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English literature --- Psychological study of literature

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"Until now, silence has surrounded the long-observed affinity of gay men for opera. The Queen's Throat violates the taboo, opens the closet, and shows how various and complex are the threads linking opera and homosexuality. A dazzling, innovative work that will fascinate readers of all sexual persuasions, it is a scrapbook of bright-voiced cadenzas, embroidered with candid confession, freewheeling speculation, and keen wit." "In this passionate love letter to opera, Koestenbaum brilliantly illuminates mysteries of sexuality, fandom, and obsession. Using opera as the lens to bring our yearnings and exultations into startling focus, he treats the opera queen as a trickster-oracle of whom we may ask: Why is opera the preeminent art form of the borderline, of transgression? Why have gay men sought to define themselves by mimicking divas? Why has Maria Callas attracted so much gay adulation? Why do the vocal cords seem a hiding place for sexual secrets? Is the marriage of words and music, in opera, a "queer" marriage? Is the word "queer," coming into controversial currency again, an apt description of opera's nature? And in a breathtaking finale, Koestenbaum sings back to us - in lyrical prose - a series of famous opera highlights. Here, in his "pocket guide to queer moments in opera," he provides a whirlwind demonstration of why opera matters so intensely to its devotees." "Surprisingly relevant to issues beyond the borders of opera and homosexuality, these provocative reflections also encompass manners, camp, spectacle, glamour, gossip, privacy, coming out, and a wide spectrum of sexual pleasures." "The Queen's Throat is also an elegy: writing nearly a quarter century after Stonewall, Koestenbaum communicates a haunted awareness of his separation from the earlier era of the opera queen, and his position within a far different time and generation, in a fin de siecle marked by AIDS and by changing sexual definitions and possibilities."

Operas --- Gay men --- Women singers --- Sex in music. --- Homosexuality in music --- Opera --- Singing --- Literary themes, motives. --- Social aspects. --- Koestenbaum, Wayne. --- Music --- seksualiteit in de kunst --- opera's

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English literature

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"Until now, silence has surrounded the long-observed affinity of gay men for opera. The Queen's Throat violates the taboo, opens the closet, and shows how various and complex are the threads linking opera and homosexuality. A dazzling, innovative work that will fascinate readers of all sexual persuasions, it is a scrapbook of bright-voiced cadenzas, embroidered with candid confession, freewheeling speculation, and keen wit." "In this passionate love letter to opera, Koestenbaum brilliantly illuminates mysteries of sexuality, fandom, and obsession. Using opera as the lens to bring our yearnings and exultations into startling focus, he treats the opera queen as a trickster-oracle of whom we may ask: Why is opera the preeminent art form of the borderline, of transgression? Why have gay men sought to define themselves by mimicking divas? Why has Maria Callas attracted so much gay adulation? Why do the vocal cords seem a hiding place for sexual secrets? Is the marriage of words and music, in opera, a "queer" marriage? Is the word "queer," coming into controversial currency again, an apt description of opera's nature? And in a breathtaking finale, Koestenbaum sings back to us - in lyrical prose - a series of famous opera highlights. Here, in his "pocket guide to queer moments in opera," he provides a whirlwind demonstration of why opera matters so intensely to its devotees." "Surprisingly relevant to issues beyond the borders of opera and homosexuality, these provocative reflections also encompass manners, camp, spectacle, glamour, gossip, privacy, coming out, and a wide spectrum of sexual pleasures." "The Queen's Throat is also an elegy: writing nearly a quarter century after Stonewall, Koestenbaum communicates a haunted awareness of his separation from the earlier era of the opera queen, and his position within a far different time and generation, in a fin de siecle marked by AIDS and by changing sexual definitions and possibilities."

Operas --- Gay men --- Women singers --- Sex in music. --- Homosexuality in music --- Opera --- Singing --- Literary themes, motives. --- Social aspects. --- Koestenbaum, Wayne.

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Psychoanalysis and literature --- Homosexuality and literature