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First major study of the representation of Minerva in the Middle Ages, giving insights into classical reception. Images of Minerva, the Roman goddess of wisdom, appear frequently in medieval literature, derived from antique culture and literature; redemptress, mistress of the liberal arts, patroness of princes, idol, and Venus' ally. Throughout the high to late Middle Ages, Peter Abelard, Guido delle Colonne, John Gower, Geoffrey Chaucer, and Christine de Pizan, among others, drew on and developed these images, but they are particularly prevalent in a number of fifteenth- and early sixteenth-century English and Scots allegorical and dream-vision poems, including John Lydgate's Reson and Sensuallyte and Temple of Glas, the anonymous Court of Sapience and Assembly of Gods, James I's Kingis Quair, Charles d'Orleans' Fortunes Stabilnes, and William Dunbar's Golden Targe. This book offers the first full-length examination of these depictions, bringing out the reception of classical culture. Via close readings of the various poets, it enables us to understand how her figure was used, and also, and most importantly, to interpret and transform the poetic and cultural traditions from which she springs.

Literature, Medieval --- History and criticism. --- Minerva --- Menerva --- Мінерва --- Минерва --- Μινέρβα --- Minerve --- Minéirve --- מינרווה --- Minerṿah --- Minerwa --- Athena --- In literature. --- Allegorical. --- Art. --- Classical Reception. --- Cultural Insight. --- Dream-Vision Poems. --- Images. --- Literary Tradition. --- Literature. --- Middle Ages. --- Minerva. --- Mythology. --- Representation. --- Roman Goddess. --- Transformation.

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