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An examination of the role of sound in twentieth-century arts.This interdisciplinary history and theory of sound in the arts reads the twentieth century by listening to it--to the emphatic and exceptional sounds of modernism and those on the cusp of postmodernism, recorded sound, noise, silence, the fluid sounds of immersion and dripping, and the meat voices of viruses, screams, and bestial cries. Focusing on Europe in the first half of the century and the United States in the postwar years, Douglas Kahn explores aural activities in literature, music, visual arts, theater, and film. Placing aurality at the center of the history of the arts, he revisits key artistic questions, listening to the sounds that drown out the politics and poetics that generated them. Artists discussed include Antonin Artaud, George Brecht, William Burroughs, John Cage, Sergei Eisenstein, Fluxus, Allan Kaprow, Michael McClure, Yoko Ono, Jackson Pollock, Luigi Russolo, and Dziga Vertov.
Geluid in de kunst --- Son dans l'art --- Sound in art --- Douglas Kahn --- kunst --- twintigste eeuw --- muziek --- klank --- geluid --- kunst en muziek --- kunst en geluid --- stilte --- literatuur --- theater --- Artaud Antonin --- Brecht George --- Burroughs William --- Cage John --- Eisenstein Sergei --- Fluxus --- Kaprow Allan --- McClure Michael --- Ono Yoko --- Pollock Jackson --- Russolo Luigi --- Vertov Dziga --- bruitisme --- 7.036 --- Arts, Modern --- Sound in art. --- Arts [Modern ] --- 20th century --- Vibrations --- Art --- Music --- art [fine art] --- music [performing arts] --- noise --- sound [acoustics] --- sound art --- Cage, John --- anno 1900-1999 --- Son --- Son dans l'art - Expositions --- Son dans les arts du spectacle --- Arts visuels --- Histoire de la musique --- Art et musique --- Rapport image son --- Artaud, Antonin --- Brecht, George --- Burroughs, William Seward --- Cage, John, 1912-1992 --- Eisenstein, Sergueï --- Kaprow, Allan --- MacClure, Michael --- Ono, Yōko, 1933 --- Pollock, Jackson --- Russolo, Luigi --- Vertov, Dziga --- 82:7 --- 781.1 --- Geluid ; geluiden ; klanken --- Kunst en muziek ; 20ste eeuw ; klankkunst ; geluidskunst --- Sound Art --- 82:7 Literatuur en kunst --- Literatuur en kunst --- Geluidskunst --- ARTS/General --- art [discipline] --- music [performing arts genre]
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Earth Sound Earth Signal is a study of energies in aesthetics and the arts, from the birth of modern communications in the nineteenth century to the global transmissions of the present day. Douglas Kahn begins by evoking the Aeolian sphere music that Henry David Thoreau heard blowing along telegraph lines and the Aelectrosonic sounds of natural radio that Thomas Watson heard through the first telephone; he then traces the histories of science, media, music, and the arts to the 1960's and beyond. Earth Sound Earth Signal rethinks energy at a global scale, from brainwaves to outer space, through detailed discussions of musicians, artists and scientists such as Alvin Lucier, Edmond Dewan, Pauline Oliveros, John Cage, James Turrell, Robert Barry, Joyce Hinterding, and many others. Earth Sound Earth Signal is a study of energies in aesthetics and the arts, from the birth of modern communications in the nineteenth century to the global transmissions of the present day. Grounded in the Aeolian sphere music that Henry David Thoreau heard blowing in telegraph lines and in the Aelectrosonic sounds of natural radio that Thomas Watson heard in telephone lines, the book moves through the histories of science, media, music, and the arts to the 1960s, when the composer Alvin Lucier worked with the ""natural electromagnetic sounds"" present from ""brainwaves to outer.
Sound in art. --- Radio noise. --- 7.01 --- Geluid ; geluiden ; klanken ; in de kunst --- Sound studies --- Sound Art --- Radiogeluiden ; radioruis ; radiosignalen --- Energetische aardstralen ; in de kunst --- Noise, Radio --- Electronic noise --- Radio astronomy --- Radio meteorology --- Kunst ; theorie, filosofie, esthetica --- Sound in art --- Radio noise --- Art --- Music --- music [performing arts] --- sound [acoustics] --- performance art --- electronic music --- sound art --- Sound in art.. --- 1960s. --- 19th century. --- aelectrosonic sounds. --- aeolian sphere music. --- aesthetics. --- artists. --- arts. --- brainwaves. --- early sound technologies. --- earth magnitude. --- energies. --- global perspective. --- global transmissions. --- henry david thoreau. --- humanities. --- media studies. --- modern communications. --- modern world. --- music history. --- musicians. --- natural radio. --- nonfiction. --- outer space. --- science historians. --- science history. --- scientists. --- sound energy. --- telegraph lines. --- telephone. --- thomas watson. --- 781.1 --- Geluidskunst --- music [performing arts genre]
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This book investigates energies-in the plural, the energies embedded and embodied in everything under the sun- as they are expressed in the arts. With contributions from scholars and critics from the visual arts, art history, anthropology, music, literature, and the history of science, it offers the first multidisciplinary investigation of the concepts and material realities of energy coursing through the arts. Just as Douglas Kahn's earlier books helped introduce sound as a category for study in the arts, this new volume will be a foundational volume for future explorers in a largely uncharted domain. 0The modern concept of energy is only two hundred years old-an abstraction grounded in extraction-but this book takes a more expansive view. It opens with a clap: the sonic energies in a ceremony of the indigenous Goolarabooloo people of Australia. Other chapters explore the energies of photography; responses of artists in the early twentieth century-including Marcel Duchamp-to scientific discoveries in electricity and electromagnetism; the aestheticization of entropy in works by Hans Haacke and Robert Smithson; free-jazz musician Milford Graves's cross-cultural engagement with music, science, and spiritualism; energy field performance; and the self-generating energy of rumor and gossip as artwork. Contributors include such leading scholars as Linda Dalrymple Henderson, John Tresch, and Caroline A. Jones. Practicing artists and students of art history will find 'Energies in the Arts' an essential work.
Arts --- Force and energy --- Force et énergie --- Light in art. --- Philosophy. --- Philosophie.
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Art --- Mass communications --- anno 1900-1999 --- 82:7 --- 82:62 --- 82:659.3 --- 82:659.3 Literatuur en massacommunicatie --- Literatuur en massacommunicatie --- 82:62 Literatuur en technologie --- Literatuur en technologie --- 82:7 Literatuur en kunst --- Literatuur en kunst --- Arts, Modern --- Avant-garde (Aesthetics) --- Sound in art. --- History
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Mainframe Experimentalism challenges the conventional wisdom that the digital arts arose out of Silicon Valley’s technological revolutions in the 1970s. In fact, in the 1960s, a diverse array of artists, musicians, poets, writers, and filmmakers around the world were engaging with mainframe and mini-computers to create innovative new artworks that contradict the stereotypes of "computer art." Juxtaposing the original works alongside scholarly contributions by well-established and emerging scholars from several disciplines, Mainframe Experimentalism demonstrates that the radical and experimental aesthetics and political and cultural engagements of early digital art stand as precursors for the mobility among technological platforms, artistic forms, and social sites that has become commonplace today.
Arts, Modern --- Computer art. --- Art and computers. --- alison knowles. --- art and media. --- art criticism. --- art history. --- art. --- computer art criticism. --- computer art history. --- computer art. --- computer artists. --- computers and art. --- computers. --- digital art. --- digital artist. --- digital culture. --- digital media. --- digital scholarship. --- digital studies. --- early computer art. --- film arts. --- information aesthetics. --- media studies. --- modern art. --- nam june paik. --- stuttgart school. --- visual research. --- visual rhetoric. --- visual studies.
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Computer. Automation --- Art --- computer art [visual works] --- digital art [visual works] --- computers --- anno 1950-1959 --- anno 1960-1969 --- anno 1970-1979
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Corporations --- Taxation --- Law and legislation
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Small business --- Subchapter S corporations --- Taxation --- Law and legislation --- Taxation
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