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The radical feminist practice of the Italian art historian, art critic, poet, and feminist Carla Lonzi (1931–1982) and its potential relationship to both historical and contemporary art practices offers the contextual framework for the publication Deculturalize. Lonzi’s recurring demand for deculturizzazione, echoed in the book’s title, is based on her proclamation that women’s inclusion in society must be understood as a constant colonization. Their ensuing “impotence, lack of history, lack of culture” and “insignificance” can thus only be abolished through the establishment of an “unexpected” (female) subjectivation. Rather than continuing to be the object of historical-social power dynamics, women must become the subject of their own life practices through their continuous withdrawal from (patriarchal) norms. The book’s authors explore if and to what degree Lonzi’s radical feminist approach is based on art terms and concepts, or historical or contemporary art practices. The motivation was the exhibition Doing Deculturalization, presented at Museion, Bolzano, in 2019, and the related desire to address the (historically ambivalent) relationship between (Italian) female art and the formation of feminist theory. Essays by Sabeth Buchmann, Laura Iamurri, Marco Scotini and Elvira Vannini, and Giovanna Zapperi focus on this by analyzing works by women artists whose practices are related to Lonzi’s deculturizzazione concept. The contributions by artists Claire Fontaine, Ariane Müller, Margherita Morgantin (in conversation with Lia Cigarini) and Suzanne Santoro (in conversation with Ilse Lafer) present specific reflections on Lonzi’s feminist legacy, which is always related to the individual artist’s own artistic-feminist practice. Juxtaposed with these are philosophical and analytical concepts developed by Marc Rölli and Annarosa Buttarelli, who reconstruct Lonzi’s theory of deculturizzazione based on its historical reference points and update it for the present.
Art --- art [fine art] --- museology --- avant-garde --- feminism --- gender issues --- patriarchies --- Italy --- vrouw in de kunst --- toxic masculinity --- feminisme --- Multiculturalism in art --- Art, Modern --- Identité de genre --- Féminisme --- Lonzi, Carla --- Multiculturalism in art - Exhibitions --- Art, Modern - 21st century - Exhibitions --- art [discipline] --- Feminist art --- Gender --- Migration --- Book --- Catalogue --- Decolonization
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Raymond Pettibon counts among his muses Henry James, Mickey Spillane, Marcel Proust, William Blake, and Samuel Beckett, and pours their mutual influence, along with a bucket of West-coast punk rock, into elegant, aggressive watercolor cartoons. This selection includes everything from city streets to alien-on-human sex, captioned, ìit went on for 20 minutes instead of the required 2 because there was a live feed back home. (www.amazon.fr)
Pettibon, Raymond --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- Verenigde Staten --- tekenkunst --- kunst en politiek --- Pettibon Raymond --- 741.071 PETTIBON
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This book traces the evolution of Ulrike Gossarth's practice, with a particular emphasis on her training as a dancer in the 1970s, to draw connections between the early years with her sculptural settings and actions and her most recent work, which engages with history more generally. In her contributing essay, Ulrike Gossarth states that the titleWere I Made of Matter, I Would Coloris a counter-model to the fundamental Descartian formula I think therefore I am, a position which exists between consciousness and disembodiment, in a state of incompleteness. Rainer Borgemeister discusses the artist's actions from 1978 to 1987, which were preceded by her critical engagement with modern dance. Further contributions from Mieke Bal, Michael Glasmeier, and Elliot R. Wolfson discuss Grossarth's practice in relation to history, the body, and polymorphism.
Grossarth, Ulrike --- Art, German --- kunst --- 7.071 GROSSARTH --- installaties --- performance --- performances --- kunst en dans --- twintigste eeuw --- dans
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Auderer, Klaus ; Baumgarten, Lothar ; Broodthaers, Marcel ; Caramelle, Ernst ; Cha, Theresa Hak Kyung ; Dakic, Danica ; Downsbrough, Peter ; Dujourie, Lili ; Dunst, Heinrich ; Farocki, Harun ; Fisher, Morgan ; Fliri, Michael ; Fritscher, Susanna ; Gabellone, Giuseppe ; Ganahl, Rainer ; Graham, Rodney ; Grossarth, Ulrike ; Jacob, Luis ; Janssens, Ann Veronica ; Kasten, Barbara ; Koester, Joachim ; Kozlowski, Jaroslaw ; Litschauer, Maria Theresia ; Mallarmé, Stéphane ; Maloberti, Marcello ; Melitopoulos, Angela ; Lazzarato, Maurizio ; Morton, Ree ; Murphy, John ; Van Oldenborgh, Wendelien ; Oorebeek, Willem ; Oppermann, Anna ; Poledna, Mathias ; Pandian, Karthik ; Pumhösl, Florian ; Scherübel, Klaus ; Steiger, Dominik ; Steinbrecher, Erik ; Van Der Straeten, Andrea ; Strau, Josef ; Torfs, Ana ; Tscherkassky, Peter ; Tuerlinckx, Joëlle ; Voerman, Rob ; Wallace, Ian ; Willats, Stephen ; Zobernig, Heimo
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Art --- museology --- exhibiting --- Conceptual --- art collections --- museumcollectie
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Although the format of the rehearsal is used across a number of disciplines - film and theater as well as fine arts - it has been scarcely considered in historical and contemporary art discourses. With this in mind, Putting Rehearsals to the Test investigates the role and function of the rehearsal as a methodology, modus operandi, medium, site of representation, and reflection on processes of artistic production. As the contributions in this book show, practices of rehearsal put those procedures - sometimes joyful, sometimes troublesome but structurally productive - into the foreground to replace given conventions and regulations with new forms and rules. Shaping working processes (the in-the-making) and products (the making-of) without defined aims and ends, artists, activists, and theorists working with strategies of rehearsal focus on moments of contingency, interruption, recommencement, irregular repetition, uncertainty, and failure within existing systems. Practices of rehearsal, in attempting to transform asymmetric labor divisions, appear as links between aesthetic judgment and social or institutional critique. This book is a critical and timely reappraisal of the methodologies of the rehearsal, and makes a claim for the aesthetic and political potential in the unfinished project.
kunst --- theater --- Rainer Yonne --- Getter Tamar --- Velazquez Diego --- kunst en economie --- performances --- 7.01 --- 791.41 --- 792 --- repetities --- kunst en politiek --- kunst en theater --- kunst en film --- film --- politiek --- Theatrical science --- theater [discipline] --- methodology --- philosophy of art
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