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Iconography --- Art --- Sculpture --- installations [visual works] --- art [discipline] --- sarcophagi [coffins] --- monuments --- scripts [writing] --- Holzer, Jenny --- anno 1900-1999 --- United States of America
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Art --- projections [visual works] --- texts [documents] --- Conceptual --- Holzer, Jenny
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Iconography --- Art --- Sculpture --- outdoor sculpture --- installations [visual works] --- art [discipline] --- public art --- light art --- scripts [writing] --- sculpting --- Holzer, Jenny --- anno 1900-1999 --- United States of America
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Two of the most original artists of the postwar period, Louise Bourgeois and Jenny Holzer, meet in this exceptional artist’s book conceived and designed by Holzer to accompany the Bourgeois exhibition she has curated at the Kunstmuseum Basel. Despite their formal differences, both artists share a strong interest in psychological and emotional states, such as love, desire, sexuality, rejection, jealousy, murder, suicide, dependency, and abandonment. Where Holzer approaches these subjects from a more sociopolitical angle, Bourgeois derives them from her own psychic life. Holzer’s book is not a document of her Bourgeois exhibition but rather a parallel work that further mines the dynamic interplay between text and image in Bourgeois’ art. Working in a sumptuous oversize format, she has set up a nonlinear narrative through juxtapositions of Bourgeois’ works and writings, deploying extreme close-ups, dramatic croppings, full-page bleeds, and other devices to startle and refocus our attention on Bourgeois’ preoccupations and obsessions. At times these juxtapositions are enriched with works chosen from the historical collections of the Kunstmuseum Basel. The resultant confrontations are unexpected, jarring, and inspiring. A fascinating montage of images and writings, this volume offers a unique perspective on Bourgeois’ extraordinary oeuvre as filtered through Holzer’s gaze. The artist’s book is accompanied by a booklet with texts by Kunstmuseum Basel director Josef Helfenstein and curator Anita Haldemann.
Art --- drawings [visual works] --- sculpture [visual works] --- installations [visual works] --- emotion --- easel paintings [paintings by form] --- kunstenaarsboeken --- Bourgeois, Louise --- Holzer, Jenny --- paintings [visual works]
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ruimtelijke kunst --- ruimtelijke kunst --- #breakthecanon --- Holzer, Jenny
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Installations (Art) --- Words in art --- Mots dans l'art --- Exhibitions --- Expositions --- Holzer, Jenny, --- Holzer, Jenny --- Exhibitions.
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Märkli's 'Visitor Centre', unmistakeable thanks to Jenny Holzer's large contribution, is the second building to be finished in the Campus. The project embraces contemporary forms while exposing the inherent qualities of materials, such as yew and olive wood, aluminium and marble which have been utilized. Here a thorough survey of the building is provided through sketches, plans, photographs and text.
Constructions --- Architecture --- Sièges sociaux --- Immeubles de bureaux --- Märkli, Peter, --- Bâle (Suisse) --- 72.07 --- Märkli, Peter °1953 (°Quanten, Zw.) --- Architectuur ; Basel ; 2001 ; Novartis Campus ; P. Märkli --- Auditoria --- Architectuur ; kantoorgebouwen ; bedrijfsgebouwen --- Holzer, Jenny --- Architecten. Stedenbouwkundigen A - Z --- Märkli, Peter --- Märkli, Peter °1953 (°Quanten, Zwitserland) --- architectuur [objectgenre] --- kantoorgebouwen --- office buildings --- architecture [object genre] --- Märkli, Peter, --- Sièges sociaux --- Märkli, Peter --- Bâle (Suisse)
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Women artists --- Installations (Art) --- Sculpture, American --- Femmes artistes --- Sculpture américaine --- Exhibitions --- Expositions --- Holzer, Jenny, --- Exhibitions. --- artists' books [books] --- Holzer, Jenny
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texts [document genres] --- installations [visual works] --- art [fine art] --- Art --- Holzer, Jenny --- Words in art --- Installations (Art) --- Mots dans l'art --- Holzer, Jenny, --- texts [documents] --- art [discipline]
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