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This is a book about memories, love, sex and the power of the imagination to see us through the most difficult times. The women of Reality, Reality are mesmerizing, whether in love or in solitude. Grace and Rose, glowing with pride, are the first to marry on Shetland; Hadassah, named for the Morning Star, burns as brightly. Margaret, alone in her care home, places her hope in a cherry red cardigan; Elina Makropulos, whose voice is the toast of generations, is desperate to be allowed to grow old. Stef cooks for made-up judges on the TV show in her head. Pat diets for one hundred and forty-three days to find her 'Mini-me'. Dionne longs for a child; Mrs Vadnie Marlene Sevlon for her husband. And Elizabeth Ellen carries her new baby into a future she didn't know could be hers. Jackie Kay's newest and most luminous of collections is full of compassion, generosity, sorrow and joy. In fifteen extraordinary stories, she celebrates the richness and power of dream-life to inspire, to repair, and to make real.

English literature --- Women

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This fierce, funny and compassionate collection explores every facet of that most overwhelming and complicated of human emotions: love. With winning directness, Jackie Kay captures her characters' greatest joy and greatest vulnerability, exposing the moments of tenderness, of shock, of bravery and of stupidity that accompany the search for love, the discovery of love and, most of all, love's loss. "Jackie Kay's characters sing from the page" - "Daily Telegraph". "So immediately engaging that it reads as though she is speaking to you at a bus stop" - Irish Times. "Jackie Kay's new book reveals her gift for capturing a voice ...at the heart of it is a faith in stories themselves: a belief that the most desolate history can be lent coherence if you tell it right" - "Times Literary Supplement". "Kay's humour and optimism are transcendent" - "Sunday Herald".

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Jackie Kay’s first collection as Scottish Makar is a book about the fighting spirit – one, the poet argues, that we need now more than ever. Bantam brings three generations into sharp focus – Kay’s own, her father’s, and his own father’s – to show us how the body holds its own story. Kay shows how old injuries can emerge years later; how we bear and absorb the loss of friends; how we celebrate and welcome new life; and how we how we embody our times, whether we want to or not.Bantam crosses borders, from Rannoch Moor to the Somme, from Brexit to Bronte country. Who are we? Who might we want to be? These are poems that sing of what connects us, and lament what divides us; poems that send daylight into the dark that threatens to overwhelm us – and could not be more necessary to the times in which we live.