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On the Museum's Ruins presents Douglas Crimp's criticism of contemporary art, its institutions, and its politics alongside photographic works by the artist Louise Lawler to create a collaborative project that is itself an example of postmodern practice at its most provocative. Crimp elaborates the new paradigm of postmodernism through analyses of art practices broadly conceived, not only the practices of artists -- Robert Rauschenberg, Cindy Sherman, Marcel Broodthaers, Richard Serra, Sherrie Levine, and Robert Mapplethorpe -- but those of critics and curators, of international exhibitions, and of new or refurbished museums such as the Staatsgalerie in Stuttgart and the Martin-Gropius-Bau in Berlin.

Art museums. --- Art --- Modernism (Art) --- Postmodernism. --- Photography, Artistic. --- Art and photography. --- Avant-garde (Aesthetics) --- Musées d'art --- Modernisme (Art) --- Postmodernisme --- Photographie artistique --- Art et photographie --- Avant-garde (Esthétique) --- Exhibition techniques. --- History --- Techniques d'exposition --- Histoire --- Modernism (Art). --- musea --- museums [buildings] --- museology --- museumkunde --- cultuurfilosofie --- Museology --- Philosophy and psychology of culture --- Musées d'art --- Avant-garde (Esthétique) --- Art and photography --- Art museums --- Photography, Artistic --- Postmodernism --- Exhibition techniques --- Art - Exhibition techniques. --- Avant-garde (Aesthetics) - History - 20th century. --- Douglas Crimp ; with Photographs by Louise Lawler --- kunst --- kunsttheorie --- museologie --- tentoonstellingen --- twintigste eeuw --- postmodernisme --- 7.01 --- 069 --- 77.071 LAWLER --- -Modernism (Art) --- Post-modernism --- Postmodernism (Philosophy) --- Arts, Modern --- Philosophy, Modern --- Post-postmodernism --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Aesthetics --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museums --- Photography and art --- Art exhibition techniques --- Display techniques in art --- Exhibition techniques in art --- Exhibitions --- -Aesthetics --- Galleries and museums --- Display techniques --- -Art --- Museums. --- History -

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Photographic criticism --- Photography, Artistic --- Lawler, Louise --- Criticism and interpretation.

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The Barefoot Promise is a study on foot fetishism trough set photographs of Western films. From Hollywood Golden Age to French Nouvelle Vague, the motif of the foot reveals the hidden fantasies and gender norms conveyed by European and American filmmakers. Structured as a film itself, the book is the first printed version of the Promise of the Screen, a screening device developed by Pierre Leguillon since 2007 to look at the marginal aspects of cinema. All lobby cards and press photographs reproduced in this publication belong to the collections of the Museum of Mistakes, Brussels. The book comes with an intermission and a bonus by Louise Lawler!

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Antin, Eleanor ; Anzinger, Siegfried ; Avveduti, Sergia ; Dugdale, John ; Evergon ; Fogli, Andrea ; Gil, Javier ; Hilliard, John ; Knap, Jan ; Kolar, Jiri ; Kunc, Milan ; Lawler, Louise ; Mariani, Carlo Maria ; Massini, Claudio ; Morimura, Yasumasa ; Muniz, Vik ; Nespolo, Ugo ; Ontani, Luigi ; O'Reilly, John ; Padgett, Laura ; Pisani, Vettor ; Poirier, Anne & Patrick ; Rainer, Arnulf ; Salvo ; Scheda, Stefano ; Silombria, Marco ; Spero, Nancy ; Tobreluts, Olga ; Trenkwalder, Elmar ; Warhol, Andy ; Ziegler, Michael