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Unsettling the literary West : authenticity and authorship
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ISBN: 1280465816 9786610465811 0803203454 9780803203457 0803229380 9780803229389 9781280465819 6610465819 Year: 2003 Publisher: Lincoln : Baltimore, Md. : University of Nebraska Press, Project MUSE,

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Abstract

The test of western literature has invariably been Is it real? Is it accurate? Authentic? The result is a standard anything but literary, as Nathaniel Lewis observes in this ambitious work, a wholesale rethinking of the critical terms and contexts-and thus of the very nature-of western writing. Why is western writing virtually missing from the American literary canon but a frequent success in the marketplace? The skewed status of western literature, Lewis contends, can be directly attributed to the strategies of the region's writers, and these strategies depend consistently on the claim of authenticity. A perusal of western American authorship reveals how these writers effectively present themselves as accurate and reliable recorders of real places, histories, and cultures-but not as stylists or inventors. The imaginative qualities of this literature are thus obscured in the name of authentic reproduction. Through a study of a set of western authors and their relationships to literary and cultural history, Lewis offers a reconsideration of the deceptive and often undervalued history of western American literature. With unequivocal admiration for the literature under scrutiny, Lewis exposes the potential for startling new readings once western writing is freed from its insistence on a questionable authenticity. His book sets out a broader system of inquiry that points writers and critics of western literature in the direction of a new and truly sustaining literary tradition.


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Morta Las Vegas : CSI and the problem of the West
Authors: ---
ISBN: 1496204271 9781496204271 9781496204257 1496204255 9781496204264 1496204263 0803299931 1496204255 9780803299931 Year: 2017 Publisher: Lincoln, [Nebraska] ; London, [England] : University of Nebraska Press,

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Through all its transformations and reinventions over the past century, "Sin City" has consistently been regarded by artists and cultural critics as expressing in purest form, for better or worse, an aesthetic and social order spawned by neon signs and institutionalized indulgence. In other words, Las Vegas provides a codex with which to confront the problems of the West and to track the people, materials, ideas, and virtual images that constitute postregional space.Morta Las Vegas considers Las Vegas and the problem of regional identity in the American West through a case study of a single episode of the television crime drama CSI: Crime Scene Investigation. Delving deep into the interwoven events of the episode titled "4 x 4," but resisting a linear, logical case-study approach, the authors draw connections between the city--a layered and complex world--and the violent, uncanny mysteries of a crime scene. Morta Las Vegas reveals nuanced issues characterizing the emergence of a postregional West, moving back and forth between a geographical and a procedural site and into a place both in between and beyond Western identity.


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The English heroic play : a critical description of the rhymed tragedy of the restoration
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Year: 1903 Publisher: New York : London : The Columbia university press, The Macmillan company, agents Macmillan & co., ltd.,

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True West
Authors: ---
ISBN: 1280465859 9786610465859 0803203993 9780803203990 0803224109 9780803224100 9781280465857 6610465851 Year: 2004 Publisher: Lincoln University of Nebraska Press

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In no other region of the United States has the notion of authenticity played such an important yet elusive role as it has in the West. Though pervasive in literature, popular culture, and history, assumptions about western authenticity have not received adequate critical attention. Given the ongoing economic and social transformations in this vast region, the persistent nostalgia and desire for the "real" authentic West suggest regional and national identities at odds with themselves. True West explores the concept of authenticity as it is used to invent, test, advertise, and read the West. The fifteen essays collected here apply contemporary critical and cultural theory to western literary history, Native American literature and identities, the visual West, and the imagining of place. Ranging geographically from the Canadian Prairies to Buena Park's Entertainment Corridor in Southern California, and chronologically from early tourist narratives to contemporary environmental writing, True West challenges many assumptions we make about western writing and opens the door to an important new chapter in western literary history and cultural criticism.

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