac picture constitutes one of Turner's most profound paintings, leading to new departures in his own work; using the motif of stripes or checkerboards, the artist evokes landscapes and architecture, horizons, fields, and coastlines, in which his contemplative forms become reminders of personal experiences and distinctive moments. Vast, bold panel paintings with richly textured surfaces are illustrated together with delicate works on paper: aquatints, luminous pastels, and watercolors. The accompanying text includes newly commissioned essays and an interview with the artist, while a photo essay highlights the thick impasto, strong brushstrokes, and vivid colors that distinguish Scully's painting. Exhibition: National Gallery, London, UK (13.04-11.08.2019). --

Painting, Abstract --- Painting, Modern --- Abstract expressionism --- Scully, Sean,