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The Great White Way reveals the racial politics, content, and subtexts that have haunted musicals for almost one hundred years from Show Boat (1927) to The Scottsboro Boys (2011). It investigates the thematic content of the Broadway musical and considers how musicals work on a structural level, allowing them to simultaneously present and hide their racial agendas. New archival research will have theater fans and scholars forever rethinking how they view this popular American ente

Race in musical theater --- Music and race --- Musical theater --- History --- Social aspects --- Political aspects --- Lyric theater --- Theater --- Race and music --- Race

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Broadway musicals are one of America's most beloved art forms and play to millions of people each year. But what do these shows, which are often thought to be just frothy entertainment, really have to say about our country and who we are as a nation? Now in a new second edition, The Great White Wayis the first book to reveal the racial politics, content, and subtexts that have haunted musicals for almost one hundred years fromShow Boat(1927) toHamilton(2015). This revised edition includes a new introduction and conclusion, updated chapters, as well as a brand-new chapter that looks at the blockbuster musicals The Book of Mormon and Hamilton. Musicals mirror their time periods and reflect the political and social issues of their day. Warren Hoffman investigates the thematic content of the Broadway musical and considers how musicals work on a structural level, allowing them to simultaneously present and hide their racial agendas in plain view of their audiences. While the musical is informed by the cultural contributions of African Americans and Jewish immigrants, Hoffman argues that ultimately the history of the American musical is the history of white identity in the United States. Presented chronologically,The Great White Wayshows how perceptions of race altered over time and how musicals dealt with those changes. Hoffman focuses first on shows leading up to and comprising the Golden Age of Broadway (1927-1960s), then turns his attention to the revivals and nostalgic vehicles that defined the final quarter of the twentieth century. He offers entirely new and surprising takes on shows from the American musical canon--Show Boat(1927),Oklahoma!(1943),Annie Get Your Gun(1946),The Music Man(1957),West Side Story(1957),A Chorus Line(1975), and42nd Street(1980), among others. In addition to a new chapter on Hamilton and The Book of Mormon, this revised edition brings The Great White Way fully into the twenty-first century with an examination of jukebox musicals and the role of off-Broadway and regional theaters in the development of the American musical. New archival research on the creators who produced and wrote these shows, including Leonard Bernstein, Jerome Robbins, Stephen Sondheim, and Edward Kleban, will have theater fans and scholars rethinking forever how they view this popular American entertainment.

Musical Theater --- Race Discrimination --- Discrimination In Employment --- Performing Arts --- Social Science --- Business & Economics --- Musical theater --- Race discrimination --- Discrimination in employment --- Performing arts --- Social science --- Business & economics

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• Reference Manager
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• RefWorks (Direct export to RefWorks)