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"Marc Camille Chaimowicz's installation Celebration? Realife was originally created for 'Three Life Situations' at Gallery House London in 1972. The work is a strange hybrid of a scatter environment, a theatrical stage and a performance piece. Meant as a critique of modernist objectivism, Celebration? Realife is also a consciously messy and ambivalent reaction to the clean conceits of Conceptualist and post Minimalist tendencies." "Tom Holert argues that with Celebration? Realife, Chaimowicz makes a strategic and important meditation on the changing role of the artist, who in this defining work simultaneously becomes art director, stage designer, choreographer and participant. Celebration? Realife probes the relationship between art, design, popular culture and performance at a moment when these disciplines, genres and milieus hardly ever met. Holert shows how this influential work inventively anticipates and helps to define an important and increasingly popular tendency in art."--Jacket.

Installations (Art) --- Performance art --- Chaimowicz, Marc Camille. --- kunst --- 7.071 CHAIMOWICZ --- performance --- concept art --- kunst en design --- design --- conceptuele kunst --- installaties --- Chaimowicz Marc Camille --- Frankrijk --- Groot-Brittannië --- twintigste eeuw --- Arts, Modern --- Happenings (Art) --- Performing arts --- Chaimowicz, Marc Camille --- Criticism and interpretation.

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School buildings --- twintigste eeuw --- pedagogie --- onderwijs --- architectuur --- schoolgebouwen --- sociologie --- onderzoek --- 37 --- Buildings, School --- School architecture --- School-houses --- Schoolhouses --- Public buildings --- School facilities --- Social aspects --- Political aspects --- History --- Exhibitions --- Education --- Space race --- School buildings. --- Social aspects. --- Political aspects. --- 1900-1999

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Design --- Design --- Design --- Design --- Design --- Design --- Philosophy. --- Economic aspects. --- Political aspects. --- Philosophie --- Aspect économique --- Aspect politique

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Neolithic Childhood examines how in the interwar years the artistic avant-gardes in Europe and beyond reacted to the "crisis" of almost everything, from the barbarism of technological mass war to the hypocrisies of colonial discourse. The perceived need to re-establish European civilization after the disaster of the First World War led to an interminable reconstruction of origins and beginnings - making ground zero the limiting function of modernity. Based on the writings of the anti-academic art historian Carl Einstein (1885-1940), the exhibition is devoted to despair over the present and the pressing interest in altering humanity, as manifested from the 1920s to the 1940s in the artistic avant-gardes and the sciences.

Avant-garde (Aesthetics) --- World War, 1914-1918 --- kunst --- avant-garde --- twintigste eeuw --- kunst en etnografie --- primitieve kunst --- surrealisme --- schilderkunst --- tekenkunst --- beeldhouwkunst --- fotografie --- 7.037 --- European War, 1914-1918 --- First World War, 1914-1918 --- Great War, 1914-1918 --- World War 1, 1914-1918 --- World War I, 1914-1918 --- World War One, 1914-1918 --- WW I (World War, 1914-1918) --- WWI (World War, 1914-1918) --- History, Modern --- History --- Art --- Haus der Kulturen der Welt --- House of the Cultures of the World --- House of World Cultures --- Haus (Berlin, Germany : 1989) --- Casa das Culturas do Mundo --- HKW --- Kongresshalle Berlin --- World War (1914-1918) --- Exhibitions

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Art.