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Art schools --- Social aspects --- Bauhaus --- Bauhaus. --- Influence. --- Art --- Study and teaching --- History --- Ecoles des Beaux-Arts --- Etude et enseignement --- Histoire --- Aspect social
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A sweeping global history of the built environment over six centuries, highlighting the social context in which buildings are commissioned, designed, and constructedLavishly illustrated, Architecture since 1400 presents key moments and innovations in architectural modernity around the globe. Making clear that visionary architecture has never been the exclusive domain of the West and recognizing the diversity of those responsible for commissioning, designing, and constructing buildings, this book provides a sweeping, cross-cultural history of the built environment over six centuries.
72.03 --- Architectuur (geschiedenis) --- Architectuurgeschiedenis --- Architecture --- Architecture and society --- History. --- Architecture and sociology --- Society and architecture --- Sociology and architecture --- History --- Social aspects --- Human factors
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After World War II, West Germans and West Berliners found ways of communicating both their recent sufferings and aspirations for stable communities through buildings that fused the ruins of historicist structures with new constructions rooted in the modernism of the 1910s and 201820s. As Modernism as Memory illustrates, these postwar practices undergird the approaches later taken in influential structures created or renovated in Berlin following the fall of the Wall, including the Jewish Museum and the Reichstag, the New Museum and the Topography of Terror. While others have characterized contemporary Berlins museums and memorials as postmodern, Kathleen James-Chakraborty argues that these environments are examples of an architecture of modern memorythat is much older, more complex, and historically contingent. She reveals that churches and museums repaired and designed before 1989 in Dfcren, Hanover, Munich, Neviges, Pforzheim, Stuttgart, and Weil am Rhein contributed to a modernist precedent for the relationship between German identity and the past developed since then in the Ruhr region and in Berlin. Modernism as Memory demonstrates that how one remembers can be detached from what one remembers, contrasting ruins with recollections of modernism to commemorate German suffering, the Holocaust, and the industrial revolution, as well as new spaces for Islam in the country.
Architecture --- Architecture and society --- Collective memory --- ARCHITECTURE / History / Contemporary (1945-). --- ARCHITECTURE / Criticism. --- History --- 72.036 --- 72.025 --- Duitsland --- Berlijn --- Modernisme (architectuur) --- Modernistische architectuur --- Postmoderne architectuur --- Postmodernisme (architectuur) --- Restauratie (architectuur) --- architecture [discipline] --- Modernist --- anno 1900-1999 --- Germany: West
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This book illustrates the ways in which buildings designed by Germany's most celebrated twentieth century architects were embedded in widely held beliefs about the power of architecture to influence society.
Modern movement (Architecture) --- Architecture --- Popular culture --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Architecture, German --- Ecke (Group of architects) --- Modernism (Architecture) --- Modernist architecture --- Architecture, Modern --- International style (Architecture) --- Social aspects --- Influence. --- Architecture and society --- 72.037 --- Architectuur ; Berlijn ; 20ste eeuw ; 1989-2000 --- Architectuur ; spektakel ; theatergebouwen ; bioscopen --- Architectuur ; voor een massa toeschouwers ; 1ste h. 20ste eeuw --- Kerkbouw --- Architecture and sociology --- Society and architecture --- Sociology and architecture --- Influence --- History --- Architectuurgeschiedenis , 1900 - 1950 --- Human factors --- anno 1900-1999 --- Germany
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Modernity and religion are not mutually exclusive. Setting German and Irish church, synagogue and mosque architecture side by side over the last century highlights the place for the celebration of the new within faiths whose appeal lies in part in the stability of belief they offer across time. Inspired by radically modern German churches of the 1920s and 1930s, this volume offers new insights into designers of all three types of sacred buildings, working at home and abroad. It offers new scholarship on the unknown phenomenon of mid-century ecclesiastical architecture in sub-Saharan Africa by Irish designers; a critical appraisal of the overlooked Frank Lloyd Wright-trained Andrew Devane and an analysis of accommodating difficult pasts and challenging futures with contemporary synagogue and mosque architecture in Germany. With a focus on influence and processes, alongside conservationists and historians, it features critical insights by the designers of some of the most celebrated contemporary sacred buildings, including Niall McLaughlin who writes on his multiple award-winning Bishop Edward King Chapel and Amandus Sattler, architect of the innovative Herz-Jesu-Kirche, Munich.
Modern movement (Architecture) --- Religious architecture --- 726 --- 72.036 --- 72.037 --- Duitsland --- Ierland --- Religieuze architectuur --- 20ste eeuw (architectuur) --- 21ste eeuw (architectuur)
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"Modernity and religion are not mutually exclusive. Setting German and Irish church, synagogue and mosque architecture side by side over the last century highlights the place for the celebration of the new within faiths whose appeal lies in part in the stability of belief they offer across time. Inspired by radically modern German churches of the 1920s and 1930s, this volume offers new insights into designers of all three types of sacred buildings, working at home and abroad. It offers new scholarship on the unknown phenomenon of mid-century ecclesiastical architecture in sub-Saharan Africa by Irish designers; a critical appraisal of the overlooked Frank Lloyd Wright-trained Andrew Devane and an analysis of accommodating difficult pasts and challenging futures with contemporary synagogue and mosque architecture in Germany. With a focus on influence and processes, alongside conservationists and historians, it features critical insights by the designers of some of the most celebrated contemporary sacred buildings, including Niall McLaughlin who writes on his multiple award-winning Bishop Edward King Chapel and Amandus Sattler, architect of the innovative Herz-Jesu-Kirche, Munich."--Bloomsbury publishing.
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Collective memory --- German literature --- Group identity --- Literature and society --- History and criticism. --- History --- Germany --- Germany (East) --- Cultural policy.
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The events of 1989 and German unification were seismic historical moments. Although 1989 appeared to signify a healing of the war-torn history of the twentieth century, unification posed the question of German cultural identity afresh. Politicians, historians, writers, filmmakers, architects, and the wider public engaged in "memory contests" over such questions as the legitimacy of alternative biographies, West German hegemony, and the normalization of German history. This dynamic, contested, and still ongoing transformation of German cultural identity is the topic of this volume of new essays by scholars from the United Kingdom, Germany, the United States, and Ireland. It explores German cultural identity by way of a range of disciplines including history, film studies, architectural history, literary criticism, memory studies, and anthropology, avoiding a homogenized interpretation. Charting the complex and often contradictory processes of cultural identity formation, the volume reveals the varied responses that continue to accompany the project of unification.
Group identity --- Collective memory --- Literature and society --- German literature --- History --- History and criticism. --- Germany --- Germany (East) --- Cultural policy. --- Collective identity --- Community identity --- Cultural identity --- Social identity --- Identity (Psychology) --- Social psychology --- 1989. --- German cultural identity. --- German unification. --- West German hegemony. --- alternative biographies. --- culture and politics. --- memory contests. --- normalization of German history.
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"Bringing together an international team of scholars, this book offers new perspectives on the impact that the Bauhaus and its teaching had on a wide range of artistic practices. Three of the fields in which the Bauhaus generated immediately transformative effects were housing, typography, and photography. Contributors go further to chart the surprising relation of the school to contemporary developments in hair-styling and shop window display in unprecedented detail. New scholarship has detailed the degree to which Bauhaus faculty and students set off around the world, but it has seldom paid attention to its impact in communist East Germany or in countries like Ireland where no Bauhäusler settled. This wide-ranging collection makes clear that, a century after its founding, many new stories remain to be told about the influence of the twentieth century's most innovative arts institution. The book will be of interest to scholars working in art history, design history, photography and architectural history"--
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