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Dionysos in archaic Greece : an understanding through images
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ISSN: 09277633 ISBN: 9789047418825 9047418824 9004144455 9789004144453 9786613060266 1283060264 Year: 2006 Volume: 160 Publisher: Leiden: Brill,

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Abstract

For the Greek, Dionysos was a very important god: for individuals as well as for the community as a whole. As there are only a few written sources dating from before the 5th Century BC the many images of Dionysos on Greek vases may well offer a genuine approach to the meaning given by the ancient viewer. This book explores the earliest images followed by those on small vases for private use, on mixing bowls of the symposion, on amphoras, on later drinking cups and on archaic sculptures. It gives an overview of Dionysian iconography of the 5th Century BC as well as an overall interpretation. The reader will learn why this god of vine and wine, of theatre and ecstasy, was so important for humans and why he played a key role in the life of the polis. Dionysos war für die Griechen ein Gott von zentraler Bedeutung, sowohl im Leben des Einzelnen wie der Gemeinschaft. Weil vor dem 5. Jahrhundert v.Chr. sehr wenige Schriftzeugnisse existieren, können uns die vielen Darstellungen des Dionysos auf griechischen Vasen am ehesten einen Zugang zu dem vermitteln, was der antike Mensch über ihn dachte. Analysiert werden zuerst die frühesten Bilder, dann jene auf kleinen individuell gebrauchten Vasen, auf grossen, beim Symposion verwendeten Mischgefässen, auf Amphoren, auf den späteren Trinkschalen und schliesslich in der archaischen Skulptur. Das Buch schliesst mit einem Ausblick auf die Bildgeschichte des Dionysos im 5. Jahrhundert volumeChr. und einer umfassenden Deutung. Diese Interpretation hilft zu verstehen, warum Dionysos, der Gott der Rebe und des Weins, des Theaters, der Ekstase, für den antiken Menschen so wichtig war und auch im öffentlichen Leben der klassischen Polis eine so grosse Rolle gespielt hat.

Keywords

Vase-painting, Greek --- Vases, Black-figured --- Peinture de vases grecque --- Vases à figures noires --- Dionysos (Divinité grecque) --- Themes, motives. --- Thèmes, motifs --- Art --- Dionysus --- Art. --- Dionysus (Greek deity) --- 292 --- 704.947 --- Black-figure vases --- Black-figured vases --- Vases, Black-figure --- Vases, Ancient --- Themes, motives --- Religion Classical Greek and Roman --- Arts Mythology --- Vases à figures noires --- Thèmes, motifs. --- Dionysos, --- Dans l'art --- Greece. --- Bacchus --- Bakchos --- Dionís --- Dionisas --- Dioniso --- Dionīss --- Dionisu --- Dioniz --- Dionizi --- Dionizo --- Dionizos --- Dionüszosz --- Dionysos --- Dionýzos --- Diyonizosse --- Διόνυσος --- Дионис --- ديونيسوس --- 디오니소스 --- דיוניסוס --- ディオニューソス --- 狄俄倪索斯 --- Βάκχος --- Діоніс --- al-Yūnān --- Ancient Greece --- Ellada --- Ellas --- Ellēnikē Dēmokratia --- Elliniki Dimokratia --- Grčija --- Grèce --- Grecia --- Gret͡sii͡ --- Griechenland --- Hellada --- Hellas --- Hellenic Republic --- Hellēnikē Dēmokratia --- Kingdom of Greece --- République hellénique --- Royaume de Grèce --- Vasileion tēs Hellados --- Xila --- Yaṿan --- Yūnān --- Vase-painting, Greek - Themes, motives. --- Vases, Black-figured - Greece - Themes, motives. --- Dionysus (Greek deity) - Art. --- Classics --- Religion in Antiquity --- Classical Studies --- Amphora --- John Beazley --- Krater --- Kylix --- Satyr


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Stamnoi
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Year: 1976 Publisher: Lugano : Cornèr bank,

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Stamnoi
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Year: 1977 Publisher: Lugano Cornèr Bank

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Lieblinge der Meermädchen : Achilleus und Theseus auf einer Spitzamphora aus der Zeit der Perserkriege
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Year: 1977 Publisher: Zürich Archäologische Sammlung der Universität Zürich

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Dionysos in classical Athens : an understanding through images
Authors: ---
ISSN: 09277633 ISBN: 9004270124 9004270116 1322343462 9789004270114 Year: 2015 Publisher: Leiden: Brill,

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"Dionysos, with his following of satyrs and women, was a major theme in a big part of the figure painted pottery in 500-300 B.C. Athens. As an original testimonial of their time, the imagery on these vases convey what this god meant to his worshippers. It becomes clear that - contrary to what is usually assumed - he was not only appropriate for wine, wine indulgence, ecstasy and theatre. Rather, he was present in both the public and private sphere on many, both happy and sad, occasions. In addition, the vase painters have emphasized different aspects of Dionysos for their customers inside and outside of Athens, depending on the political and cultural situation"--


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Auf classischem Boden gesammelt : zu den frühen Antikensammlungen in der Schweiz : zum 150. Schenkungstag der Berner Antiken
Authors: --- ---
Year: 1980 Publisher: Feldmeilen Raggi-Verlag

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Dionysos in archaic Greece : an understanding through images
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ISBN: 9789047418825 Year: 2007 Publisher: Leiden Boston Brill

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Dionysos in Classical Athens : an Understanding through Images
Authors: --- --- ---
ISBN: 9789004270121 Year: 2015 Publisher: Leiden ; Boston Brill

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"Dionysos, with his following of satyrs and women, was a major theme in a big part of the figure painted pottery in 500-300 B.C. Athens. As an original testimonial of their time, the imagery on these vases convey what this god meant to his worshippers. It becomes clear that he was not only appropriate for wine, wine indulgence, ecstasy and theatre. Rather, he was presenton many, both happy and sad, occasions. The vase painters have emphasized different aspects of Dionysos for their customers inside and outside of Athens, depending on the political and cultural situation."

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Stiftung Koradi/Berger : altägyptische Statuen und Bronze, Etruskische, grossgriechische und nordostthailändische Vasenn Römische Skulpturen und Mosaiken
Authors: --- --- --- --- --- et al.
ISBN: 3905083019 Year: 1989 Publisher: Zürich Universität Zürich. Archäologische sammlung

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Dossier : Images mises en forme

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Dossier : Quel rapport l’image entretient-elle avec le support qui la véhicule ? Les vases attiques fournissent une quantité de représentations souvent traitées comme si elles étaient plates et immatérielles. Ce dossier questionne cette matérialité selon deux axes : comment l’image s’adapte-t-elle aux surfaces rondes, sphériques, circulaires du vase ? Varia : Paradigmes masculins (le vieux Priam, le héros euripidéen, sophistes platoniciens, Hermès au gymnase, Ésope). Archéologie d'un mythe (les Arimaspes). Étiologie. Conférence Gernet : Aube de la cité, aube des images ?

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