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Political philosophy. Social philosophy --- formalism --- art historians --- architecture [object genre] --- Baroque --- Architecture --- influence --- political ideologies and attitudes --- Burckhardt, Jacob --- Gurlitt, Cornelius Gustav --- Wölfflin, Heinrich --- Sedlmayr, Hans --- Brinckmann, Albert Erich --- anno 1800-1999 --- anno 1600-1699 --- kunst en politiek
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Bringing together established and emerging specialists in seventeenth-century Italian sculpture, Material Bernini is the first sustained examination of the conspicuous materiality of Bernini’s work in sculpture, architecture, and paint. The various essays demonstrate that material Bernini has always been tied (whether theologically, geologically, politically, or in terms of art theory) to his immaterial twin. Here immaterial Bernini and the historiography that sustains him is finally confronted by material Bernini. Central to the volume are Bernini’s works in clay, a fragmentary record of a large body of preparatory works by a sculptor who denied any direct relation between sketches of any kind and final works. Read together, the essays call into question why those works in which Bernini’s bodily relation to the material of his art is most evident, his clay studies, have been configured as a point of unmediated access to the artist’s mind, to his immaterial ideas. This insight reveals a set of values and assumptions that have profoundly shaped Bernini studies from their inception, and opens up new and compelling avenues of inquiry within a field that has long remained remarkably self-enclosed
Bernini, Gian Lorenzo, --- Criticism and interpretation --- Models (Clay, plaster, etc.) --- Criticism and interpretation. --- Sculpture --- Technique
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Over the course of some two centuries following the conquests and consolidations of Spanish rule in the Americas during the late fifteenth and early sixteenth centuries—the period designated as the Baroque—new cultural forms sprang from the cross-fertilization of Spanish, Amerindian, and African traditions. This dynamism of motion, relocation, and mutation changed things not only in Spanish America, but also in Spain, creating a transatlantic Hispanic world with new understandings of personhood, place, foodstuffs, music, animals, ownership, money and objects of value, beauty, human nature, divinity and the sacred, cultural proclivities—a whole lexikon of things in motion, variation, and relation to one another. Featuring the most creative thinking by the foremost scholars across a number of disciplines, the Lexikon of the Hispanic Baroque is a uniquely wide-ranging and sustained exploration of the profound cultural transfers and transformations that define the transatlantic Spanish world in the Baroque era. Pairs of authors—one treating the peninsular Spanish kingdoms, the other those of the Americas—provocatively investigate over forty key concepts, ranging from material objects to metaphysical notions. Illuminating difference as much as complementarity, departure as much as continuity, the book captures a dynamic universe of meanings in the various midst of its own re-creations. The Lexikon of the Hispanic Baroque joins leading work in a number of intersecting fields and will fire new research—it is the indispensible starting point for all serious scholars of the early modern Spanish world.
Civilization, Baroque. --- Civilization, Hispanic. --- America --- Spain --- Civilization. --- Civilization --- Civilization, Spanish --- Hispanic civilization --- Spanish civilization --- Baroque civilization
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Over the course of some two centuries following the conquests and consolidations of Spanish rule in the Americas during the late fifteenth and early sixteenth centuries—the period designated as the Baroque—new cultural forms sprang from the cross-fertilization of Spanish, Amerindian, and African traditions. This dynamism of motion, relocation, and mutation changed things not only in Spanish America, but also in Spain, creating a transatlantic Hispanic world with new understandings of personhood, place, foodstuffs, music, animals, ownership, money and objects of value, beauty, human nature, divinity and the sacred, cultural proclivities—a whole lexikon of things in motion, variation, and relation to one another. Featuring the most creative thinking by the foremost scholars across a number of disciplines, the Lexikon of the Hispanic Baroque is a uniquely wide-ranging and sustained exploration of the profound cultural transfers and transformations that define the transatlantic Spanish world in the Baroque era. Pairs of authors—one treating the peninsular Spanish kingdoms, the other those of the Americas—provocatively investigate over forty key concepts, ranging from material objects to metaphysical notions. Illuminating difference as much as complementarity, departure as much as continuity, the book captures a dynamic universe of meanings in the various midst of its own re-creations. The Lexikon of the Hispanic Baroque joins leading work in a number of intersecting fields and will fire new research—it is the indispensible starting point for all serious scholars of the early modern Spanish world.
Civilization, Baroque. --- Civilization, Hispanic. --- America --- Spain --- Civilization. --- Civilization
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History --- Religious architecture --- Advertising. Public relations --- Baroque --- Christian religious orders --- propaganda --- Art --- Society of Jesus --- anno 1400-1499 --- anno 1600-1699 --- anno 1500-1599 --- Art [Baroque ] --- Art baroque --- Barok in de kunst --- Barokkunst --- Baroque art --- Baroque dans l'art --- Contra-reformatie in de kunst --- Contre-réforme dans l'art --- Counter-Reformation in art --- Kunst [Barok] --- Nationaal-socialisme en kunst --- National socialism and art --- National-socialisme et art --- Propaganda in Kunst --- Propaganda in art --- Propagande dans l'art --- Art, Baroque. --- Counter-Reformation in art. --- Jesuit architecture --- Jesuit art --- National socialism and art. --- Propaganda in art. --- 271.5-8 --- #GBIB: jesuitica --- Jezuïeten: speciale gebruiken: specifiek apostolaat; opvoedingssysteem --- 271.5-8 Jezuïeten: speciale gebruiken: specifiek apostolaat; opvoedingssysteem --- Art, Baroque --- Art and national socialism --- Nazi art --- Art, Jesuit --- Christian art and symbolism --- Architecture, Jesuit --- Church architecture --- Europe --- Architectuur --- Kunsten --- Barok --- 17e eeuw --- 18e eeuw
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Artists --- Biography --- History and criticism. --- Bernini, Gian Lorenzo, --- Baldinucci, Filippo, --- Bernini, Domenico,
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