Search
Feedback
About UniCat 
Help
News
| Listing 1 - 10 of 14 | << page >> |
Sort by
|
ISBN: 0892641266 0472901486 9780472127535 9780472901487 Year: 1998 Publisher: Ann Arbor Regents of the University of Michigan
Abstract | Keywords | Export | Availability | Bookmark
Loading...Choose an application
- Reference Manager
- EndNote
- RefWorks (Direct export to RefWorks)
Painting, Chinese --- S17/0100 --- S17/0630 --- Chinese painting --- Paintings, Chinese --- Indexes --- China: Art and archaeology--Bibliographies, dictionaries, yearbooks and collections --- China: Art and archaeology--Contemporary painting after 1911 (also European influence) --- Indexes.
Book
ISBN: 0472127535 Year: 1998 Publisher: Ann Arbor, Michigan : University of Michigan Press,
Abstract | Keywords | Export | Availability | Bookmark
Loading...Choose an application
- Reference Manager
- EndNote
- RefWorks (Direct export to RefWorks)
Painting, Chinese --- Indexes. --- Chinese painting --- Paintings, Chinese
Book
Year: 1997 Publisher: Ann Arbor : Xerox University Microfilms,
Abstract | Keywords | Export | Availability | Bookmark
Loading...Choose an application
- Reference Manager
- EndNote
- RefWorks (Direct export to RefWorks)
Book
Year: 2020 Publisher: Ann Arbor : University of Michigan Press,
Abstract | Keywords | Export | Availability | Bookmark
Loading...Choose an application
- Reference Manager
- EndNote
- RefWorks (Direct export to RefWorks)
In the second half of the twentieth century, studies in Chinese painting history have been greatly aided by several major lists of Chinese artists and their works. Published between 1956 and 1980, these lists were limited to Imperial China. The current index covers the period from 1912 to around 1980. It includes the names of approximately 3,500 traditional-style artists along with lists of their works, reproduced in some 264 monographs, books, journals, and catalogs published from the 1920s to around 1980. With a few exceptions, artists working after 1949 outside continental China are excluded. Revised Edition, 1998; first published by the Asian Studies Program, University of Oregon, 1984.
Book
ISBN: 0520060970 Year: 1988 Publisher: Berkeley University of California press
Abstract | Keywords | Export | Availability | Bookmark
Loading...Choose an application
- Reference Manager
- EndNote
- RefWorks (Direct export to RefWorks)
Book
Year: 2020 Publisher: Ann Arbor : University of Michigan Press,
Abstract | Keywords | Export | Availability | Bookmark
Loading...Choose an application
- Reference Manager
- EndNote
- RefWorks (Direct export to RefWorks)
In the second half of the twentieth century, studies in Chinese painting history have been greatly aided by several major lists of Chinese artists and their works. Published between 1956 and 1980, these lists were limited to Imperial China. The current index covers the period from 1912 to around 1980. It includes the names of approximately 3,500 traditional-style artists along with lists of their works, reproduced in some 264 monographs, books, journals, and catalogs published from the 1920s to around 1980. With a few exceptions, artists working after 1949 outside continental China are excluded. Revised Edition, 1998; first published by the Asian Studies Program, University of Oregon, 1984.
ISBN: 0892641541 9780892641543 Year: 2002 Publisher: Ann Arbor Center for Chinese Studies, University of Michigan
Abstract | Keywords | Export | Availability | Bookmark
Loading...Choose an application
- Reference Manager
- EndNote
- RefWorks (Direct export to RefWorks)
Traditional woodblock prints preserve a Chinese folk art that has now nearly vanished. This book explores and explains the artistic and aesthetic bases of popular prints revealed in eighty-four late nineteenth- and early twentieth-century prints belonging to the London-based Muban Foundation. Woodblock printing was the principal method of producing inexpensive and colorful single-sheet images for mass consumption in late nineteenth- and early twentieth-century China. Prints of this type are known today as "New Year pictures" because the demand for them peaked at New Year's time. However, the term "popular print" more accurately describes these works, whose subjects include deities and tutelary spirits, illustrations to stories and operas, and even contemporary political or revolutionary messages. The emphasis on the artistic aspects of these prints makes this publication uniquely appealing to Chinese art historians but also to those interested in Chinese anthropology, popular religion, Chinese and other folk art, and traditional crafts.
Wood-engraving, Chinese --- Gods in art --- Folk art --- Prints --- Private collections --- Muban Foundation
Book
Year: 1984 Publisher: Eugene (Or.): University of Oregon
Abstract | Keywords | Export | Availability | Bookmark
Loading...Choose an application
- Reference Manager
- EndNote
- RefWorks (Direct export to RefWorks)
Book
ISBN: 9780824843434 Year: 2004 Publisher: Honolulu
Abstract | Keywords | Export | Availability | Bookmark
Loading...Choose an application
- Reference Manager
- EndNote
- RefWorks (Direct export to RefWorks)
Book
Year: 2020 Publisher: Ann Arbor : University of Michigan Press,
Abstract | Keywords | Export | Availability | Bookmark
Loading...Choose an application
- Reference Manager
- EndNote
- RefWorks (Direct export to RefWorks)
In the second half of the twentieth century, studies in Chinese painting history have been greatly aided by several major lists of Chinese artists and their works. Published between 1956 and 1980, these lists were limited to Imperial China. The current index covers the period from 1912 to around 1980. It includes the names of approximately 3,500 traditional-style artists along with lists of their works, reproduced in some 264 monographs, books, journals, and catalogs published from the 1920s to around 1980. With a few exceptions, artists working after 1949 outside continental China are excluded. Revised Edition, 1998; first published by the Asian Studies Program, University of Oregon, 1984.
| Listing 1 - 10 of 14 | << page >> |
Sort by
|